{"title":"Hub - Fiction Writing Classes \u0026 Workshops","description":"","products":[{"product_id":"6-month-novel-mentorship-program-with-kelly-luce","title":"The Deep Draft: Finish Your Novel 6-Month Mentorship Program with Kelly Luce, Apply Now!","description":"\u003cdiv id=\"block-e6fb025aa95d7b24fc44\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003e**Applications are Required**\u003c\/h2\u003e\n\u003ch2\u003e\n\u003ca rel=\"noopener\" title=\"Apply for Kelly Luce's 6-Month Novel Mentorship Program\" href=\"https:\/\/writingworkshops.com\/pages\/apply-for-the-deep-draft-finish-your-novel-6-month-mentorship-kelly-luce\" target=\"_blank\"\u003eClick HERE to Apply\u003c\/a\u003e. Early applications are encouraged. Payment plans are available.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eIMPORTANT: Please do not pay for the mentorship until you receive an acceptance notification via email.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this mentorship? Use the Chat Button to talk with us.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication Process: \u003c\/strong\u003eComplete \u003ca rel=\"noopener\" title=\"Apply for Kelly Luce's 6-Month Novel Mentorship Program\" href=\"https:\/\/writingworkshops.com\/pages\/apply-for-the-deep-draft-finish-your-novel-6-month-mentorship-kelly-luce\" target=\"_blank\"\u003eApplication Questionnaire.\u003c\/a\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003eWe are very excited to offer a limited enrollment one-on-one 6-Month Novel Mentorship Program with award-winning novelist Kelly Luce, the author of \u003cem\u003eThree Scenarios in Which Hana Sasaki Grows a Tail\u003c\/em\u003e (A Strange Object), winner of \u003cem\u003eForeword Review\u003c\/em\u003e's Editor's Choice Prize for Fiction, and the novel \u003cem\u003ePull Me Under\u003c\/em\u003e (Farrar, Straus, and Giroux), a Book of the Month Club selection and one of \u003cem\u003eElle\u003c\/em\u003e's Best Books of 2016. Her work has been recognized by fellowships from the MacDowell Colony, Yaddo, the Tennessee Arts Commission, Sewanee Writers' Conference, Ucross Foundation, Art Omi, Ragdale Foundation, the Kerouac Project, and Jentel Arts, and has appeared in \u003cem\u003eNew York Magazine\u003c\/em\u003e, \u003cem\u003eChicago Tribune\u003c\/em\u003e, \u003cem\u003eThe Sun\u003c\/em\u003e, \u003cem\u003eSalon\u003c\/em\u003e, \u003cem\u003eO, the Oprah Magazine\u003c\/em\u003e, \u003cem\u003eThe Southern Review\u003c\/em\u003e, and other publications; her digital short story \"\u003ca href=\"https:\/\/codelit.com\/between-the-lines\" title='Viral Short Story \"Between the Lines\" by Kelly Luce' rel=\"noopener\" target=\"_blank\"\u003eBetween the Lines\u003c\/a\u003e\" went viral in 2022. She received an MFA from the Michener Center for Writers at UT Austin, where she was editor-in-chief of \u003cem\u003eBat City Review\u003c\/em\u003e and editorial assistant for the \u003cem\u003eO. Henry Prize Anthology\u003c\/em\u003e. She is the editor of Electric Literature's \u003cem\u003eCommuter\u003c\/em\u003e and was a 2016-17 fellow at Harvard's Radcliffe Institute for Advanced Study. In 2023, she was awarded the Wachtmeister Prize from the Virginia Center for the Creative Arts.\u003cbr\u003e\u003cbr\u003eThis is an immersive one-on-one course designed to shepherd hardworking writers to THE END of their manuscript and identify next steps for the project (revision, querying agents, publication, etc.). \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ideal Applicant\u003c\/strong\u003e has the discipline to be an online student and the desire to complete a novel manuscript during the program. Applicants should have at least 15K words of a novel written (a messy draft is fine) and an outline of the story. The outline can be loose, and can and probably will change drastically over the six months; the exercise is important so that the applicant can picture the entire span of the story. The goal is to have a full novel draft at the end of the six months.\u003c\/p\u003e\n\u003cp\u003eWhether you are still working on your idea or are well into writing it, this mentorship will meet you where you are, and motivate and inspire both beginning and advanced novelists. Writers accepted into the program will already have a basic knowledge of the tools and craft of writing fiction and are looking for an intensive experience without the cost of a graduate program. Interested applicants will understand that growth in craft requires critique, consistent work, and an eagerness to grow. Accepted applicants will agree to be punctual in submission of work. This is in fairness to Kelly, the other students in the course, and themselves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow It Works:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUpon acceptance into the mentorship program, you and Kelly will discuss your novel and your goals, allowing Kelly to get a sense of your previous experience and preferences around feedback. Together, you’ll create a work plan for the next six months. This is (with the possible exception of the initial and final consult) a text-based mentorship, ideal for people with unpredictable schedules.\u003c\/p\u003e\n\u003cp\u003eRevision is writing. Revision will be a key part of the mentorship. Writers will get personalized deadlines to turn in new work AND revised work. Each of the five packets due over the course of the mentorship (with the exception of the first) will contain both new and revised work. The bulk of the mentorship will consist of Kelly giving extensive feedback and advice within the manuscript itself, as well as via follow-up emails that will develop organically. Critique will include notes on character, plot, style, dialogue, POV, as well as general feedback on writing tics and areas of natural strengths and weakness. Kelly will recommend craft books or articles that she thinks will benefit the writer.\u003c\/p\u003e\n\u003cp\u003eThe number of pages due for each packet will depend on the writer and their project, and will be worked out in the initial conversation. With each packet submission, you will also send an informal letter detailing the craft topics you’re exploring, notes on books you will have read during that month (whether directly related to the project or not), and your areas of concern and victory that month. Sharing your own sense of victory is as important as sharing the areas of challenge.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eApplication Process: \u003c\/strong\u003eComplete \u003ca rel=\"noopener\" title=\"Apply for Kelly Luce's 6-Month Novel Mentorship Program\" href=\"https:\/\/writingworkshops.com\/pages\/apply-for-the-deep-draft-finish-your-novel-6-month-mentorship-kelly-luce\" target=\"_blank\"\u003eApplication Questionnaire.\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eThis Six-Month Mentorship Consists of the Following:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOne-on-one initial consult via phone, email, or GChat\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePersonalized calendar for achieving your project goals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccountability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccess to mentor via email for six months\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFive critiques of new pages, including line edits and bigger-picture notes and questions (done in Microsoft Word using Track Changes)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePersonalized readings and assignments based on your specific development needs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e Mentor’s Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEmails that discuss individual monthly goals and progress\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIn-line comments and critique on submitted manuscript pages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBased on each month’s accomplishments, mentor will suggest new readings or exercises to aid in growth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAvailable to answer questions and provide encouragement via email\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMentee’s Responsibilities:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSend pages to mentor based on individual project goals negotiated with mentor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProcess-reflection letter discussing achievements and areas of growth for the month\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRead articles or craft books mentor may assign to aid growth in specific areas\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eParticipate in email conversation with mentor to review individual progress and areas of growth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eApplication Process: \u003c\/strong\u003eComplete \u003ca rel=\"noopener\" title=\"Apply for Kelly Luce's 6-Month Novel Mentorship Program\" href=\"https:\/\/writingworkshops.com\/pages\/apply-for-the-deep-draft-finish-your-novel-6-month-mentorship-kelly-luce\" target=\"_blank\"\u003eApplication Questionnaire.\u003c\/a\u003e\u003c\/p\u003e\n\u003cstrong\u003eTuition Payment:\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 6-month program is $4,995 USD. Accepted writers must commit to the full six months and meet all assigned deadlines. You can pay the tuition in full \u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay Installments or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eProgram Schedule (6 Months, Rolling Admission)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eApplications are accepted on a rolling basis. Once accepted, your personalized schedule will follow this general timeline:\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 1\u003c\/strong\u003e — Initial one-on-one consult with Kelly via phone, Google Chat, or email to discuss your project, goals, and establish a work plan.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 2\u003c\/strong\u003e — Packet #1 Due \u003cstrong\u003eWeek 4\u003c\/strong\u003e — Feedback from Kelly on Packet #1\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 7\u003c\/strong\u003e — Packet #2 Due \u003cstrong\u003eWeek 9\u003c\/strong\u003e — Feedback from Kelly on Packet #2\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 12\u003c\/strong\u003e — Packet #3 Due \u003cstrong\u003eWeek 14\u003c\/strong\u003e — Feedback from Kelly on Packet #3\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 17\u003c\/strong\u003e — Packet #4 Due \u003cstrong\u003eWeek 19\u003c\/strong\u003e — Feedback from Kelly on Packet #4\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 22\u003c\/strong\u003e — Packet #5 Due \u003cstrong\u003eWeek 24\u003c\/strong\u003e — Feedback from Kelly on Packet #5\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWeek 25\u003c\/strong\u003e — Individual wrap-up consult with Kelly via phone, Google Chat, or email.\u003c\/p\u003e\n\u003cstrong\u003e\u003cbr\u003eAdditional Program Information:\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eTuition is $4,995 USD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKelly will accept 4 writers into this one-on-one program.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eApplication Process: \u003c\/strong\u003eComplete \u003ca rel=\"noopener\" title=\"Apply for Kelly Luce's 6-Month Novel Mentorship Program\" href=\"https:\/\/writingworkshops.com\/pages\/apply-for-the-deep-draft-finish-your-novel-6-month-mentorship-kelly-luce\" target=\"_blank\"\u003eApplication Questionnaire.\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-935e943d3a58bbdd62e6\" data-block-type=\"2\"\u003e\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Full Tuition","offer_id":32043552342148,"sku":"","price":4995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/TheDeepDraft6-MonthNovelMentorshipwithKellyLuce_1.png?v=1772113080"},{"product_id":"short-story-critique-and-or-2025-mfa-prep-with-kelly-luce","title":"Short Story \u0026 Personal Essay Critique or 2025 MFA Application Preparation with Kelly Luce","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003cstrong\u003eApplications accepted on a rolling basis. \u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/forms.gle\/59oYA4vVEYkPfnXw6\" target=\"_blank\"\u003e\u003cstrong\u003eClick here to apply \u003c\/strong\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003eDo you need help finalizing\/editing a short story or personal essay and prepping it for submission? Or, are you getting ready to apply for an MFA and want help preparing your MFA application materials (including your creative sample and SOP)?\u003c\/p\u003e\n\u003cp\u003eIf so, \u003ca href=\"https:\/\/www.kellyluce.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eKelly Luce\u003c\/strong\u003e\u003c\/a\u003e, author of the novel \u003cem\u003ePull Me Under\u003c\/em\u003e (Farrar, Straus, and Giroux) and the story collection \u003cem\u003eThree Scenarios in Which Hana Sasaki Grows a Tail\u003c\/em\u003e (A Strange Object), is available to work with you. Kelly received an MFA from the Michener Center for Writers at UT Austin and is editor-in-chief of \u003ca href=\"https:\/\/electricliterature.com\/category\/lit-mags\/the-commuter\/\" target=\"_blank\"\u003e\u003cstrong\u003eThe Commuter\u003c\/strong\u003e\u003c\/a\u003e, \u003cem\u003eElectric Literature's\u003c\/em\u003e weekly literary magazine featuring flash, poetry, and graphic narrative. Kelly is also a former fellow at Harvard’s Radcliffe Institute for Advanced Study.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFind more details and application instructions below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT STORY or PERSONAL ESSAY CRITIQUE\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIncluded in this package:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThorough constructive feedback\u003c\/li\u003e\n\u003cli\u003eLine edit and editorial memo\u003c\/li\u003e\n\u003cli\u003eFollow-up via email\u003c\/li\u003e\n\u003cli\u003eDiscussion of goals and submission process\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eCritique Pricing\u003c\/strong\u003e: \u003cem\u003eIndividual Pieces 5,000 Words or less: $500; Individual Pieces between 5,000 - 8,000 words: $650.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/forms.gle\/59oYA4vVEYkPfnXw6\" style=\"color: #2b00ff;\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eAPPLY FOR A CRITIQUE\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMFA APPLICATION PREP\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIncluded in this package:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThorough critique of work sample (up to 25 pages)\u003c\/li\u003e\n\u003cli\u003eLine edit of 1 personal statement (up to 700 words)\u003c\/li\u003e\n\u003cli\u003eOne meeting to discuss revisions and application process\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e2024 MFA Application Prep Pricing\u003c\/strong\u003e: $700\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/forms.gle\/59oYA4vVEYkPfnXw6\" style=\"color: #2b00ff;\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eAPPLY FOR MFA APPLICATION PREP\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eContact us \u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\" title=\"Contact WritingWorkshops.com Here\" rel=\"noopener\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e if you have any questions about these services.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMentor Kelly Luce \u003c\/strong\u003eis the author of \u003cem\u003eThree Scenarios in Which Hana Sasaki Grows a Tail\u003c\/em\u003e (A Strange Object), winner of Foreword Review’s Editor’s Choice Prize for Fiction, and the novel \u003cem\u003ePull Me Under\u003c\/em\u003e (Farrar, Straus, and Giroux), a Book of the Month Club selection and one of \u003cem\u003eElle’s\u003c\/em\u003e Best Books of 2016. She grew up in Brookfield, Illinois. After graduating from Northwestern University with a degree in cognitive science, she moved to Japan, where she lived and worked for three years. Her work has been recognized by fellowships from the MacDowell Colony, Yaddo, Ucross Foundation, Sozopol Fiction Seminars, Ragdale Foundation, the Kerouac Project, and Jentel Arts, and has appeared in \u003cem\u003eNew York Magazine, Chicago Tribune, Salon, O, the Oprah Magazine, The Southern Review\u003c\/em\u003e, and other publications. She received an MFA from the Michener Center for Writers at UT Austin in 2015. She is the editor of \u003cem\u003eElectric Literature’s Recommended Reading Commuter \u003c\/em\u003eand was a 2016-17 fellow at Harvard’s Radcliffe Institute for Advanced Study. She lives in an old grist mill in Knoxville, Tennessee.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Individual Work up to 5K Words","offer_id":35951137620133,"sku":"","price":500.0,"currency_code":"USD","in_stock":true},{"title":"Individual Work over 5K Words","offer_id":35951137652901,"sku":"","price":650.0,"currency_code":"USD","in_stock":true},{"title":"MFA Application Prep","offer_id":35951137685669,"sku":"","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Kelly_Luce_Headshot.png?v=1772113080"},{"product_id":"3-month-autofiction-fiction-memoir-one-on-one-mentorship","title":"One-on-One 3-Month Mentorship for Autofiction, Fiction, or Memoir, Apply Now!","description":"\u003ch2\u003eApply Now! \u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eAcceptance decisions are made on a rolling basis.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Autofiction and Memoir 3-Month Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e to Apply. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this mentorship? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003csection id=\"page\" class=\"clear\" role=\"main\" data-content-field=\"main-content\" data-collection-id=\"5d960b97fb61de027b10c268\" data-edit-main-image=\"Banner\"\u003e\n\u003cdiv class=\"sqs-layout sqs-grid-12 columns-12\" data-type=\"page\" data-updated-on=\"1577204087717\" id=\"page-5d960b97fb61de027b10c268\"\u003e\n\u003cdiv class=\"row sqs-row\" id=\"yui_3_17_2_1_1579235402059_128\"\u003e\n\u003cdiv class=\"col sqs-col-12 span-12\" id=\"yui_3_17_2_1_1579235402059_127\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003eWrite the Self: writing from personal experience.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis mentorship is led by \u003cem\u003eNew Yorker \u003c\/em\u003econtributor Frances Badalamenti, author of \u003cem\u003eI Don’t Blame You\u003c\/em\u003e, \u003cem\u003eSalad Days \u003c\/em\u003eand\u003cem\u003e Many Seasons\u003c\/em\u003e (forthcoming in November). This one-on-one program will take a deep dive into your fiction, autofiction, or memoir manuscript.\u003c\/p\u003e\n\u003cp\u003eThis is a 3-month Individual Mentorship that includes bi-monthly 1-on-1 meetings with Frances (75 minutes each). The focus can be fiction or nonfiction, but the emphasis is on writing from personal experience: autofiction (autobiographical fiction), memoir, short fiction or personal essays.\u003c\/p\u003e\n\u003cp\u003eYou \u003cspan style=\"text-decoration: underline;\"\u003edo not\u003c\/span\u003e need to be working on a full-length book project; this is more about accountability and developing a consistent writing practice. Some level of writing experience is preferred. You do not need to be a published writer, but Frances requires a commitment to write on a regular basis during these three months.\u003c\/p\u003e\n\u003cp\u003eYou will be encouraged to develop a consistent, committed writing practice. You will hone in on developing your voice. You will gain an understanding of story structure. You will learn how to develop your writing with the support of community.\u003c\/p\u003e\n\u003cp\u003eAnd most importantly: my promise is to create a safe, inclusive space so you feel comfortable doing your work and sharing your work. This will be an ongoing part of our dialogue.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ideal Applicant may be at any stage of their writing practice, but should have some experience writing. \u003c\/strong\u003eThe ideal applicant will come to this mentorship program with the willingness to write and to establish a consistent writing practice. You will be required to write at least 2500 words per week; although, you will only be required to submit 2500 bi-monthly.\u003c\/p\u003e\n\u003cp\u003eThe goal of the three months is to establish a solid, committed writing practice. You will finish a few completed stories or essays or you will have a general sense of direction (and a solid head start) on a book-length project.\u003c\/p\u003e\n\u003cp\u003eParticipants will be challenged to develop the ability to see their own work with fresh eyes and ask crucial questions about what is working and what isn’t. This mentorship will consist of Frances giving extensive feedback and advice from her personal experience publishing three books and online stories, essays and interviews. Critique will focus on strengths, but also on weaknesses. Frances will recommend books, excerpts, craft essays and\/or articles tailored to each unique writer’s needs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYou will be able to send Frances questions and talk through any roadblocks you run into over the three months, but scheduled meetings (phone or Zoom) will occur every two weeks. You will be expected to submit approximately 5000 words every two weeks for direct feedback from Frances, to be discussed at the bi-monthly meetings.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYou will also be given new resources from the instructor every two weeks such as: readings, writing tips, ideas on structuring your work, and the opportunity to get support around the struggles that come with being a writer. Since this work is writing from personal experience, which can be quite challenging -- Frances will be there to support you on this unique journey.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMentor’s Monthly Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e(Two) 75 minute one-on-one meetings between mentor and mentee\u003c\/li\u003e\n\u003cli\u003eBi-monthly feedback from mentor on writing samples (approx 5000 words)\u003c\/li\u003e\n\u003cli\u003eBi-monthly readings: specific readings will be tailored to individual writers needs and goals; to be discussed during one-on-one meetings\u003c\/li\u003e\n\u003cli\u003eAvailability over email and phone to answer questions and provide support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe 3-Month Personal Writing Mentorship\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBi-monthly one-on-one mentoring meetings (75 minutes); discuss writing, readings and establish goals\/timelines\u003c\/li\u003e\n\u003cli\u003ePersonalized roadmap for achieving your currents and future goals\u003c\/li\u003e\n\u003cli\u003eAccountability from mentor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAccess to mentor via email for questions for three months\u003c\/li\u003e\n\u003cli\u003eBi-monthly critique of work (approx 5000 words)\u003c\/li\u003e\n\u003cli\u003ePersonalized readings and assignments based on your specific development needs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriting and revision exercises as needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMentee’s Monthly Responsibilities:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParticipate in bi-monthly one-on-one meeting (75 minutes each session)\u003c\/li\u003e\n\u003cli\u003eSubmit work to mentor (up to 5000 words to be submitted every two weeks) based on individual project goals negotiated with mentor\u003c\/li\u003e\n\u003cli\u003eKeep up with readings\u003c\/li\u003e\n\u003cli\u003eSample Reading List\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEvery other week, writers will be assigned readings specific to their individual needs (I will determine these readings based on our discussions about their work). This is just a sample list, as I will determine the readings when I know whom I will be working with and what they will be working on during our time together.\u003c\/p\u003e\n\u003cp\u003eReadings will include (these are just examples, as we will come up with reading lists together during the mentorship:):\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShort Story Collections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Manual for Cleaning Women by Lucia Berlin\u003c\/li\u003e\n\u003cli\u003eThe Collected Stories of John Cheever\u003c\/li\u003e\n\u003cli\u003eThe Collected Stories of Richard Yates\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBreak it Down by Lydia Davis\u003c\/li\u003e\n\u003cli\u003eBest American Short Stories, various years\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMemoir (excerpts):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Grief is for People by Sloan Crossley\u003c\/li\u003e\n\u003cli\u003eConsent by Jill Ciment\u003c\/li\u003e\n\u003cli\u003eAlso a Poet by Ada Calhoun\u003c\/li\u003e\n\u003cli\u003e A Life’s Work by Rachel Cusk\u003c\/li\u003e\n\u003cli\u003eSplinters by Leslie Jamison\u003c\/li\u003e\n\u003cli\u003eJust Kids by Patti Smith\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePersonal Essay Collections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhite Girls by Hilton Als\u003c\/li\u003e\n\u003cli\u003eThe Empathy Exams by Leslie Jamison\u003c\/li\u003e\n\u003cli\u003ePulphead by John Jeremiah Sullivan\u003c\/li\u003e\n\u003cli\u003eConsider the Lobster by David Foster Wallace\u003c\/li\u003e\n\u003cli\u003eLittle Labors by Rivka Galchen\u003c\/li\u003e\n\u003cli\u003eThe Collected Schizophrenias by Esme Weijun Wang\u003c\/li\u003e\n\u003cli\u003eHow to Write an Autobiographical Novel by Alexander Chee\u003c\/li\u003e\n\u003cli\u003eSlouching Towards Bethlehem by Joan Didion\u003c\/li\u003e\n\u003cli\u003eBest American Essays, various years\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAutofiction and Autobiographical Fiction:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eShy by by Max Porte\u003c\/li\u003e\n\u003cli\u003eLie with Me by Philippe Besson\u003c\/li\u003e\n\u003cli\u003eTremor by Teju Cole\u003c\/li\u003e\n\u003cli\u003eThe Light Room by Kate Zambreno\u003c\/li\u003e\n\u003cli\u003eChange by Edouard Louis\u003c\/li\u003e\n\u003cli\u003eGetting Lost by Annie Erneaux\u003c\/li\u003e\n\u003cli\u003eThe Copenhagen Trilogy by Tove Ditlevsen\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCraft Essays \u0026amp; Articles:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWill be determined depending on the needs of individual writers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTestimonials: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrances has mentored me for almost two years now. She is a great editor, with a strong instinct of how to help writers learn to develop their own work. And her formatting skills are fantastic! \u003c\/em\u003eKIM J., BETHLEHEM, PENNSYLVANIA\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrances was instrumental to my writing process and helped me get my work to a place where I felt confident to consider publishing. She is quick to provide astute observations, suggestions, and the technical education I didn’t even know I needed. She created an environment where I felt comfortable to show her my work in all its stages, and always provided the right balance of encouragement and constructive feedback, exploration and structure. She treats her students as peers, and is generous with sharing her expertise and advice as a published writer - and she always points you back to what is important! \u003c\/em\u003eELYSSA D., BROOKLYN, NEW YORK\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrances is organized and efficient, which is exactly the energy I needed to get my manuscript to the next phase. She helped me narrow down my focus, set reasonable goals and deadlines, and construct an outline that I was able to use as a roadmap for writing. Frances was a great help in recommending authors and books for me to read as well as encouraging me to look into writing workshops. I was accepted to Bread Loaf and wouldn’t have applied had it not been for Frances’s encouragement. \u003c\/em\u003eSTEPH H., DETROIT, MICHIGAN\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen I first started working with Frances a year and a half ago, I only had two pages of a story written and the deep desire to return to writing after a ten-year hiatus. By the end of our introductory Zoom call, I knew Frances was exactly what I needed. Not only is she a wonderful writer and fantastic editor, she also has a deep understanding of human behavior. Frances has mastered the psychology behind writing and the reasons why writers have a tendency to get in their own way. Through private mentoring with Frances, I have learned how to overcome my perfectionism as a writer, honed my narrative voice, and have gained a better understanding of the literary landscape as a whole. I have also majorly improved my ability to generate\/edit my own work and will have a completed short story manuscript by the end of this year. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOverall, Frances is my first reader, my only editor, the person I bounce ideas off of, and the most important writing mentor I have ever had. I did not feel like a \"real writer\" until I started working with Frances. Frances has changed my life and I cannot recommend her enough. \u003c\/span\u003e\u003c\/em\u003eMARY O., MIAMI, FLORIDA\u003c\/p\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-02cbf3ee5bea58dffce0\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cbr\u003eTuition Payment:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 3-month program is $2,400. Accepted writers must commit to the full three months and meet all assigned deadlines. You can pay the tuition in full \u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay or Affirm at checkout. If you decide to create a monthly payment plan using Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Autofiction Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca rel=\"noopener\" title=\"Autofiction Mentorship Application\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdditional Program Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eTuition is $2,400\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eApply Now \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe Mentorship is fully online and students may participate from anywhere.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us\u003c\/strong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\"\u003e\u003cstrong\u003e HERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this program.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\" data-block-type=\"47\" id=\"block-6e18861ac8ec08304605\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-04a21569ea4d6eeac2d1\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003eMentor Frances Badalamenti is the author of the novels, \u003cem\u003eI Don't Blame You\u003c\/em\u003e (2019), \u003cem\u003eSalad Days \u003c\/em\u003e(2021) and her autofictional novel, \u003cem\u003eMany Seasons\u003c\/em\u003e, which is forthcoming in November. Some of her shorter work can be found at \u003cem\u003eThe New Yorker, The Believer Magazine, BOMB Magazine, Longreads \u003c\/em\u003eand elsewhere. She teaches writing workshops and also works individually as a mentor for writers. Frances lives in Portland, Oregon, with her husband and son.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Writing Workshops Org","offers":[{"title":"Full Tuition","offer_id":40948841414821,"sku":"","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/writingAutofiction1-on-1MentorshipwithNewYorkercontributor_NovelistFrancesBadalamenti.png?v=1769119092"},{"product_id":"the-modern-gothic-making-haunted-fictions-for-the-21st-century-workshop-with-amber-sparks","title":"The Modern Gothic: Making Haunted Fictions for the 21st Century Zoom Seminar with Amber Sparks on Saturday, November 14th, 2026","description":"\u003ch2\u003e\n\u003cstrong\u003eSaturday, November 14th, 2026\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive seminar via Zoom 10AM – 1PM Central\u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eThis class will be recorded if you cannot attend live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInstructor Amber Sparks is the author of the novel, \u003c\/span\u003e\u003cem\u003eHappy People Don’t Live Here\u003c\/em\u003e\u003cspan\u003e, and a forthcoming short story collection, \u003c\/span\u003e\u003cem\u003eDid Parents in the Middle Ages Love Their Children? \u003c\/em\u003e\u003cspan\u003e(both from Liveright\/W.W. Norton), and four collections of short fiction, including \u003c\/span\u003e\u003ci\u003eAnd I Do Not Forgive You: Revenges and other Stories\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eThe Unfinished World\u003c\/i\u003e\u003cspan\u003e. Her fiction and essays have appeared in \u003c\/span\u003e\u003ci\u003eAmerican Short Fiction, the Paris Review, Slate, Tin House, Granta, The Cut,\u003c\/i\u003e\u003cspan\u003e and elsewhere.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEveryone loves a good ghost story. But much like spotting a ghost in the modern world, it's trickier than it seems.\u003c\/p\u003e\n\u003cp\u003eHow can you use the tricks, conventions, and tools that writers from Henry James to MR James to Shirley Jackson made standard, while writing something that's fresh, new, and thoroughly modern?\u003c\/p\u003e\n\u003cp\u003eWe'll study the conventions of the gothic story, look at modern ghost stories by writers like Brian Evenson and Carmen Maria Machado and others, and use fun prompts and games to get your brain into gothic mode.\u003c\/p\u003e\n\u003cp\u003eYou'll leave with a story draft that's definitely gothic - whether your ghosts are scary, sad, sweet, or funny is up to you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan't Make It Live\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTAKE THIS CLASS IF\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYou're finding the constraints of your current writing practice too limiting.\u003c\/li\u003e\n\u003cli\u003eYou want exposure to a range of new approaches to bring to your writing practice.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou want an expanded sense of what is possible in your work.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eI took Amber's Modern Gothic class on a whim after seeing Amber mention it on Twitter. It exceeded my expectations. I come from a very traditional educational background and found Amber's perspective quite refreshing and very useful for my work in progress. Really this class blew my mind. It as exactly the espresso shot my private writing practice needed. I really appreciated the concrete craft lessons. I am at a stage of writing where this is exactly what I need\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eOne of the more creative workshops I have ever taken. Amber Sparks really got me to think in different and creative ways. It was the right class at the right time for me.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eI really enjoyed Amber Sparks' workshop on Fractured Narrative! Great list of possible approaches to non-linear story-telling with helpful references to specific author's works as examples. Good exercises. Really enjoyed the chat input from other attendees as well. Great value for the price.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eThis class was great. From the powerpoint slides, examples, fun exercises, very short stories to read during class, and Amber's friendly responsiveness in the chat and of course her expertise, I would highly recommend studying with Amber!\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eThis was very good. The prompts and the mini-workshop were great. This was my first course. So far, so good. Easy to register and you are very responsive.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003eThis class will meet via Zoom on Saturday, November 14th, 2026, from 10AM - 1PM CST\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003eTuition is $99 USD. You can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eAmber Sparks | Live via Zoom\u003c\/li\u003e\n\u003cli\u003eSaturday, November 14th, 2026\u003c\/li\u003e\n\u003cli\u003eLive seminar via Zoom 10AM – 1PM Central\u003c\/li\u003e\n\u003cli\u003eTuition is $99 USD. \u003c\/li\u003e\n\u003cli\u003eSeminar is fully ONLINE and meets via Zoom\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43183612297464,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/TheModernGothicMakingHauntedFictionsforthe21stCenturyZoomSeminarwithAmberSparks.png?v=1748029608"},{"product_id":"30-short-stories-in-30-days-national-flash-fiction-month-2026","title":"National Flash Fiction Month: 30 Short Stories in 30 Days 4-Week Online Workshop with Holly Lyn Walrath starts Wednesday, July 1st, 2026","description":"\u003cdiv class=\"col sqs-col-7 span-7\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-9bd4c6c3a222aea2e1f5\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eCelebrate National Flash Fiction Month!\u003c\/h2\u003e\n\u003ch2\u003eClass Starts Wednesday, July 1st, 2026\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eNow Enrolling\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eLed by Holly Lyn Walrath is a writer, editor, and publisher. Her poetry and short fiction has appeared in \u003cem\u003eStrange Horizons, Fireside Fiction, Analog, \u003c\/em\u003eand\u003cem\u003e Flash Fiction Online\u003c\/em\u003e. She is the author of several books of poetry, including \u003cem\u003eGlimmerglass Girl\u003c\/em\u003e (2018), \u003cem\u003eNuminose Lapidi\u003c\/em\u003e (2020), and \u003cem\u003eThe Smallest of Bones\u003c\/em\u003e (2021). She holds a Master’s in Creative Writing from the University of Denver. In 2019, she launched Interstellar Flight Press, an indie SFF publisher dedicated to publishing underrepresented genres and voices.\u003c\/p\u003e\n\u003cp\u003eJuly is National Flash Fiction Month! This generative workshop is chock full of 30 writing prompts for short story writers.\u003c\/p\u003e\n\u003cp\u003eWhether you write micro fiction, flash fiction, or short stories, these 30 prompts are meant to inspire and support you in this unique writing challenge. You've heard of NaPoWriMo (National Poetry Writing Month), where poets write 30 poems in 30 days, and you've probably heard of NaNoWriMo (National Novel Writing Month), where writers try to write a novel in a month.\u003c\/p\u003e\n\u003cp\u003eNow, you can do the same with short stories. Whether you're writing to a specific theme, assembling stories for a collection, or want to try writing a series of connected stories, this workshop will explore new contemporary structures like The Tryptich or The Wikipedia Entry.\u003c\/p\u003e\n\u003cp\u003eOpen to writers of all genres--from realism to memoir to speculative fiction.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e For this class, you will not be required to submit peer critiques since the goal is to generate new work. However, the instructor will give feedback to each student, and there will be an opportunity to upload your stories for accountability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1:\u003c\/strong\u003e Finding Your Voice\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2:\u003c\/strong\u003e Writing Memorable Stories\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3:\u003c\/strong\u003e You Are Your Audience\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4:\u003c\/strong\u003e Write What You Love, Love What You Write\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eChallenge yourself to write 30 stories in 30 days\u003c\/li\u003e\n\u003cli\u003eDive into seven writing prompts each week \u003c\/li\u003e\n\u003cli\u003eLearn about hooks, twists, and turns\u003c\/li\u003e\n\u003cli\u003eExplore unique structures for short stories\u003c\/li\u003e\n\u003cli\u003eLearn about the craft of short fiction\u003c\/li\u003e\n\u003cli\u003eGet inspired by the work of contemporary short story writers\u003c\/li\u003e\n\u003cli\u003eCelebrate Flash Fiction!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class is asynchronous, meaning you complete the weekly assignments on your own schedule. There are no set meeting times in order to allow for greater participation; your cohort will consist of writers from across different time zones, which allows for a wonderful diversity of voices.\u003c\/p\u003e\n\u003cp\u003eAlong with your weekly deadlines, there is plenty of interaction with Holly and your peers within \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e, our dedicated online classroom. Craft materials, lectures, reading assignments, and writing prompts are all available through the online classroom. Students also post work and provide and receive feedback within the online classroom environment.\u003c\/p\u003e\n\u003cp\u003eYou can finish the work as you see fit week-to-week, which is perfect for any schedule. There are discussion questions each week inspired by the assigned readings and topics in the lecture notes. Students are encouraged to take these wherever is most compelling and\/or useful for them. Holly engages with these discussions throughout the week, and you will receive feedback from all assigned writing activities. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eHOW DOES WET INK WORK? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003c\/strong\u003eWet Ink was built and designed specifically for online writing classes. Wet Ink is private, easy to use, and very interactive. You can learn more about the Wet Ink platform by \u003ca href=\"https:\/\/wet.ink\/demos\/take-a-class\/get-familiar-with-your-class\" target=\"_blank\"\u003eWatching a Class Demo\u003c\/a\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Holly Lyn Walrath\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eStarts Wednesday, July 1st, 2026\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eCourse is fully ONLINE; students can work according to their own schedule within weekly deadlines. Once you have enrolled the instructor will send you a link to our online classroom, provided via \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003eWet Ink\u003c\/a\u003e. \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43456992837880,"sku":"","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/HollyWalrathHeadshot2_f6a53924-2111-4a61-917b-1979c78cfbe1.png?v=1703202934"},{"product_id":"when-memoir-becomes-autofiction-6-week-zoom-workshop","title":"When Memoir Becomes Autofiction 6-Week Zoom Workshop with Victoria Costello starts on Thursday, June 4th, 2026","description":"\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-62b681ac90b953325c64\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eBegins Thursday, June 4th, 2026\u003c\/h2\u003e\n\u003ch3\u003eThis course meets on Thursdays from 6-8 p.m. ET on Zoom\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTaught by Victoria Costello, an Emmy Award-winning writer, teacher, and the author of six published non-fiction books, including her memoir, \u003cem\u003eA Lethal Inheritance.\u003c\/em\u003e Her debut novel of autobiographical fiction, \u003cem\u003eOrchid Child \u003c\/em\u003e(June 2023). \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRead more about Victoria's approach to writing trauma-informed autofiction at her website, \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Stories that Heal with Victoria Costello\" href=\"https:\/\/www.victoriacostelloauthor.com\/\" target=\"_blank\"\u003eSTORIES THAT HEAL\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLearn more about Victoria in our \u003ca title=\"Meet the Teaching Artist: When Memoir Becomes Autofiction with Victoria Costello\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-when-memoir-becomes-autofiction-with-victoria-costello\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e series or read her essay, \u003cstrong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/why-autofiction-going-beyond-real-life-in-trauma-informed-memoir-by-victoria-costello\" title=\"Why Autofiction? Going beyond real life in trauma-informed memoir. by Victoria Costello\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eWhy Autofiction?\u003c\/em\u003e\u003c\/a\u003e\u003c\/strong\u003e, on our blog.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe autobiographical novel or autofiction is an increasingly popular literary form for authors and readers that still doesn’t get much attention from the MFA and literary establishment. This workshop — offered again after a successful first run in the Spring of 2023 (see testimonials)—fills that gap for writers who want to use both their memory and imagination to find and write a deeper truth.\u003c\/p\u003e\n\u003cp\u003eThis workshop is for you if you’re considering fictionalizing important aspects of a story about something that happened to you. That is, you’re writing a true story which—if it didn’t include these departures from memory and known facts—would fit neatly in the category of memoir. In other words, this is a workshop for both memoirists and fiction writers who want to use both genres in a single piece of writing. This workshop will also be useful for memoirists who wish to learn more fiction writing craft to apply to a memoir in progress.\u003c\/p\u003e\n\u003cp\u003eWriters taking this class should begin with a least a tentative idea of their subject and a first draft of minimum ten pages. They should plan on revising this draft, perhaps also their premise, based on constructive feedback received from the instructor and fellow writers.\u003c\/p\u003e\n\u003cp\u003eThere are a variety of practical and creative reasons for a memoirist to go the autofiction route.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYou have parents, siblings, or adult children who would be hurt, possibly never speak to you again, if you told a story involving them as straight memoir.\u003c\/li\u003e\n\u003cli\u003eYou’re missing large parts of your family story and have no choice but to speculate on what happened and why.\u003c\/li\u003e\n\u003cli\u003eYour research has led you to ancestors you never knew whose voices you can’t get out of your head.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eYou want to write a novel featuring a version of you that doesn’t match who you are in real life.\u003c\/p\u003e\n\u003cp\u003eInstructor Victoria Costello, a published author and teacher of memoir and autofiction, will discuss how and why a writer chooses autofiction over straight memoir. Differences will be discussed, including creative choices, critical conventions, and readers’ expectations for each genre.\u003c\/p\u003e\n\u003cp\u003eEvery class will include a brief lecture covering a single aspect of craft that applies equally to memoir and autofiction, including voice, characterization, point of view, s structure, scene, setting, and dialogue. Each class will also contain a generative writing exercise, such as switching the point of view of your WIP between its main and secondary characters. Selected readings from published authors of autofiction, including the instructor, will be read and discussed.\u003c\/p\u003e\n\u003cp\u003eBy the end of this class, participants will draft, workshop, and revise a ten to fifteen-page chapter that will serve as the prototype for chapters in a longer work of autofiction. \u003cstrong\u003eYou will learn how to:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate a main character who begins as you but then significantly departs from you and your life.\u003c\/li\u003e\n\u003cli\u003ePut that character in a situation to tell a story that insists on being told by you.\u003c\/li\u003e\n\u003cli\u003eCreate a coherent plot with a beginning, middle, and end that tests your main character and brings about significant change.\u003c\/li\u003e\n\u003cli\u003eConstruct a narrator and a point of view that best serves your narrative.\u003c\/li\u003e\n\u003cli\u003eChoose a piece of this story to write as a ten-page first draft\u003c\/li\u003e\n\u003cli\u003eBalance telling and showing\u003c\/li\u003e\n\u003cli\u003eWrite scenes with believable dialogue\u003c\/li\u003e\n\u003cli\u003eRevise these pages to find the deeper truth of your story.\u003c\/li\u003e\n\u003cli\u003eWorkshop your story\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eTESTIMONIALS\u003c\/strong\u003e:\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\"\u003cem\u003eI have an MFA and I've workshopped with many writers over the years, some quite famous. I feel that Victoria's workshop helped me the most because of her gift of balancing a writer's personal trauma with the craft of writing. And I love how she managed to meet everyone within a diverse group at their own individual pace and level of readiness\u003c\/em\u003e.\" -Hannah. PA. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\"Thank you so much for your encouragement and excellent suggestions and revisions, Victoria!\"  —Diane G.     \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Thank you, Victoria. You have given me the encouragement I needed to feel like this is a worthwhile project.” —Pat S.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Victoria is dedicated to instructing her students. She offered honest, valuable feedback along with a personal touch. Her insight and sense of humor made the group comfortable and rewarding. I appreciate the encouragement she gave me and others throughout the course.”  —Paul B.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I had a really monumental class experience. I walked away with a solid start to a first chapter, and, for the first time, concrete ideas on how to plod forward.” —Sonya C.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I got so much out of the class. It was informative and so much fun! It really infused some life back into me, which was the hope.\" —Alison L. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI had no idea what to expect from this class and was very pleasantly surprised when it felt like the right fit. The depth of the classes and the feedback from the classmates and your critique was insightful and helpful. Thank you for giving me a pleasing experience on my journey of writing. —Jonette S.     \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThank you so much, Victoria! Your notes have been of great help to me. I also thank you for your warm words at the end. It was a pleasure for me too to be in this class. —Anca P.     \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThank-you for all that you have shared. I have learned a lot and appreciate your time and mentoring. — Cynthia S.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs the author of an autobiographical novel in process, I've been greatly helped by Victoria's teaching on questions like how to portray living people, how to maintain dramatic tension, and who this story belongs to. She is a perceptive reader whose taste encompasses literary fiction and more popular work. As an instructor, she provides specific constructive suggestions on framing and word choice as well as pacing. She develops an esprit de corps within the class and encourages supportive yet discerning feedback on one another's work\u003c\/em\u003e.  \u003cem\u003e—\u003c\/em\u003eDiane Crothers, Brooklyn, New York\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOur lives hold stories waiting to be told, and Victoria is helping me tell mine. She brings her professional experience as a memoirist and novelist and empathy born of her own life’s experiences to her teaching. With an eye for innovative details and suggestions for new approaches to bring a character to life, Victoria skillfully guides her students through the storytelling process, whether they be seasoned writers or newcomers to the craft\u003c\/em\u003e. \u003cem\u003e—\u003c\/em\u003eDeborah Rothschild, Talent, Oregon  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVictoria obviously knows her stuff! I found that the space she created in our class, and her guidance, to be supportive, insightful, and very helpful. As an author of memoir trying out new material, the class was invaluable\u003c\/em\u003e. \u003cem\u003e—\u003c\/em\u003eDonna M. Thomas, Ashland, Oregon\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eIt is not easy to take complex ideas and competing theories about form and create clarity from them, but Victoria Costello has managed to do just that in her course on autofiction. My writing has benefited greatly from her capacity for synthesis, her generous spirit of feedback and sharing of resources, and her belief in the possibility of the work. What a fabulous course\u003c\/em\u003e!” -Patti Digh, author of Life is a Verb and seven other books.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eAs a memoirist, this introduction to autofiction inspired me to fictionalize pieces of my book that I had been struggling with writing. I had such a great time learning new techniques that Victoria taught in addition to reviewing some foundations of writing a full length novel. Victoria helped me turn an idea into a well thought out book in an interactive and inspiring way. I highly recommend this course, no matter where you are on your writing journey.\u003c\/em\u003e” -Holly Whiteknight, naturopathic physician and memorist\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I would recommend this class for anyone who wants to bring a memoir to life by turning it into auto-fiction. Victoria is skilled at seeing the possibilities because she has personal experience of turning a memoir into auto-fiction\u003c\/em\u003e.” -Kanu Kogod, diversity consultant.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $445 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThis online class will be taught via Zoom and is limited to 12 students. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eBegins Thursday, June 4th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThis course meets on Thursdays from 6-8 p.m. ET on Zoom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $445 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-05adedb12b98e0af7f95\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43500764528888,"sku":"","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/products\/VictoriaCostelloHeadshot.png?v=1672699622"},{"product_id":"kidlit-6-month-novel-mentorship-program-with-meg-eden-kuyatt","title":"Kidlit 6-Month Novel Mentorship Program with Meg Eden Kuyatt, Apply Now","description":"\u003ch2\u003e*Acceptance decisions made on a rolling basis.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\" title=\"6-Month KidLit Mentorship Application\" rel=\"noopener\"\u003eHERE\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this mentorship? Use the Chat Button (lower left) to talk with us. \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection data-edit-main-image=\"Banner\" data-collection-id=\"5d960b97fb61de027b10c268\" data-content-field=\"main-content\" role=\"main\" class=\"clear\" id=\"page\"\u003e\n\u003cdiv id=\"page-5d960b97fb61de027b10c268\" data-updated-on=\"1577204087717\" data-type=\"page\" class=\"sqs-layout sqs-grid-12 columns-12\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1579235402059_128\" class=\"row sqs-row\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1579235402059_127\" class=\"col sqs-col-12 span-12\"\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplication Process:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComplete \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\" title=\"KidLit Mentorship Application\" rel=\"noopener\"\u003eApplication Questionnaire\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003e.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003eWe are very excited to offer a limited enrollment \u003cb data-mce-fragment=\"1\"\u003eone-on-one\u003c\/b\u003e 6-Month Novel Mentorship Program with Meg Eden Kuyatt, author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” (Press 53, 2020) and children’s novels, including the young adult novel “Post-High School Reality Quest” and the middle grade novel in verse “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). She is a 2020 Pitch Wars mentee, and her work is published or forthcoming in magazines including \u003ci data-mce-fragment=\"1\"\u003eWriter’s Digest, Prairie Schooner, The Rumpus, Poetry Northwest, Crab Orchard Review, RHINO\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003eCV2\u003c\/i\u003e. She received her MFA in creative writing from the University of Maryland College Park, and has taught creative writing at a range of places, including Anne Arundel Community College, Southern New Hampshire University online, University of Maryland College Park, MTSU Write, Eckleburg Workshops, and The Writer's Center in Bethesda since 2013.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p3\"\u003eThis is an immersive one-on-one course designed to encourage hardworking kidlit writers, and identify the next steps for their individual project (writing, revision, querying agents, publication, etc).\u003cspan data-mce-fragment=\"1\" class=\"m_-4443966452029152277apple-converted-space\"\u003e \u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p3\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe ideal applicant\u003c\/b\u003e should be a writer seriously interested in writing middle grade or young adult novels, who has started or completed a manuscript in their given age category. They should be willing and interested in actively reading books in their age category that have been published within the past five years, and have a spirit of willingness to receive and consider feedback to make their work as strong as it can be. While applicants of all experience levels are welcome, this program is best for writers who have been submitting their work to agents and publishers and received positive feedback, but are not sure how to take their work to the next level, or writers who have completed projects in the past but feel stuck or unsure about their new project. Applicants should have a goal for the 6-Month program when applying. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhether you are still working on your idea or are well into writing it, this mentorship will meet you where you are, and motivate and inspire both beginning and advanced kidlit novelists. Writers accepted into the program will already have a basic knowledge of the tools and craft of writing fiction and are looking for an intensive experience without the cost of a graduate program. Interested applicants will understand that growth in craft requires critique, consistent work, and an eagerness to grow. Accepted applicants will agree to be punctual in submission of work. This is in fairness to Meg, the other students in the course, and themselves.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHow It Works:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e-Upon acceptance into the mentorship program, you will schedule an initial one-on-one call with Meg to discuss your project and goals, allowing Meg to get a sense of your previous experience and preferences around feedback. Together, you’ll create a work plan for the next six months. This is largely a text-based mentorship, with periodic one-on-one check-ins, ideal for writers who need a flexible, accommodating program.\u003cspan data-mce-fragment=\"1\" class=\"m_-4443966452029152277apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e-Revision will be a key part of the mentorship. Writers will be expected to revise at least once over the 6-month mentorship program. The bulk of the mentorship will consist of Meg giving personalized feedback and advice within the manuscript itself, as well as via follow-up emails that will develop organically. Critique will include feedback on what’s working well and what could be clarified or improved, particularly focused on character, plot, voice, dialogue, POV, and market\/industry perspective. Meg will recommend additional resources that she thinks will benefit the writer.\u003cspan data-mce-fragment=\"1\" class=\"m_-4443966452029152277apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e-The number of pages due for each packet will depend on the writer and their project, and will be worked out in the initial conversation. With each packet submission, you will also send an informal reflection where you can note areas of concern and victory during that month, as well as any questions you may want Meg to particularly focus on addressing. Sharing your own sense of victory is as important as sharing the areas of challenge.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThis Six-Month Mentorship Consists of the Following:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eOne-on-one check-in via zoom or email, up to once a month\u003cspan data-mce-fragment=\"1\" class=\"m_-4443966452029152277apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003ePersonalized calendar for achieving your project goals\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eAccountability\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eAccess to mentor via email for six months\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eFive critiques of new pages, including line edits and bigger-picture notes and questions (done in Microsoft Word using Track Changes)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003ePersonalized readings and assignments based on your specific development needs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eIf applicable, access to optional networking (via email or zoom) with other mentees in the program\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMentor’s Input:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eEmails that discuss individual monthly goals and progress\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eIn-line comments and critique on submitted manuscript pages\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eWhen applicable, mentor will suggest new readings or exercises to aid in growth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eAvailable to answer questions and provide encouragement via email\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMentee’s Responsibilities:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eSend pages to mentor based on individual project goals negotiated with mentor\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eProcess-reflection letter discussing achievements and areas of growth for the month\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eRead materials mentor may assign to aid growth in specific areas\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eParticipate in email conversation with mentor to review individual progress and areas of growth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\" class=\"m_-4443966452029152277p2\"\u003e\u003cstrong\u003eGeneral Dates for 6-Month Novel Mentorship with Meg Eden Kuyatt:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e1-8th: Initial consults scheduled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e22nd - Packet 1 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 2\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e5th - Latest you’ll receive feedback from Meg on Packet #1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e5-12th: (Optional) Consults scheduled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e26th - Packet 2 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 3\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e3th - Latest you’ll receive feedback from Meg on Packet #2\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e3-10th: (Optional) Consults scheduled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e24th - Packet 3 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 4\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e7 - Latest you’ll receive feedback from Meg on Packet #3\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e7-14th - (Optional) Consults scheduled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e28th - Packet 4 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 5\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e4th - Latest you’ll receive feedback from Meg on Packet #4\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e4-11th - (Optional) Consults scheduled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e25th - Packet 5 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003eMonth 6\u003cbr\u003e\n\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\" style=\"margin-top: 0in;\" type=\"disc\" data-mce-style=\"margin-top: 0in;\"\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e2nd - Latest you’ll receive feedback from Meg on Packet #5\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" class=\"m_-4443966452029152277li2\"\u003e2-9th - Wrap-up consults scheduled\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplication Process:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComplete \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\" title=\"KidLit Mentorship Application\" rel=\"noopener\"\u003eApplication Questionnaire\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003e.\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-02cbf3ee5bea58dffce0\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTuition Payment:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eFull Tuition for the 6-month program is $4495. Accepted writers must commit to the full six months and meet all assigned deadlines. You can pay the tuition in full \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay Installments or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003c\/p\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\" title=\"KidLit Mentorship Application\" rel=\"noopener\"\u003eHERE\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdditional Program Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eTuition is $4,495\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eApply Now\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe Mentorship is fully online and students may participate from anywhere.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us\u003c\/strong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" data-mce-href=\"https:\/\/writingworkshops.com\/pages\/contact\"\u003e\u003cstrong\u003e HERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this program.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-6e18861ac8ec08304605\" data-block-type=\"47\" class=\"sqs-block horizontalrule-block sqs-block-horizontalrule\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-04a21569ea4d6eeac2d1\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eMentor Meg Eden Kuyatt\u003c\/b\u003e is a 2020 Pitch Wars mentee, and teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature winning poetry collection “Drowning in the Floating World” (Press 53, 2020) and children’s novels, most recently “Good Different,” a JLG Gold Standard selection (Scholastic, 2023). Find her online at \u003ca href=\"http:\/\/www.megedenbooks.com\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.megedenbooks.com\u0026amp;source=gmail\u0026amp;ust=1670951547269000\u0026amp;usg=AOvVaw1Jx7IXk7fpqck0zWsrS2_Q\" target=\"_blank\"\u003ewww.megedenbooks.com\u003c\/a\u003e or on Twitter at @ConfusedNarwhal and Instagram at @meden_author. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Writing Workshops Org","offers":[{"title":"Full Tuition","offer_id":43522490761464,"sku":"","price":4495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Meg_Eden_Headshot.png?v=1724944498"},{"product_id":"writing-through-illness-writing-workshop-online-may-2026","title":"Writing Through Illness 6-Week Zoom Workshop with Jenessa Abrams starts on Tuesday, May 5th, 2026","description":"\u003ch2\u003eStarts Tuesday, May 5th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly via Zoom on Tuesdays, 8:00PM ET - 10:00PM ET.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e🌍 \u003cem\u003eClass Times by Time Zone:\u003c\/em\u003e \u003c\/strong\u003eLos Angeles (PDT): 5:00 PM – 7:00 PM \/ Chicago (CDT): 7:00 PM – 9:00 PM \/ New York (EDT): 8:00 PM – 10:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eInstructor Jenessa Abrams\u003c\/strong\u003e\u003c\/em\u003e is a writer, literary translator, and practitioner of Narrative Medicine. Her fiction, literary criticism, and creative nonfiction have appeared in publications such as \u003cem\u003eThe Atlantic, Electric Literature, Eater, The Los Angeles Review of Books, The Rumpus, BOMB Magazine, The New York Times\u003c\/em\u003e, and anthologies including Off Assignment's \u003cem\u003eLetter to a Stranger\u003c\/em\u003e (Algonquin, 2022). She has been awarded fellowships and grants from the National Book Critics Circle, MacDowell, The New York Public Library, the Ucross Foundation, the Norman Mailer Center, the Vermont Studio Center, and Columbia University, where she earned her MFA in fiction and literary translation. Abrams is a member of the National Book Critics Circle and a 2023 NBCC Emerging Critic Fellow. She serves on the Advisory Board of Off Assignment, a magazine of literary travel writing, and on the Board of Directors of New Neighbors Partnership, a New York-based nonprofit that helps newly arrived refugees connect to local community resources. Following her Master of Fine Arts degree, she earned a Master of Science in Narrative Medicine at Columbia University. She now teaches writing in the program. Currently, she directs the lecture\/performance series, Narrative Medicine Rounds at Columbia University Irving Medical Center. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLearn more about Jenessa in our \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-writing-through-illness-with-jenessa-abrams\" title=\"Meet the Teaching Artist: Writing Through Illness with Jenessa Abrams\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eMeet the Teaching Artist\u003c\/strong\u003e\u003c\/a\u003e series.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis online writing workshop is for writers from all backgrounds interested in holding space for their experiences of illness through writing. The course includes craft discussions, close readings, writing exercises, and a writing workshop. Open to all levels.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWriting Through Illness is a 6-week online writing workshop designed for writers at all stages of their careers to dedicate time and space to writing through illness—whether in a fictional or creative nonfictional exploration of experiences of the mind and the body. Each week, you will engage in the close reading of texts committed to this work, including narratives by Audre Lorde, Melissa Febos, Amy Hempel, Yiyun Li, Leslie Jamison, and others. Through guided discussion, you will explore themes of telling, silence, narrative perspective, the shape of illness on the page, and the power of language.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEach session includes a communal writing exercise based on the selected readings, giving you the opportunity to begin the practice of saying the unsaid and learning to put language to your experiences in fiction or nonfiction. The purpose of this creative writing course is to guide you in the process of writing about illness in a way that honors your experiences and moves you toward self-expression and self-expansion on the page.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe course culminates in a writing workshop where students will share work developed during the course to receive in-class feedback from their peers and the instructor. Students will also receive written feedback, line edits, and a longer feedback letter from the instructor. Writers will have brief weekly readings and in-class writing assignments, along with one formal writing assignment: a short piece of fiction or creative nonfiction to present for workshop.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this course, students will complete weekly in-class writing exercises and will have an opportunity to submit one piece of writing for workshop, which can then be revised for potential publication. Students will receive instructor feedback during workshop as well as a formal feedback letter and in-line commentary on their marked-up manuscript.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eReadings\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReadings may include excerpts from: \"The Heart-Work: Writing About Trauma as a Subversive Act\" by Melissa Febos in \u003cem\u003ePoets \u0026amp; Writers\u003c\/em\u003e; excerpt from Audre Lorde's The Cancer Journals (Aunt Lute Books); \"In the Cemetery Where Al Jolson Is Buried\" by Amy Hempel; \"Spite\" by Anne Trumbore in \u003cem\u003eBig Ugly Review\u003c\/em\u003e; \"Dear Friend, From My Life I Write to You in Your Life\" by Yiyun Li in \u003cem\u003eA Public Space\u003c\/em\u003e; \"When You Are Waiting To Be Healed\" by June Eric-Udorie in \u003cem\u003eCatapult\u003c\/em\u003e; \"On Telling Ugly Stories: Writing with a Chronic Illness\" by Nafissa Thompson-Spires in \u003cem\u003eThe Paris Review\u003c\/em\u003e; and \"The Empathy Exams\" by Leslie Jamison in \u003cem\u003eThe Believer.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWeek 1: On the Importance of Telling — Tuesday, May 5, 2026 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the first class, we will discuss the importance of telling as it relates to illness narratives. We will begin by introducing ourselves and sharing our writing goals. Then we will cover workshop expectations and reasons for telling stories about illness. We will continue with a discussion of \"The Heart-Work\" by Melissa Febos. We will close with a communal writing exercise with an opportunity for in-class sharing. Reading: \"The Heart-Work: Writing About Trauma as a Subversive Act\" by Melissa Febos in Poets \u0026amp; Writers\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWeek 2: Saying the Unsayable — Tuesday, May 12, 2026 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the second class, we will discuss the importance of saying the unsayable. We will begin by reflecting on the first writing exercise, then transition into a dialogue about speaking that which many would prefer we left unsaid. Next, we will spend time with Audre Lorde's The Cancer Journals, examining her groundbreaking work and unpacking its craft as it relates to our own writing goals. We will finish with a communal writing exercise with an opportunity for in-class sharing. Reading: Excerpt from Audre Lorde's The Cancer Journals (Aunt Lute Books)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWeek 3: Who Tells the Story \u0026amp; Round 1 Workshop — Tuesday, May 19, 2026 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the third class, we will explore the question of narrative perspective and power in terms of who tells the story of an illness. We will begin by reflecting on the second writing exercise, then move into a discussion about who has historically had the power to narrate their own stories, first exploring our own work, then transitioning into a conversation about stories told about the illnesses of others. Next, we will conduct our Round 1 Workshop. We will close with a communal writing exercise with an opportunity for in-class sharing. Readings: \"In the Cemetery Where Al Jolson Is Buried\" by Amy Hempel; \"Spite\" by Anne Trumbore in Big Ugly Review\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWeek 4: The Shape of the Illness \u0026amp; Round 2 Workshop — Tuesday, May 26, 2026 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the fourth class, we will explore how the shape of the illness influences the shape of the story we tell about it. We will begin by reflecting on the third writing exercise, then move into a discussion about narrative construction, first through the lens of our work, then incorporating Yiyun Li's \"Dear Friend, From My Life I Write to You in Your Life.\" Next, we will conduct our Round 2 Workshop. We will close with a communal writing exercise with an opportunity for in-class sharing. Reading: Excerpt from \"Dear Friend, From My Life I Write to You in Your Life\" by Yiyun Li in A Public Space\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cstrong\u003e\u003cem\u003eWeek 5: The Power of Language \u0026amp; Round 3 Workshop — Tuesday, June 2, 2026 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the fifth class, we will explore the power of language as it relates to naming. We will begin by reflecting on the fourth writing exercise, then move into a discussion about narrative choices in terms of illness. Next, we will conduct our Round 3 Workshop. We will close with a communal writing exercise with an opportunity for in-class sharing. Readings: \"When You Are Waiting To Be Healed\" by June Eric-Udorie in Catapult; \"On Telling Ugly Stories: Writing with a Chronic Illness\" by Nafissa Thompson-Spires in The Paris Review\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWeek 6: Crafting Illness Narratives \u0026amp; Round 4 Workshop — Tuesday, June 9, 2026 \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eDuring the sixth and final class, we will discuss the craft of illness narratives. We will begin by reflecting on the fifth writing exercise, then transition into a conversation about narrative craft, first through our own writing, then focusing on \"The Empathy Exams\" by Leslie Jamison. Next, we will conduct our fourth and final workshop. Then we will have a communal writing exercise with an opportunity for in-class sharing. We will close with a final conversation about writing about illness with time and space for questions. Reading: \"The Empathy Exams\" by Leslie Jamison in The Believer\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eBegin a writing practice to move through illness on the page\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLearn to engage with other writers and thinkers on the subject of illness narratives\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eExplore craft strategies for writing about experiences of the mind and body in fiction and nonfiction\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eDevelop skills in close reading and applying published models to your own writing\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eProduce one polished draft for potential publication with instructor feedback, line edits, and a formal feedback letter\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eBuild community with fellow writers dedicated to this important work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I am extremely grateful for the opportunity to work with Jenessa. I grew tremendously as a writer, and it allowed me space to explore narrative structures and the real impacts they can have on people.\" — Former Columbia University Graduate Student\u003c\/p\u003e\n\u003cp\u003e\"Jenessa knows how to identify the emotional truth of a book… She has an incredible work ethic. She's open-minded, collaborative, intuitive, willing to challenge herself, and always respectful of deadlines. She's worked with my other editorial colleagues at Guernica and the Rumpus — they have all had glowing things to say about her. It's rare we get to work with a writer who is versatile, compassion, unpretentious yet rigorous. I feel lucky to have had the opportunity.\" — Raluca Albu, Online Editor at BOMB Magazine\u003c\/p\u003e\n\u003cp\u003e\"Jenessa is one of the most thoughtful and generous teachers I have ever worked with. She gently pushed me to go deeper into my writing, to think critically about my practice and who I am as an artist, while simultaneously creating a safe space to meet me exactly where I was. Jenessa provided extremely attentive and helpful feedback; her love of teaching and her enduring respect for her students was always felt.\" — Former Columbia University Graduate Student\u003c\/p\u003e\n\u003cp\u003e\"I have been so grateful to work with and be taught by Jenessa Abrams... I have taken several writing courses in my academic career, however Jenessa has offered the most in-depth, personal, and generative feedback of any writing professor I've had. Her in-line comments on my writing have made me feel incredibly known and I am so grateful for her keen eye to note where prose can be sharpened or deepened. Her presence made me feel immediately comfortable to take risks in my writing both in style and subject matter. I feel I have grown in so much confidence in my voice as a writer and I attribute so much of that to the encouragement and guidance I have received from Jenessa.\" — Former Columbia University Graduate Student\u003c\/p\u003e\n\u003cp\u003e\"Jenessa's unique gift as a teacher is the ability to identify and develop each individual student's talent and interests, even those they did not know they themselves had, and provide them with the skills to develop those very talents and interests. This pedagogy requires deep, careful attention and individualized assessments that meet students where they are; the exact opposite of an overly didactic and stifling one-size-fits-all approach. Having found her to be one of the most effective teachers I have worked with in many years, I have no doubt that any student would benefit immensely from having her as an instructor.\" — Former Rutgers Undergraduate Student\u003c\/p\u003e\n\u003cp\u003e\"Jenessa exhibited genuine care for her students and pushed her students to do better. Throughout [her course], I found myself not only getting better at writing but also finding joy in writing.\" — Former Rutgers Undergraduate Student\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $445 USD. You can pay for the course in full\u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInstructor: Jenessa Abrams\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eBegins Tuesday, May 5, 2026\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eClass will meet weekly via Zoom on Tuesdays, 8:00 PM - 10:00 PM ET\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTuition is $445 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43675415773432,"sku":"","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/JenessaAbramsHeadshot.png?v=1770251435"},{"product_id":"1-day-online-fiction-master-class-exploring-strategies-for-story-beginnings-with-karen-bender","title":"Exploring Strategies for Story Beginnings with Karen E. Bender 1-Day Fiction Master Class (Zoom) on Saturday, September 19th, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Saturday, September 19th, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 12PM - 5:00PM EST\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003e🌍 \u003cem\u003eClass Times by Time Zone:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Los Angeles (PDT): 9:00 AM – 2:00 PM \/ Chicago (CDT): 11:00 AM – 4:00 PM \/ New York (EDT): 12:00 PM – 5:00 PM \/ London (BST): 5:00 PM – 10:00 PM \/ Berlin (CEST): 6:00 PM – 11:00 PM\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003eTaught by Karen E. Bender, author of two collections: \u003cem\u003eRefund\u003c\/em\u003e, which was a Finalist for the National Book Award, shortlisted for the Frank O'Connor International Story Prize, and Longlisted for the Story prize, and \u003cem\u003eThe New Order\u003c\/em\u003e, which was Longlisted for the Story prize. A new collection is forthcoming. Her novels are \u003cem\u003eLike Normal People\u003c\/em\u003e and \u003cem\u003eA Town of Empty Rooms\u003c\/em\u003e. Her fiction has appeared in \u003cem\u003eThe New Yorker, Granta, Ploughshares, Zoetrope, The Yale Review, The Harvard Review, Story, Guernica\u003c\/em\u003e, and others, have been reprinted in \u003cem\u003eBest American Short Stories\u003c\/em\u003e and \u003cem\u003eBest American Mystery\u003c\/em\u003e stories and won three Pushcart prizes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003eGet to know Karen in our \u003ca title=\"Meet the Teaching Artist with Karen E. Bender\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-building-interiority-with-karen-e-bender\" target=\"_blank\"\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/a\u003e series.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this day-long generative workshop for writers of all levels, we'll read openings to stories by authors including Raymond Carver, Jamaica Kincaid, Miranda July, Jhumpa Lahiri, and more. \u003cbr\u003e\u003cbr\u003eWe’ll work to identify different types of openings in an effort to understand how writers create urgency that carries the reader through a short story or a longer work of fiction. Using carefully constructed writing exercises, we’ll practice these different types of openings in class, with the hopes of honing our ability to write effective beginnings that precisely suit the stories we want to tell. \u003cbr\u003e\u003cbr\u003eWriters will leave with several new story starts to use as launchpads for future writing, as well as the ability to think more strategically about how the beginnings they may have already written are serving their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The week of the seminar, Karen will email several PDFs of the stories we'll be discussing--you don't need to read these before the class, but can if you would like.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cstrong\u003eCOURSE TAKEAWAYS\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnderstand how beginnings affect the pacing of stories.\u003c\/li\u003e\n\u003cli\u003eSeveral new story beginnings to use as the inspiration for future drafts.\u003c\/li\u003e\n\u003cli\u003eThink strategically about past drafts and learn how to make your previous beginnings more dynamic \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe'll be going over the different types of story openings in class, and then writing generative exercises to practice these methods. Students should come to class ready to write and will have opportunities to share work if they would like. They will leave the class with a variety of story openings, and an understanding of a variety of techniques a writer can use to open a story.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis seminar exceeded my expectations. I loved going through the different types of story openings that exist and then seeing clear-cut examples of each from the materials that were shared in class. Karen is a fantastic facilitator!\u003c\/em\u003e\" -Alexandra Y.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eClass was excellent and exceeded my expectations. I found Karen's approach of writing an opening that set up two questions extremely valuable. Five of five stars\u003c\/em\u003e.\" -Diane K.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI though Karen gave great input on our exercises. I would highly recommend this seminar! I learned so much.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The best part about the Exploring Strategies for Story Beginnings seminar with Karen E. Bender were her insights, warmth, generosity, intelligence and the categories for types of story beginnings she presented to us. Karen is a wonderful instructor, and I've taken all of her seminars.\" -former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe close reading of the texts was extremely valuable. Karen is a great teacher, and I though this was a great seminar on strategies for story beginnings.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I found Karen's teaching so valuable. She dives right in and I love her style. I signed up for her other seminars after I took this one. Thank you!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In her seminars, Karen always offer such specific techniques, which has helped me deepen my understanding of craft and benefited my writing practice. Thank you!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen's class taught me invaluable writing techniques that I missed because I have a JD instead of an MFA. This was so great! Thank you, Karen!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I loved the structure of understanding various story openings and emphasis on goals for first paragraphs. This class definitely exceeded my expectations.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It was great. I was working on a rewrite, came to the realization that I needed more interiority, saw this class, jumped on it, and I've already used some of the techniques. The concepts and ideas that were coupled with good, well-paced exercises.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This class helps all levels of writers get better access to the all-important matter of characters. Highly recommend.\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"What a fantastic person! I liked her style, her content, and her drive for us to get the most out of 2 hours. Karen really pointed out a fantastic technique and her enthusiasm is infectious. I just wanted more time with her!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Exceeded expectations. Lots of content, practice, plus interaction packed into Zoom.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen E. Bender's Strategies for Story Beginnings seminar exceeded my expectations! Karen is an excellent teacher: she is patient, explains all her materials well and provides valuable examples and feedback. I really enjoy how Karen runs her courses. This is the second of hers I've taken, and I plan to take more. In fact, I recommended Karen's classes enough after the first one I took that a friend joined me for this one. Thank you again!\" -former student\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eLive Seminar Via Zoom on Saturday, September 13th, 2025. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $150 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Karen E. Bender\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive Seminar Via Zoom on Saturday, September 19th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e12PM - 5PM EST\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCan't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTuition is $150 USD.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-51a8238b2f73df2e52ed\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43679146344696,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Karen_Bender_Headshot_0f28a25c-9ca9-451d-9526-202ab68f3154.png?v=1736023512"},{"product_id":"building-interiority-in-characters-with-fantasies-and-theories-with-karen-e-bender","title":"Building Interiority in Characters Using Fantasies and Theories with Karen E. Bender, a Zoom Seminar on Wednesday, April 22nd, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Wednesday, April 22nd, 2026\u003cbr\u003e\u003cbr\u003eThe class will meet 7PM - 9:00PM EST\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTaught by Karen E. Bender, author of three collections: \u003cem\u003eRefund\u003c\/em\u003e, which was a Finalist for the National Book Award, shortlisted for the Frank O'Connor International Story Prize, and Longlisted for the Story prize; \u003cem\u003eThe New Order\u003c\/em\u003e, which was Longlisted for the Story prize; and \u003cem\u003eThe Words of Dr. L\u003c\/em\u003e,  published in May, 2025. Her novels are \u003cem\u003eLike Normal People\u003c\/em\u003e and \u003cem\u003eA Town of Empty Rooms\u003c\/em\u003e. Her fiction has appeared in \u003cem\u003eThe New Yorker, Granta, Ploughshares, Zoetrope, The Yale Review, The Harvard Review, Story, Guernica\u003c\/em\u003e, and others, have been reprinted in \u003cem\u003eBest American Short Stories\u003c\/em\u003e and \u003cem\u003eBest American Mystery\u003c\/em\u003e stories and won three Pushcart prizes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003eGet to know Karen in our \u003ca title=\"Meet the Teaching Artist with Karen E. Bender\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-building-interiority-with-karen-e-bender\" target=\"_blank\"\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/a\u003e series.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eBuilding a character’s interiority consists of many elements, one of which is a character's fantasies, theories and plans. How do you use a character’s unique fantasies and theories of the world to help build their interior world? \u003cbr\u003e\u003cbr\u003eIn this seminar, we will look at stories by Charles D'Ambrosio, Mavis Gallant, Sandra Cisneros and Roberto Bolano to see how they incorporate character’s fantasies and theories into a narrative, building a character’s interiority through the techniques. \u003cbr\u003e\u003cbr\u003eWe will spend the first hour discussing the stories and the second hour doing writing exercises. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eCOURSE TAKEAWAYS\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eThrough close reading of stories, learn different ways that writers use fantasies and theories as a way to access the interior worlds of their characters\u003c\/li\u003e\n\u003cli\u003eDevelop a character through fantasies and theories via writing prompts.\u003c\/li\u003e\n\u003cli\u003eLearn one element of interiority as a way to develop characters.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe'll review the different ways authors use fantasies and theories to build interiority in a story and then write generative exercises to practice these methods. Students should come to class ready to write and will have opportunities to share work if they would like. Students will leave the class with various techniques they can use to convey interiority through these new craft techniques.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Karen E. Bender\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive Seminar Via Zoom Wednesday, April 22nd, 2026\u003c\/li\u003e\n\u003cli\u003e7PM - 9PM EST\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCan't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this seminar.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-51a8238b2f73df2e52ed\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43762433622264,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Karen_Bender_Headshot_0f28a25c-9ca9-451d-9526-202ab68f3154.png?v=1736023512"},{"product_id":"fiction-voice-seminar-robert-siegel","title":"Find Your Fiction Voice: Live Writing Seminar with Robert Anthony Siegel on Tuesday, September 15th, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar via Zoom Tuesday, September 15th, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 7:00PM - 9:00PM EST\u003c\/h2\u003e\n\u003cbr\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eInstructor Robert Anthony Siegel\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis the author of a memoir, \u003c\/span\u003e\u003ci\u003eCriminals\u003c\/i\u003e\u003cspan\u003e, and two novels, \u003c\/span\u003e\u003ci\u003eAll Will Be Revealed\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eAll the Money in the World\u003c\/i\u003e\u003cspan\u003e. His work has appeared in \u003c\/span\u003e\u003ci\u003eThe New York Times, The Los Angeles Times, Smithsonian Magazine, The Paris Review, The Drift, The Oxford American, and Ploughshares\u003c\/i\u003e\u003cspan\u003e, and has been anthologized in \u003c\/span\u003e\u003ci\u003eBest American Essays 2023, O. Henry Stories 2014,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003ePushcart Prize XXXVI\u003c\/i\u003e\u003cspan\u003e. He has been a Fulbright Scholar in Taiwan, a Mombukagakusho Fellow in Japan, a Writing Fellow at the Fine Arts Work Center in Provincetown, and a Paul Engle Fellow at the Iowa Writers Workshop. He holds an MFA from the Iowa Writers Workshop.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003eGet to know Robert in our \u003ca title=\"Meet the Teaching Artist with Robert Anthony Siegel\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-what-is-voice-with-robert-anthony-siegel\" target=\"_blank\"\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/a\u003e series.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eVoice is crucial to writing fiction, yet difficult to understand. Some clarity on how voice is created will help students develop voice in their own work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWriters talk a lot about voice, but what is it, exactly? Why is it so important? How does it work? And how is it constructed?\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this seminar, we’ll look at several examples of voice from great published writers, and then explore how to create a range of distinctive voices in our own writing through in-class exercises.\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eCome ready to ask questions, write short in-class exercises, and share with the group.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA clear understanding of voice, its role in fiction, and how it is created on the page.\u003c\/li\u003e\n\u003cli\u003eTechniques to help you to develop voice in your own fiction.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"This course exceeded my expectations. Robert \"dripped\" the craft-info to us, just enough to get to the next exercise. It never felt \"information heavy\" to me. He covered everything for me.\" -Robert B.\u003c\/p\u003e\n\u003cp\u003e:The course was wonderful. The wealth of information and the opportunity to use the exercises to think through my novel was most valuable. What an excellent course all around: the structure, content, and atmospher.\" -former student \u003c\/p\u003e\n\u003cp\u003e\"I found Robert's provision of tools, and then the practical application in exercises most valuable.  Robert is one of the best that I have learned from. His tempo and pace throughout the class were great. He listens with a keen ear, and is very approachable and compassionate in his delivery. He also shared a lot of examples of novels for us to read and pick up on ways to deliver story.\" -Carol R.\u003c\/p\u003e\n\u003cp\u003e\"Robert was superb. He created an encouraging atmosphere, a clear step-by-step building of ideas, and helpful exercises. Highly recommend!\" -former student\u003c\/p\u003e\n\u003cp\u003e\"This class exceeded my expectations. I found the didactic portions were extremely informative and so were the exercises very valuable.\" -Lisa M.\u003c\/p\u003e\n\u003cp\u003e\"Full of richly drawn characters and jolting plot twists—Glasser’s time behind bars is especially chilling—Siegel’s debut novel works both as a parable of how quickly the high and mighty can fall, and as gripping drama. 'Money' well spent.\" -NEW YORK POST on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"Early in this novel, there is a wonderful scene—rich with embarrassment—in which Louis Glasser, the altogether unlikely hero, helps his Harvard-educated son buy a new suit. The son’s fortunes founder, but that’s nothing compared to the perils that overwhelm his father—a lawyer who operates on the margins and becomes the target of a criminal investigation. Siegel’s … portraits (loving and otherwise) of the Glassers, New York prosecutors, and various lowlifes are right on the money.\" -THE NEW YORKER on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"...Well-turned and elegant...Gloriously complex...\" -ATLANTA JOURNAL-CONSTITUTION on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"...A richly detailed and seedily seductive narrative.\" -PUBLISHERS WEEKLY on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"Robert's unique skill as a teacher comes from his enthusiasm not only for talking, which is present in many talented professors, but for listening... He has a reputation for being the best kind of teacher: generous, knowledgeable, demanding, and always at the ready with excellent advice.\" -former student\u003cbr\u003e\u003cbr\u003e\"The level of discourse was challenging and interesting and I think part of the reason for that was the casual atmosphere of discussion, fostered by Robert. When people are allowed to speak in an open, non-threatening environment, wonderful things happen.\" -former student\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\nLive Seminar Via Zoom on Tuesday, September 15th, 2026\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eClass will meet 7PM - 9:00PM EST\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Robert Anthony Siegel\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eLive Seminar via Zoom on Tuesday, September 15th, 2026\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eClass will meet 7PM - 9:00PM EST\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this seminar.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43827662225656,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/robertsiegelHeadshot_ee45e18b-ab54-46a0-b54f-a4fde74c22fe.png?v=1684348691"},{"product_id":"building-interiority-in-characters-perceptions-judgment-envy-and-love-with-karen-e-bender","title":"Building Interiority in Characters with Perceptions: Judgment, Envy and Love with Karen E. Bender, a Zoom Seminar on Wednesday, July 1st, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Wednesday, July 1st, 2026\u003cbr\u003e\u003cbr\u003eThe class will meet 7PM - 9:00PM Eastern\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003eTaught by Karen E. Bender, author of three collections: \u003cem\u003eRefund\u003c\/em\u003e, which was a Finalist for the National Book Award, shortlisted for the Frank O'Connor International Story Prize, and Longlisted for the Story prize; \u003cem\u003eThe New Order\u003c\/em\u003e, which was Longlisted for the Story prize; and \u003cem\u003eThe Words of Dr. L\u003c\/em\u003e,  published in May, 2025. Her novels are \u003cem\u003eLike Normal People\u003c\/em\u003e and \u003cem\u003eA Town of Empty Rooms\u003c\/em\u003e. Her fiction has appeared in \u003cem\u003eThe New Yorker, Granta, Ploughshares, Zoetrope, The Yale Review, The Harvard Review, Story, Guernica\u003c\/em\u003e, and others, have been reprinted in \u003cem\u003eBest American Short Stories\u003c\/em\u003e and \u003cem\u003eBest American Mystery\u003c\/em\u003e stories and won three Pushcart prizes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003eGet to know Karen in our \u003ca title=\"Meet the Teaching Artist with Karen E. Bender\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-building-interiority-with-karen-e-bender\" target=\"_blank\"\u003e\u003cem\u003eMeet the Teaching Artist\u003c\/em\u003e\u003c\/a\u003e series.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eBuilding a character’s interiority consists of many elements. Characters are full of many thoughts and perceptions about other characters. How does a character judge another? Envy another person? Admire another person? \u003c\/p\u003e\n\u003cp class=\"\"\u003eExamining the ways writers show how characters react to one another helps create a sense of their interior worlds.  In this seminar, we will look at stories by Mavis Gallant, John Cheever, Deborah Eisenberg, Raymond Carver, Eve Babitz and ZZ Packer to see how they incorporate character’s use of judgments, envy, admiration,  creating a complex and living consciousness.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe will spend the first hour discussing the stories and the second hour doing writing exercises.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eCOURSE TAKEAWAYS\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eThrough close reading of stories, learn different ways that writers use judgment, envy and admiration as a way to access the interior worlds of their characters.\u003c\/li\u003e\n\u003cli\u003eLearn how judgment, envy, and admiration connect with action in stories.                \u003c\/li\u003e\n\u003cli\u003eDevelop a character through these perceptions via writing prompts.                \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLearn one element of interiority as a way to develop characters.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe'll review the different ways authors use perceptions to build interiority in a story and then write generative exercises to practice these methods. Students should come to class ready to write and will have opportunities to share work if they would like. Students will leave the class with various techniques they can use to convey interiority through character perceptions.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Karen E. Bender\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWednesday, July 1st, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe class will meet 7PM - 9:00PM EST\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCan't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTuition is $99 USD.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43833963380984,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Karen_Bender_Headshot_0f28a25c-9ca9-451d-9526-202ab68f3154.png?v=1736023512"},{"product_id":"shirley-jackson-fiction-writing-workshop-online","title":"Shirley Jackson as Muse: An 8-Week Generative Fiction Workshop with Lauren Davis Starts Thursday, October 1st, 2026","description":"\u003ch2\u003eStarts Thursday, October 1st, 2026\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eClass will meet weekly via Wet Ink (asynchronous)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eInstructor Lauren Davis is the author of the short story collection\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Nothing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(YesYes Books, 2025) and the poetry collections\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHome Beneath the Church\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Fernwood Press) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhen I Drowned\u003c\/em\u003e. Her fiction won the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLanding Zone Magazine's\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eFlash Fiction Contest, and her fiction and poetry have been finalists for the Ruth Stone Poetry Prize and the Press 53 Award for Short Fiction, among others. Her poetry, fiction, essays, and reviews have appeared in numerous literary publications and anthologies, including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrairie Schooner, Spillway, Poet Lore, Ibbetson Street, Ninth Letter\u003c\/em\u003e, and elsewhere. She holds an MFA from the Bennington College Writing Seminars. Davis lives with her husband and two black cats on the Olympic Peninsula in a Victorian seaport community.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cem\u003e\u003cstrong\u003eMeet the Teaching Artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003cspan style=\"background-color: white;\"\u003eRead an \u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" title=\"Shirley Jackson as Muse: Interview with Lauren Davis\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/shirley-jackson-as-muse-interview-with-lauren-davis\" target=\"_blank\"\u003eInterview with Lauren\u003c\/a\u003e\u003c\/strong\u003e on Shirley Jackson as Muse.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eThis online fiction writing workshop is for writers at all levels who want to explore Shirley Jackson's unique style and themes. Whether you're drawn to psychological tension, dark fiction, or the art of the unsettling, this course will help you infuse your work with depth and complexity.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eStep into the haunting and captivating world of Shirley Jackson in this 8-week fiction workshop. Through reading, analysis, and generative writing exercises, you will gain a deeper appreciation for Jackson's writing and develop practical skills for crafting narratives that grip readers' attention.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eGuided by instructor Lauren Davis, you will delve deep into Jackson's unique blend of dark themes, psychological exploration, and horror, using her work as a catalyst to spark your own creativity. This online writing class invites you to explore the chilling brilliance of Shirley Jackson's writing through her acclaimed collection The Lottery and Other Stories.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eJoin us for an immersive exploration of Shirley Jackson's literary legacy, where you'll not only uncover the secrets behind her chilling tales but also harness her influence to ignite your own creative spark. Under the guidance of instructor Lauren Davis, you'll craft your own stories that resonate with darkness, suspense, and the enigmatic allure that defines Jackson's writing. Note: Our peer workshop will utilize a strict deadline as a courtesy to ensure all participants have the same amount of time to participate and provide feedback to each other.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eIn this course, students will:\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eReading and Analysis: \u003c\/strong\u003eThrough a comprehensive reading and discussion of Shirley Jackson's acclaimed short story collection The Lottery and Other Stories, students will dissect her narratives, characters, and themes. By analyzing Jackson's storytelling techniques, students will gain insights into her mastery of suspense, psychological tension, and eerie atmosphere.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eExploring Dark Themes: \u003c\/strong\u003eParticipants will explore and identify the underlying dark themes and psychological nuances that permeate Jackson's stories. By unpacking the intricacies of her writing, students will gain an understanding of how to infuse their own work with depth, complexity, and a touch of the unsettling.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eGenerative Writing: \u003c\/strong\u003eUsing Jackson's stories as inspiration, students will embark on a journey of creativity, generating their own first drafts of short stories. Through various writing prompts and exercises, participants will harness the power of Jackson's literary legacy to create new and original fiction.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eTechnique Integration: \u003c\/strong\u003eBuilding on the knowledge gained from studying Jackson's works, students will learn how to incorporate her writing techniques into their own drafts. From creating suspenseful scenes to crafting memorable characters, participants will develop a toolkit for infusing their stories with tension and intrigue.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eParticipants will have the opportunity to receive private instructor feedback on four 5,000-word short stories.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eReadings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eStudents will read \u003cem\u003eThe Lottery and Other Stories\u003c\/em\u003e by Shirley Jackson. Students will need to acquire their own copy of the book.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 1: \u003c\/strong\u003eRead Section I and Discuss Stories\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 2: \u003c\/strong\u003eGenerate and Submit Short Story Draft\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 3: \u003c\/strong\u003eRead Section II and Discuss Stories\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 4: \u003c\/strong\u003eGenerate and Submit Short Story Draft\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 5: \u003c\/strong\u003eRead Section III and Discuss Stories\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 6: \u003c\/strong\u003eGenerate and Submit Short Story Draft\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 7: \u003c\/strong\u003eRead Section IV and Discuss Stories\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eWeek 8: \u003c\/strong\u003eGenerate and Submit Short Story Draft\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc space-y-2.5 pl-7\"\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eClose reading of Shirley Jackson's only short story collection\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eKnowledge and appreciation of psychological and dark fiction theory\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eGeneration of four short story drafts\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003ePrivate instructor feedback on four 5,000-word short stories\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003ePeer feedback on one 5,000-word short story\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eJoin us for an immersive exploration of Shirley Jackson's literary legacy, where you'll not only uncover the secrets behind her chilling tales but also harness her influence to ignite your own creative spark.\u003c\/p\u003e\n\u003cp\u003eUnder the guidance of instructor Lauren Davis, you'll craft your own stories that resonate with darkness, suspense, and the enigmatic allure that defines Jackson's writing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class is entirely asynchronous which means you complete the weekly assignments on your own schedule. There are no set meeting times in order to allow for greater participation; your cohort will consist of writers from across different time zones, which allows for a wonderful diversity of voices.\u003c\/p\u003e\n\u003cp\u003eAlong with your weekly deadlines there is plenty of interaction with Lauren and your peers within \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e, our dedicated online classroom. Craft materials, lectures, reading assignments, and writing prompts are all available through the online classroom. Students also post work and provide and receive feedback within the online classroom environment.\u003c\/p\u003e\n\u003cp\u003eYou can get the work done as you see fit week-to-week, so it is perfect for any schedule. There are discussion questions each week inspired by the assigned readings and topics in the lecture notes. Students are encouraged to take these wherever is most compelling and\/or useful for them. Lauren engages with these discussions throughout the week and you will receive feedback from all assigned writing activities. \u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e\u003cstrong\u003eHOW DOES WET INK WORK? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e\u003cstrong\u003e\u003c\/strong\u003eWet Ink was built and designed specifically for online writing classes. Wet Ink is private, easy to use, and very interactive. You can learn more about the Wet Ink platform by \u003ca href=\"https:\/\/wet.ink\/demos\/take-a-class\/get-familiar-with-your-class\" target=\"_blank\"\u003eWatching a Class Demo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eYou can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Lauren Davis\u003c\/li\u003e\n\u003cli\u003eClass starts Thursday, October 1, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Wet Ink (asynchronous). Once you have enrolled the instructor will send you a link to our online classroom, provided via \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003eWet Ink\u003c\/a\u003e.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $545 USD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":43982033551608,"sku":"","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/ShirleyJacksonasMuseAn8-WeekGenerativeFictionWorkshop_a64691ec-7ad0-41c5-9daf-3a1444ec6e4d.png?v=1769183774"},{"product_id":"6-month-fiction-mentorship-with-ethan-chatagnier","title":"6 Month One-on-One Fiction Mentorship for Story Writers \u0026 Novelists with Ethan Chatagnier, Apply Now!","description":"\u003ch2 data-mce-fragment=\"1\"\u003eApply Now!\u003c\/h2\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\" title=\"Novel Mentorship Application with Ethan Chatagnier\" rel=\"noopener\"\u003eHERE\u003c\/a\u003e\u003ca rel=\"noopener\" title=\"Novel Mentorship Application with Swan Huntley\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" data-mce-href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe are very excited to offer a limited enrollment one-on-one 6-Month Novel Mentorship Program with award-winning novelist Ethan Chatagnier, author of the novel \u003cem\u003e\u003ca title=\"Singer Distance by Ethan Chatagnier\" href=\"https:\/\/bookshop.org\/p\/books\/singer-distance-ethan-chatagnier\/18754404?ean=9781953534439\" data-mce-href=\"https:\/\/bookshop.org\/p\/books\/singer-distance-ethan-chatagnier\/18754404?ean=9781953534439\" target=\"_blank\"\u003eSinger Distance\u003c\/a\u003e\u003c\/em\u003e (Tin House Books), winner of the Golden Poppy Award from the California Independent Booksellers Alliance, and the story collection \u003cem\u003eWarnings\u003c\/em\u003e from the Future (Acre Books), a finalist for the Foreword INDIES awards. Singer Distance was a best book of 2022 at NPR and \u003cem\u003ePopSugar\u003c\/em\u003e and a most anticipated fall book at \u003cem\u003eLitHub, Gizmodo, Vulture\u003c\/em\u003e, Tor.com, the \u003cem\u003ePhiladelphia Inquirer, ALTA, Debutiful\u003c\/em\u003e, and \u003cem\u003eDailyHive\u003c\/em\u003e. Ethan’s short stories have also appeared in the \u003cem\u003ePushcart Prize\u003c\/em\u003e anthology, the \u003cem\u003eNew England Review, Georgia Review, Colorado Review, Story\u003c\/em\u003e, and other journals, and listed as notable in the \u003cem\u003eBest American Short Stories\u003c\/em\u003e. His essays, book reviews, and interviews can be found in the \u003cem\u003eKenyon Review, the Chicago Review of Books, The Millions, The Common, TriQuarterly\u003c\/em\u003e, and other publications.\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-font-kerning: 0pt; mso-ligatures: none;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003eRead an \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/scaling-the-obstacles-an-interview-with-novelist-ethan-chatagnier\" title=\"Scaling the Obstacles: an Interview with Novelist Ethan Chatagnier\" data-mce-href=\"https:\/\/writingworkshops.com\/blogs\/news\/scaling-the-obstacles-an-interview-with-novelist-ethan-chatagnier\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eInterview with Ethan\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e on Scaling the Obstacles as a Fiction Writer.\u003c\/p\u003e\n\u003cp\u003eThis mentorship program is for students who are committed to a book project–either a novel or a story collection–and have at least 10K words of it drafted. Students should also be ready to produce 5K words or more per month (about 1 double-spaced page per day), and also to spend some time discussing the work, revising, and doing recommended reading. We can arrange a personalized goal together, mostly likely to get to the end of the project, or to get far enough that the end is in sight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevision mentorship option: \u003c\/strong\u003eAlternately, for writers with a completed draft, we can arrange a revision mentorship. Because reviewing a full manuscript takes significant time upfront, I’m presenting two options for how that can fit into the mentorship. Option 1) The first two months of the mentorship period can be devoted to the full manuscript read and consultation. We can still hold a meeting each month to set some goals for the student and discuss plans, but the deeper revision work will mostly take place in the remaining four months, once the full manuscript has been read. Option 2) Writers who want to spend the full six months in heavy revision can purchase a manuscript consultation at a rate of $200\/10,000 words\u003c\/p\u003e\n\u003cp\u003eEither mentorship version is open to writers of all fiction genres, and the instructor would be especially excited to work with projects between genres or combining them. We’ll work together to find the best plot, structure, themes, and language for your project. The primary requirement is commitment. Within that time frame, meetings and check-ins can be flexible and work around the student’s availability. \u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-font-kerning: 0pt; mso-ligatures: none;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMentor’s Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInitial consultation\u003c\/li\u003e\n\u003cli\u003ePersonalized writing accountability schedule, recommended readings, and exercises\u003c\/li\u003e\n\u003cli\u003eRegular email check-ins and guidance\u003c\/li\u003e\n\u003cli\u003eOptional monthly 1-hr video or phone conference\u003c\/li\u003e\n\u003cli\u003eEditorial feedback - critique letters and in-line comments\u003c\/li\u003e\n\u003cli\u003eHelp defining the project and crafting a query letter for it\u003c\/li\u003e\n\u003cli\u003eMoral support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMentee’s Responsibilities: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTurn in monthly pages plus reflection letter\u003c\/li\u003e\n\u003cli\u003eRead craft essays\/books, fiction, and other sources as recommended by the instructor\u003c\/li\u003e\n\u003cli\u003eParticipate in regular email discussions\u003c\/li\u003e\n\u003cli\u003eAttempt revisions in response to feedback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBelow is a rough template of what a mentorship schedule may look like, but actual schedules will be more detailed and individually tailored after the initial consultation. Also, while this schedule indicates a couple check-ins per month, students can email the instructor with questions at any time. Guidance and help is not limited to what’s listed here.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample schedule:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Initial consults. Establish plans and goals. Packet 1 due (existing work)\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 1 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Check-in\/optional videoconference\u003c\/li\u003e\n\u003cli\u003eEnd of month: Packet 2 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Monthly check-in and planning session\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 2 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Check-in\/optional videoconference\u003c\/li\u003e\n\u003cli\u003eEnd of month: Packet 3 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Monthly check-in and planning session\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 3 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Check-in\/optional videoconference\u003c\/li\u003e\n\u003cli\u003eEnd of month: Packet 4 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Monthly check-in and planning session\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 4 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Check-in\/optional videoconference\u003c\/li\u003e\n\u003cli\u003eEnd of month: Packet 5 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Monthly check-in and planning session\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 5 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Check-in\/optional videoconference\u003c\/li\u003e\n\u003cli\u003eEnd of month: Packet 6 due\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMonth 6\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek 1: Monthly check-in and planning session\u003c\/li\u003e\n\u003cli\u003eTwo weeks later: mid-month check-ins. Feedback on Packet 6 returned\u003c\/li\u003e\n\u003cli\u003eWeek 4: Final consultation and mentorship debrief \u003c\/li\u003e\n\u003cli\u003eEnd of month: Final packet due. Feedback to follow.\u003cspan style=\"font-family: 'Times New Roman',serif; mso-fareast-font-family: 'Times New Roman'; mso-font-kerning: 0pt; mso-ligatures: none;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Novel Mentorship Application with Ethan Chatagnier\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca rel=\"noopener\" title=\"Novel Mentorship Application with Swan Huntley\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" data-mce-href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTuition Payment:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFull Tuition for the 6-month program is $4495. Accepted writers must commit to the full six months and meet all assigned deadlines. You can pay the tuition in full \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay Installments or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS\u003c\/strong\u003e: \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\"\u003cem\u003eThis class really opened my mind and give me an actual process for mining for ideas that I can use on a regular basis. I feel like I know how to look at, read, or hear anything in the media and come up with not just one but multiple story ideas from it. I had never thought about how to look for questions, conflicts, and characters like that before. It feels like learning how to \"flip the script\" and find angles like in journalism, but from a literary perspective -- which is something I feel I've drastically needed in my journey as a writer!\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I was very excited going into the class, and it exceeded my expectations. Ethan's feedback was generous and insightful, and I thought the assigned reading was very well-chosen. I appreciated the opportunity to look at novels and screenplays alongside each other-- it helped me understand storytelling from a more well-rounded perspective.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"This class was encyclopedic in a great way! The course is excellent and extremely in-depth! I so appreciated Ethan's expertise and depth of knowledge.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I went into the novel-plotting class with a mess of half-written drafts, and I left with a sense of real clarity and direction about the story I want to tell. Ethan was a kind and insightful teacher, and I found his generous feedback invaluable. I'm so impressed with how much information he was able to pack into our 6-week class-- I really feel as if I understand the foundations of storytelling in a way I never have before.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTuition is $4,495. You can pay for the mentorship in full \u003ci\u003e or\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Ethan Chatagnier\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eApply Now\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $4,495.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" data-mce-href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":44055006380280,"sku":null,"price":4495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/6MonthOne-on-OneFictionMentorshipforStoryWriters_NovelistswithwithEthanChatagnier.png?v=1769119130"},{"product_id":"dont-quit-your-day-job-creativity-writing-workshop-online-june-2026","title":"Don’t Quit Your Day Job: Creativity When Life Gets in the Way Zoom Seminar with Lillian Stone on Saturday, June 6th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eSaturday, June 6th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar via Zoom from 11:00AM - 1:00PM Eastern \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eLos Angeles (PDT): 8:00 AM – 10:00 AM \/ Chicago (CDT): 10:00 AM – 12:00 PM \/ New York (EDT): 11:00 AM – 1:00 PM \/ London (BST): 4:00 PM – 6:00 PM \/ Berlin (CEST): 5:00 PM – 7:00 PM\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Lillian Stone is an author, humor writer, freelance reporter and perennial day-job keeper. She juggles gainful employment while working as a regular contributor to outlets including \u003cem\u003eSlate, BBC Worklife, The New Yorker, McSweeney’s Internet Tendency, \u003c\/em\u003eand\u003cem\u003e The Onion\u003c\/em\u003e. She sold her first book, EVERYBODY’S FAVORITE, to a Big Five publisher (Dey Street Books, a HarperCollins imprint) in 2021; over the next two years, she wrote it while working full-time and enduring the tribulations of beagle ownership. Today, the book has garnered acclaim from P\u003cem\u003eublisher’s Weekly, Glamour, Vulture, the Chicago Reader\u003c\/em\u003e and, weirdly, Bob Odenkirk.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMeet the Teaching Artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-lillian-stone-dont-quit-your-day-job\" target=\"_blank\" title=\"Meet the Teaching Artist: Lillian Stone on Writing the Book While Keeping the Day Job\" rel=\"noopener\"\u003e\u003cem\u003eLillian Stone on Writing the Book While Keeping the Day Job\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis seminar is open to writers and creatives at all levels who are struggling to maintain a consistent creative practice alongside the demands of a day job, family responsibilities, or life's general chaos. It's especially well-suited to anyone working toward a long-term creative goal — a book, a freelance career, a body of work — who needs practical tools and renewed inspiration to keep moving forward.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this lively two-hour online writing seminar, humor writer and full-time employee Lillian Stone shares a practical framework for protecting and advancing your creative work — even when life refuses to cooperate. Drawing on her own experience writing her debut book while working full-time, Lillian walks students through a four-part approach: Intention, Discipline, Grace, and Action — a roadmap designed to meet you wherever you are in your creative journey.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe lecture features a look at artists who maintained day jobs well into their periods of creative success, from Samantha Irby, who kept her position at a veterinary clinic even after a major book deal, to Mark Rothko, who taught art students for over two decades. These stories aren't just inspiring — they're evidence that constraint can fuel creativity. Students will leave with concrete tools: boundary scripts for advocating for their creative time, and a year-long progress tracking template to sustain momentum long after the seminar ends.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCan't make it live? No problem — the session will be recorded and available to registered students after the seminar concludes.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this course, students will identify their \"Big One\" — a single, meaningful creative goal to pursue — and build the practical scaffolding to chase it. Students will draft short scripts for setting boundaries and advocating for their creative time with colleagues, family, and friends. Each participant will leave with a personalized progress tracking sheet and year-long time management template to use throughout their project. This single-session seminar emphasizes guided exercises and group discussion rather than manuscript critique.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePre-class prep work for students: Visualizing your Big Creative Goal (BCG)\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eIntro: Why constraints on creative living can actually be… good!\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStep 1: Intention\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStep 2: Discipline\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStep 3: Grace\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStep 4: Action\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStudents will identify their Big One: a single large creative goal to pursue.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStudents will create several short scripts to set boundaries and advocate for their creative time.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStudents will create a progress tracking sheet and time management template to update throughout their project.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStudents will leave feeling empowered by the stories of other creatives — Samantha Irby, Mark Rothko, and others — who propelled their art while working day jobs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTuition is $99 USD. You can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInstructor: Lillian Stone\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSaturday, June 6, 2026\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLive via Zoom from 11:00 AM – 1:00 PM ET\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":44098349859064,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/LillianStoneHeadshot.png?v=1773256163"},{"product_id":"literary-magazine-submissions-workshop","title":"Literary Magazine Submissions Workshop 2-Hour Live Seminar with Meg Eden Kuyatt on Tuesday, August 25th, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eTuesday, August 25th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\n\u003cstrong\u003eLive Seminar via Zoom from 5.30pm - 7:30pm EST\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003eInstructor Meg Eden Kuyatt teaches creative writing at colleges and writing centers. She is the author of the 2021 Towson Prize for Literature-winning poetry collection “Drowning in the Floating World” and the forthcoming “obsolete hill” (Fernwood Press, 2026) and children’s novels, including the Schneider Family Book Award Honor-winning “Good Different,” and “The Girl in the Walls” (Scholastic, 2025). \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\" style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/getting-your-foot-in-the-door-an-interview-with-meg-eden-kuyatt-on-publishing-in-literary-magazines\" title=\"Getting Your Foot in the Door: an Interview with Meg Eden Kuyatt on Publishing in Literary Magazines\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003ean Interview with Meg\u003c\/strong\u003e\u003c\/a\u003e on Publishing in Literary Magazines.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eWant to submit your work to magazines but don't know how? In this workshop, we'll talk about what literary magazines are, what editors are looking for in submissions, have a “translation” exercise, tips on how to get the most out of a lit mag, tips for approaching writing a cover letter and contributor bio, as well as how to handle rejections.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe skills you learn in this session can easily apply to other publication realms, including writing to agents and editors of small book presses. All participants will receive a complimentary magazine of their choice.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eParticipants will have time during the seminar with interactive prompts and will also receive resources to continue writing on their own\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003e\u003cbr\u003eTAKE THIS CLASS IF:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eYou’re writing short stories, essays, or poems.\u003c\/li\u003e\n\u003cli\u003eYou want to learn best practices for publishing in \u003cspan class=\"il\"\u003eliterary\u003c\/span\u003e \u003cspan class=\"il\"\u003emagazines\u003c\/span\u003e.\u003c\/li\u003e\n\u003cli\u003eYou need help honing your submission materials.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eUnderstanding Literary Magazine Submissions\u003c\/strong\u003e: Students will gain a clear understanding of the submission process for literary magazines, including what editors look for in submissions and how to effectively target their work to the right publications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eCrafting Effective Cover Letters and Contributor Bios\u003c\/strong\u003e: Participants will learn how to write compelling cover letters and contributor bios that make their submissions stand out, enhancing their chances of getting published.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eNavigating Rejections and Maximizing Opportunities\u003c\/strong\u003e: Attendees will develop strategies for handling rejections constructively and learn how to maximize the benefits of being published in literary magazines, including building relationships with editors and leveraging published work for further opportunities.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full\u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eClass is on Tuesday, August 25th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eLive Seminar via Zoom from 5.30pm - 7:30pm EST\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you have questions, please use the Chat Button or contact us via email \u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":44125090775288,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Meg_Eden_Headshot_2024_1.png?v=1724944392"},{"product_id":"short-story-submission-bootcamp-kelly-luce","title":"Short Story Submission 1-on-1 Boot Camp with Kelly Luce (8 Weeks) Starts on Monday, April 27th, 2026","description":"\u003cdiv\u003e\n\u003ch2\u003e1-on-1 Boot Camp Starts Monday, April 27th, 2026\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this mentorship? Use the Chat Button to talk with us.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003eWe are very excited to offer a limited enrollment one-on-one Short Story Submission Boot Camp with award-winning novelist Kelly Luce, the author of \u003cem\u003eThree Scenarios in Which Hana Sasaki Grows a Tail\u003c\/em\u003e (A Strange Object), winner of Foreword Review’s Editor’s Choice Prize for Fiction, and the novel\u003cem\u003e Pull Me Under\u003c\/em\u003e (Farrar, Straus, and Giroux), a Book of the Month Club selection and one of Elle’s Best Books. \u003cspan face=\"arial, sans-serif\" color=\"#000000\"\u003eHer work has been recognized by fellowships from the MacDowell Colony, Yaddo, the Tennessee Arts Commission, Sewanee Writers' Conference, Ucross Foundation, Art Omi, Ragdale Foundation, the Kerouac Project, and Jentel Arts, and has appeared in \u003cem\u003eNew York Magazine, Chicago Tribune, The Sun, Salon, O, the Oprah Magazine, The Southern Review\u003c\/em\u003e, and other publications; her digital short story \"\u003ca href=\"https:\/\/codelit.com\/between-the-lines\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/codelit.com\/between-the-lines\u0026amp;source=gmail\u0026amp;ust=1686770639308000\u0026amp;usg=AOvVaw3ICSNbFd3x71QO8S3kRopO\" target=\"_blank\"\u003eBetween the Lines\u003c\/a\u003e\" went viral in 2022. She received an MFA from the Michener Center for Writers at UT Austin, where she was editor-in-chief of \u003cem\u003eBat City Review\u003c\/em\u003e and editorial assistant for the \u003cem\u003eO. Henry Prize Anthology.\u003c\/em\u003e She is the editor of the \u003cem\u003eElectric Literature’s Commuter\u003c\/em\u003e and was a 2016-17 fellow at Harvard’s Radcliffe Institute for Advanced Study. In 2023, she was awarded the Wachtmeister Prize from the Virginia Center for the Creative Arts. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eThis course combines short fiction craft as well as a practical crash course in literary magazine submitting. Over the course of eight weeks, students will ready a short story for publication and then submit it to ten literary magazines.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeeks 1-3:\u003c\/strong\u003e At the start of the course, students will submit a short story draft (up to 5,000 words). They will receive in-line feedback and be expected to submit a revision within two weeks. During this time, the student will have email access to their mentor to discuss craft questions that arise during the revision process.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeeks 4-6:\u003c\/strong\u003e The student will receive a second round of in-line feedback and be expected to submit a revision within two weeks. During this time, the student will have email access to their mentor to discuss craft questions that arise during the revision process.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeeks 6-8:\u003c\/strong\u003e The student will receive a thorough line edit of the story from the instructor. This includes edits for grammar, typos, usage, and syntax issues. After this edit, the story will be polished and submission-ready. The instructor will help the student create a cover letter for magazine submissions, and provide a list of suggested literary magazines (that are currently open!) to submit to. The instructor and student will finalize a list of ten magazines based on the writer's goals and tastes, and the student will make at least ten submissions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eStudents will receive two rounds of feedback on a short story (up to 5,000 words) and a line edit from a long-time lit mag editor to polish the story and ready it for submission.\u003c\/li\u003e\n\u003cli\u003eThe student will learn to write a cover letter and will be introduced to a range of literary magazines appropriate for their work.\u003c\/li\u003e\n\u003cli\u003eThe student will submit their polished story to at least ten magazines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeeks 1-5:\u003c\/strong\u003e Story feedback, line edits, and polish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeeks 6-8:\u003c\/strong\u003e Cover letter drafting and polishing, magazine brainstorming, submission prep, and ten submissions made.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKelly's feedback was encouraging, motivational, instructive, and honest. She made me feel safe enough to take risks with my writing. Her guidance pushed me to work harder at revision and editing than I ever have before\u003c\/em\u003e.\" -former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe Short Story Submission Boot Camp with Kelly Luce was an absolutely great class-I really appreciated the support and insight. Kelly had great expertise, and I felt very pushed by the feedback but also motivated. Loved the curated resources for submission\u003c\/em\u003e.\" -former student\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKelly Luce’s Short Story Writing Boot Camp far exceeded my expectations. Kelly’s top of the line feedback was the most valuable feature of the program, which is a remarkable blend of developmental editing and line editing. And it’s targeted for maximum results. It covered everything I hoped for. One of Kelly’s strength is not taking on too much, rather, staying laser focused on helping her students write their best possible short story\u003c\/em\u003e.\" -former student\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I loved this course with Kelly. It was exactly as advertised and very enjoyable. What I found most valuable: working with an editor for the first time and being able to ask questions about submission procedures for literary magazines, along with the list of magazines I was given\u003c\/em\u003e.\" -former student\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTUITION PAYMENT:\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 8-week 1-on-1 program is $1,199. Accepted writers must commit to the full eight weeks and meet all assigned deadlines. You can pay the tuition in full \u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay Installments or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cp\u003eContact us\u003ca href=\"https:\/\/writingworkshopsdallas.com\/contact\"\u003e HERE\u003c\/a\u003e if you have any questions about this mentorship program.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Full Tuition","offer_id":44522145841400,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Kelly_Luce_Headshot.png?v=1772113080"},{"product_id":"how-to-build-a-platform-for-writers-who-shudder-at-the-thought-zoom-seminar","title":"How to Build a “Platform” for Writers Who Shudder at the Thought Zoom Seminar with Courtney Kocak on Saturday, May 30th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eSaturday, May 30th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar via Zoom from 11:00AM - 2:00PM PST \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003eNow Enrolling! \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Courtney Kocak is a writer, podcaster, and comedian based in Los Angeles. She wrote for Amazon’s Emmy-winning animated series \u003cem\u003eDanger \u0026amp; Eggs\u003c\/em\u003e and Netflix’s \u003cem\u003eKnow It All podcast\u003c\/em\u003e. She’s produced a slew of highly-ranked podcasts—including \u003cem\u003eThe Bellas Podcast\u003c\/em\u003e, which debuted at #1 on Apple Podcasts, PayPal’s \u003cem\u003eNever Stand Still\u003c\/em\u003e, and \u003cem\u003eGirlboss Radio\u003c\/em\u003e—and currently hosts three of her own with over two million downloads to date: \u003cem\u003ePrivate Parts Unknown\u003c\/em\u003e, about love and sexuality around the world, \u003cem\u003eThe Bleeders\u003c\/em\u003e, about book writing and publishing, and \u003cem\u003ePodcast Bestie\u003c\/em\u003e, a best friend to podcasters trying to grow and monetize their shows (and a popular Substack). As a writer, her bylines include \u003cem\u003eThe New York Times, The Washington Post, The Los Angeles Times, Cosmopolitan, BUST, Bustle, InsideHook\u003c\/em\u003e, and more. She’s currently working on a coming-of-age memoir in essays. \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eCourtney Kocak will help you build a platform through newsletters, podcasts, social media, and more. And no, you don’t need to start your own podcast!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe word \"platform\" as a noun necessary to have a writing career used to send me into a spiral. I wanted to be a writer, not an influencer, but book deals are often BYOP—Bring Your Own Platform.\u003c\/p\u003e\n\u003cp\u003eI resented the idea of having to be both as a prerequisite for success. It seemed like an insurmountable roadblock. I was envious of famous writers who didn't have to bother trotting out whimsical Instagram flat lays of their favorite books or trying to make their lunch a hilariously poetic moment on Twitter.\u003c\/p\u003e\n\u003cp\u003eI still have a love\/hate (mostly hate) relationship with social media, but in writing my recent book proposals and landing a dream agent, I realized I'd managed to build a decent platform in spite of myself. In this workshop, I'm sharing everything I've learned to help get you started and\/or optimized for the choose-your-own-adventure of building a writer platform.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eIn this workshop, we'll cover newsletters, podcasting, social media, and other options for platform building. By the end of the 3 hours, you'll have a solid plan for building your writer platform by leaning into your joys and strengths.\u003c\/li\u003e\n\u003cli\u003eI'll present inspiration from my favorite writer accounts and help you find a sustainable social media strategy that doesn't make you want to walk into the ocean.\u003c\/li\u003e\n\u003cli\u003eI will also share my tips for growing an audience on Substack without spending a ton of time.\u003c\/li\u003e\n\u003cli\u003eIt seems like everyone has a podcast these days, but I will help you use podcasts to build a platform, even if you don't want to start your own.\u003c\/li\u003e\n\u003cli\u003ePlus, I'll share some other platform-building ideas you might not have considered. \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCan't make the live event? No problem. You can submit questions beforehand, and the workshop will be recorded and available for 60 days afterward. Afterward, you'll receive a PDF containing a recap and resources to help you execute your new strategy for building a platform.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCOURSE TESTIMONIALS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"Just a few weeks back, I took this phenomenal workshop! Courtney Kocak was an absolute gem, sharing many practical tips and providing an amazing PDF follow-up!\"\u003cbr\u003e\u003cbr\u003e\"If you find this platform-building thing mystifying, scary, or just need encouragement, you should sign up.\"\u003cbr\u003e\u003cbr\u003e\"Some of the best cash I've spent this year.\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full\u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe class is on Saturday, May 30th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eLive Seminar via Zoom from 11:00AM - 2:00PM PST\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you have questions, please use the Chat Button or contact us via email \u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":44600879644920,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Courtney_Kocak_Headshot_1.png?v=1753734544"},{"product_id":"using-the-literature-of-time-travel-to-play-with-time-in-your-writing-zoom-seminar-with-amber-sparks","title":"Using the Literature of Time Travel to Play with Time in Your Writing Zoom Seminar with Amber Sparks on Saturday, June 27th, 2026","description":"\u003ch2\u003e\n\u003cstrong\u003eSaturday, June 27th, 2026\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive seminar via Zoom 10AM – 1PM CST\u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThis class will be recorded if you cannot attend live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInstructor Amber Sparks is the author of the novel, \u003c\/span\u003e\u003cem\u003eHappy People Don’t Live Here\u003c\/em\u003e\u003cspan\u003e, and a forthcoming short story collection, \u003c\/span\u003e\u003cem\u003eDid Parents in the Middle Ages Love Their Children? \u003c\/em\u003e\u003cspan\u003e(both from Liveright\/W.W. Norton), and four collections of short fiction, including \u003c\/span\u003e\u003ci\u003eAnd I Do Not Forgive You: Revenges and other Stories\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eThe Unfinished World\u003c\/i\u003e\u003cspan\u003e. Her fiction and essays have appeared in \u003c\/span\u003e\u003ci\u003eAmerican Short Fiction, the Paris Review, Slate, Tin House, Granta, The Cut\u003c\/i\u003e\u003cspan\u003e and elsewhere.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTime travel stories, novels, and films are everywhere, and when done well, they seem impossible, dazzling - a rabbit pulled out of thin air, no hat required. But the writers who craft these stories aren't performing magic - they're simply using disciplined techniques, planning, and a little misdirection, too. And playing with time can be one of the coolest ways of injecting a little extra something into writing that's lying too flat on the page.  \u003c\/p\u003e\n\u003cp\u003eIn this workshop, we'll talk about the history of time travel stories, play fast and loose with time in generating some writing of our own, and learn some techniques and moves that you can use to move backwards, forwards, sideways, and in a loop when it comes to time in your fiction or non-fiction.  \u003c\/p\u003e\n\u003cp\u003eYou'll leave with two pieces of time-bending writing to build on. \u003cspan style=\"color: black; font-family: Arial,sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster the Art of Time Manipulation in Writing: \u003c\/strong\u003eGain insider techniques to craft compelling narratives that traverse time with ease, making your stories as captivating and seamless as the best time travel fiction and films.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Time-Bending Stories: \u003c\/strong\u003eThrough engaging exercises and expert guidance, produce two pieces of your own time-bending writing, ready to captivate readers with their inventive structure and intriguing plots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnlock New Dimensions in Your Writing: \u003c\/strong\u003eExplore the rich history and endless possibilities of time travel literature, equipping yourself with innovative tools to elevate your fiction or non-fiction and make your narratives truly unforgettable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYOU'LL TAKE HOME:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo pieces of writing to build on.\u003c\/li\u003e\n\u003cli\u003eNew and inspiring craft wisdom.\u003c\/li\u003e\n\u003cli\u003eFurther recommended reading, too.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTAKE THIS CLASS IF\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYou're finding the constraints of your current writing practice too limiting.\u003c\/li\u003e\n\u003cli\u003eYou want exposure to a range of new approaches to bring to your writing practice.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou want an expanded sense of what is possible in your work.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWHY YOU SHOULD SIGN UP:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis seminar is perfect for writers of all levels who are eager to experiment with time manipulation in their storytelling, whether they are working on fiction, non-fiction, or hybrid genres. If you want to add a unique, captivating element to your narratives and learn from a seasoned author, this course is for you.\u003cspan style=\"color: black; font-family: Arial,sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eOne of the more creative workshops I have ever taken. Amber Sparks really got me to think in different and creative ways. It was the right class at the right time for me.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eI really enjoyed Amber Sparks' workshop on Fractured Narrative! Great list of possible approaches to non-linear story-telling with helpful references to specific author's works as examples. Good exercises. Really enjoyed the chat input from other attendees as well. Great value for the price.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I loved the specific ideas and recommendations about writings, authors, essays, etc, to check out, talking about specific elements of fiction. Honestly, for a 3-hour seminar, it was excellent!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I really enjoyed the focused writing exercises in Amber's seminar. It was a lot of fun!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"This was the perfect balance between lecture presentation\/writing exercises\/ Q\u0026amp;A.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I found everything about this class valuable, from the in-class readings, suggested readings\/media, writing exercises, class (chat) conversation, and friendly camaraderie, and the enthusiastic, knowledgeable, empathetic instructor. Would highly recommend it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I appreciated Amber's familiarity, love, and expertise of the genre fantastic, along with the excellent mix of example and practice writing. Plus, this was a well-timed class.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"Amber's class exceeded my expectations because of the time to write, edit, rethink, and share with others through a small group.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I loved the concrete tips and techniques and playful exercises that helped us use them right away.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"Yes, this seminar was wonderful. It was full of ideas and insights that I found really helpful and that I'm hoping to use in my writing. I can't point to just one specific thing. The class completely exceeded my expectations.\" \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"I had high expectations from having taken a class with Amber before, and my expectations were certainly met and perhaps exceeded. This class provided so many stimulating ideas. Highly recommend.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003eThis class will meet via Zoom.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003eTuition is $99 USD. You can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eAmber Sparks | Live via Zoom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSaturday, June 27th, 2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive seminar via Zoom 10AM – 1PM CST\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":45317443354872,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Amber_Sparks_Headshot_2025.png?v=1770484233"},{"product_id":"social-media-for-authors-writing-seminar-online","title":"Think Like a Content Creator: Social Media for Authors Zoom Seminar with Sanibel Lazar on Sunday, June 7th, 2026","description":"\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSunday, June 7th, 2026\u003c\/h2\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLive Zoom Seminar from 10:00 AM - 1:00 PM ET\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e🌍 \u003cem\u003e\u003cstrong\u003eClass Times by Time Zone:\u003c\/strong\u003e Los Angeles (PDT): 7:00 AM – 10:00 AM \/ Chicago (CDT): 9:00 AM – 12:00 PM \/ New York (EDT): 10:00 AM – 1:00 PM \/ London (BST): 3:00 PM – 6:00 PM \/ Berlin (CEST): 4:00 PM – 7:00 PM\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe session will be recorded and available to watch after the seminar concludes. The recording will be available for 30 days (and you can download it and watch whenever, but you need to download within 30 days).\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eInstructor Bio\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eInstructor Sanibel Lazar's self-published debut, \u003cem\u003eTo Have and Have More\u003c\/em\u003e, achieved bestseller status thanks to relentless social media campaigning. Her second book, \u003cem\u003eDoes This Make Me Look Rich?\u003c\/em\u003e, is forthcoming from Union Square (2027). Sanibel's writing appears in \u003cem\u003eNYmag, ELLE, Air Mail, Literary Hub\u003c\/em\u003e, and more. You can find Sanibel on TikTok, Instagram, and Sad Rich Girls (via Bindery).\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/triptych_sanibel.webp?v=1772657933\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eMeet the Teaching Artist:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eIn the Writer's Studio: \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-tiktok-for-authors-with-sanibel-lazar\" target=\"_blank\" title=\"In the Writer's Studio: Sanibel Lazar on Transforming Literary Talent into Digital Currency\" rel=\"noopener\"\u003eSanibel Lazar on Transforming Literary Talent into Digital Currency\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis online writing seminar is for authors at any stage — debut or established — who want to build an audience on social media but don't know where to start (or have started and feel stuck). Whether you have a book coming out, a manuscript in progress, or a backlist that deserves more attention, this class will give you a practical framework for creating content that actually works. No prior social media experience required.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBeing a brilliant writer doesn't automatically make you a social media natural. Why does creating a social media post feel Sisyphean when you're capable of writing an entire book? Because catering to ultra-short attention spans and writing great prose are not quite the same skill. Success on social media requires a combination of brand building, self-promotion, and a clearly defined product — your book.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this live Zoom seminar, Sanibel Lazar will spend roughly 60% of the session covering the basics of video content (Reels, TikTok, YouTube). You'll discuss how the algorithm works, what's considered a \"good\" amount of views, the best time to post, how to engage with followers — and you'll get the tools to make your first videos.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe remaining 40% will focus on how to develop a content strategy that aligns with the book or collection you're selling. The most common mistake Sanibel sees writers committing on social media — including bestselling authors far more established in their careers — is making ads for their book. If you're a fledgling writer, you most likely won't build an audience if all you're talking about is yourself and your writing. To get eyeballs on your content and to amass followers, you need to provide what people scroll for: entertainment.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this seminar, students will come away with a working content strategy tailored to their book, the practical skills to film and edit their first video posts, and a clear understanding of how to translate their writing into engaging social media content. Sanibel will provide real-time feedback on strategy questions throughout the session.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis is a single three-hour session covering both practical skills and big-picture strategy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePart 1 — Practical Skills: \u003c\/em\u003eYou'll discuss the categories of video content (writer life \/ educational \/ trends \/ montage) and how to turn your book into digestible, compelling content. Sanibel will share her best practices for engagement (the art of strategic reduction: making complex themes and ideas graspable), the traps she fell into, and the differences between posting on TikTok and Instagram. She'll also describe what she's learned about how social media followers translate beyond the app (pre-sales, podcasts).\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003ePart 2 — Big-Picture Strategy: \u003c\/em\u003eThe session will shift to how to approach social media with the same clarity and intention you bring to your writing. You'll discuss how to think like an editorial director, treating your content as a mini publication dedicated exclusively to featuring you and your book. Sanibel will break down the difference between video and static posts (and how to use both effectively), plus how to create engaging content that doesn't rely on the same tired milestone posts. You'll also cover the parasocial dynamic — what to share, what to withhold, and how to maintain boundaries while keeping potential readers invested. Finally, you'll analyze why bestseller status doesn't necessarily translate to success on social media.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eThink like a product marketer: positioning yourself and your work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eEstablishing name and book recognition (without being repetitive)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eDifferentiating yourself from the sea of other authors online\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eAnalyzing performance: what's working, what's not, and how to adjust\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLogistics of content: best practices for filming, how to edit efficiently, how often to post\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWhat to avoid: common writer content mistakes and why bestselling authors don't automatically succeed on TikTok\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eHow to use \"clickbait principles\" to make content that \"stops the scroll\"\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWrite catchy headlines\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo problem! The session will be recorded and available to watch after the seminar concludes. The recording will be available for 30 days (and you can download it and watch whenever, but you need to download within 30 days).\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTuition is $99 USD. You can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInstructor: Sanibel Lazar\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSunday, June 7th, 2026\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLive Zoom Seminar from 10:00 AM - 1:00 PM ET\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSeminar is fully ONLINE and meets via Zoom.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eThe session will be recorded and available to watch after the seminar concludes. The recording will be available for 30 days (and you can download it and watch whenever, but you need to download within 30 days).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"shopify-section-template--16524040667384__related-articles\" class=\"shopify-section section-product-related-articles\"\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":45546130931960,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/SanibelLazarHeadshot_5b82fcc0-8768-4ecb-88f8-7d6edff54cbf.png?v=1759864176"},{"product_id":"exploring-first-person-point-of-view-with-karen-e-bender","title":"Exploring First Person Point of View with Karen E. Bender 1-Day Fiction Master Class (Zoom) on Saturday, June 20th, 2026","description":"\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-0c22edf6c5f4ee9d89a4\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Saturday, June 20th, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 12PM - 4:00PM EST\u003c\/h2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaught by Karen E. Bender, author of three collections; \u003c\/span\u003e\u003cem\u003eRefund\u003c\/em\u003e\u003cspan\u003e, which was a Finalist for the National Book Award, shortlisted for the Frank O'Connor International Story Prize, and Longlisted for the Story prize; \u003c\/span\u003e\u003cem\u003eThe New Order\u003c\/em\u003e\u003cspan\u003e, which was Longlisted for the Story prize; and \u003c\/span\u003e\u003cem\u003eThe Words of Dr. L\u003c\/em\u003e\u003cspan\u003e,  published in May, 2025. Her novels are \u003c\/span\u003e\u003cem\u003eLike Normal People\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eA Town of Empty Rooms\u003c\/em\u003e\u003cspan\u003e. Her fiction has appeared in \u003c\/span\u003e\u003cem\u003eThe New Yorker, Granta, Ploughshares, Zoetrope, The Yale Review, The Harvard Review, Story, Guernica\u003c\/em\u003e\u003cspan\u003e, and others, have been reprinted in \u003c\/span\u003e\u003cem\u003eBest American Short Stories\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eBest American Mystery\u003c\/em\u003e\u003cspan\u003e stories and won three Pushcart prizes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFirst person point of view brings us into a character's perspective in a way that no other point of view can. It's a direct portal to a character's thoughts and feelings, and the most effective first person point of view creates a deep connection with the reader. First person point of view can also be flexible--there are different ways to approach it and use it.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this 4-hour seminar, we will look at different strategies for using first person perspectives. We will read stories and excerpts by James Joyce, Jamaica Kincaid, JD Salinger, Miranda July and Mavis Gallant, and practice different ways of writing in the first person.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eWriters will leave with several exercises to use as launchpads for future writing, as well as the ability to think more strategically about how to use first person perspective in their work.  \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eThe week of the seminar, Karen will email several PDFs of the stories we'll be discussing--you don't need to read these before the class, but can if you would like.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cstrong\u003eCOURSE TAKEAWAYS\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnderstand how first person point of view can help you create a character    \u003c\/li\u003e\n\u003cli\u003eSeveral exercises to use as the inspiration for future drafts.    \u003c\/li\u003e\n\u003cli\u003eThink strategically about past drafts and learn how to make your character's point of view more dynamic \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe'll be going over the different types of story openings in class, and then writing generative exercises to practice these methods. Students should come to class ready to write and will have opportunities to share work if they would like. They will leave the class with a variety of story openings, and an understanding of a variety of techniques a writer can use to open a story.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis seminar exceeded my expectations. I loved going through the different types of story openings that exist and then seeing clear-cut examples of each from the materials that were shared in class. Karen is a fantastic facilitator!\u003c\/em\u003e\" -Alexandra Y.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eClass was excellent and exceeded my expectations. I found Karen's approach of writing an opening that set up two questions extremely valuable. Five of five stars\u003c\/em\u003e.\" -Diane K.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI though Karen gave great input on our exercises. I would highly recommend this seminar! I learned so much.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The best part about the Exploring Strategies for Story Beginnings seminar with Karen E. Bender were her insights, warmth, generosity, intelligence and the categories for types of story beginnings she presented to us. Karen is a wonderful instructor, and I've taken all of her seminars.\" -former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe close reading of the texts was extremely valuable. Karen is a great teacher, and I though this was a great seminar on strategies for story beginnings.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I found Karen's teaching so valuable. She dives right in and I love her style. I signed up for her other seminars after I took this one. Thank you!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In her seminars, Karen always offer such specific techniques, which has helped me deepen my understanding of craft and benefited my writing practice. Thank you!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen's class taught me invaluable writing techniques that I missed because I have a JD instead of an MFA. This was so great! Thank you, Karen!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I loved the structure of understanding various story openings and emphasis on goals for first paragraphs. This class definitely exceeded my expectations.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It was great. I was working on a rewrite, came to the realization that I needed more interiority, saw this class, jumped on it, and I've already used some of the techniques. The concepts and ideas that were coupled with good, well-paced exercises.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This class helps all levels of writers get better access to the all-important matter of characters. Highly recommend.\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"What a fantastic person! I liked her style, her content, and her drive for us to get the most out of 2 hours. Karen really pointed out a fantastic technique and her enthusiasm is infectious. I just wanted more time with her!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Exceeded expectations. Lots of content, practice, plus interaction packed into Zoom.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen E. Bender's Strategies for Story Beginnings seminar exceeded my expectations! Karen is an excellent teacher: she is patient, explains all her materials well and provides valuable examples and feedback. I really enjoy how Karen runs her courses. This is the second of hers I've taken, and I plan to take more. In fact, I recommended Karen's classes enough after the first one I took that a friend joined me for this one. Thank you again!\" -former student\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $150 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Karen E. Bender\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive seminar via Zoom on Saturday, June 20th, 2026\u003c\/li\u003e\n\u003cli\u003e12PM - 4PM EST\u003c\/li\u003e\n\u003cli\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/li\u003e\n\u003cli\u003eTuition is $150 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":45608745402616,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Karen_Bender_Headshot_0f28a25c-9ca9-451d-9526-202ab68f3154.png?v=1736023512"},{"product_id":"writing-goals-zoom-seminar-with-tawny-lara","title":"Set and Slay Your End of Year Writing Goals with Tawny Lara (Zoom) on Tuesday, November 10th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eTuesday, November 10th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar Via Zoom 6:00PM – 8:00PM Eastern\u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLed by Tawny Lara, author of \u003ca rel=\"noopener\" title=\"Dry Humping  A Guide to Dating, Relating, and Hooking Up Without the Booze By Tawny Lara\" href=\"https:\/\/www.penguinrandomhouse.com\/books\/730665\/dry-humping-by-tawny-lara\/\" target=\"_blank\"\u003e\u003cem\u003eDry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze\u003c\/em\u003e\u003c\/a\u003e and \u003ci\u003eThe Sobriety Deck: Practical Practices for a Booze-Free Lifestyle\u003c\/i\u003e, and co-founder of the vinegar-based botanical beverage, (\u003ca href=\"https:\/\/www.drinkparentheses.com\/\" title=\"Parentheses Beverage\" rel=\"noopener\" target=\"_blank\"\u003eparentheses\u003c\/a\u003e).\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis class helps writers identify specific writing goals and provides actionable steps to actually accomplishing them in the new year. Whether you're working on something big, like a book proposal, or trying to find your voice as a writer, \u003cstrong\u003eSet and Slay Your End of Year Writing Goals\u003c\/strong\u003e is the course for you.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eParticipants will emerge from this seminar with clear, written instructions on how to identify and accomplish their end of year writing goals—plus tangible tips on how to use the rest of December to set yourself (and your writing!) up for success.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTawny Lara shares from personal experience as an author, co-founder of a drink brand, and tired Millennial with a business degree. She’ll share how her past obsession with goal setting didn’t work and how setting realistic, controllable goals improved her writing (and her sanity!)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSEMINAR TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan id=\"m_8714549223821452038gmail-docs-internal-guid-7cf8a93a-7fff-7da3-eef1-640436f07aa1\"\u003e\u003cstrong\u003eIdentify\/Revisit Your Writing Goals: \u003c\/strong\u003eIt's tough to accomplish writing goals if you don’t know what your goals are. Tawny will guide you through a series of writing exercises designed to help you both identify your writing goals and create a path toward achieving them. This is also a great time to revisit your New Year's Resolutions, setting your writing goals up for success.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan id=\"m_8714549223821452038gmail-docs-internal-guid-7cf8a93a-7fff-7da3-eef1-640436f07aa1\"\u003e\u003cstrong\u003eGet Specific: \u003c\/strong\u003eWhether you’re working on a book proposal or trying to create a writing routine, Tawny will help you get specific and strategic with your goal setting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan id=\"m_8714549223821452038gmail-docs-internal-guid-7cf8a93a-7fff-7da3-eef1-640436f07aa1\"\u003e\u003cstrong\u003eTake Control: \u003c\/strong\u003eAccomplishing big goals is all about taking small actions. Tawny will help you break your writing goals down into actionable items by identifying what’s in your control vs what’s out of your control.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan id=\"m_8714549223821452038gmail-docs-internal-guid-7cf8a93a-7fff-7da3-eef1-640436f07aa1\"\u003e\u003cstrong\u003e15 Minute Q\u0026amp;A: \u003c\/strong\u003e\u003cspan\u003eAsk Tawny anything about publishing, DIY publicity, entrepreneurship, marketing, professional goals and more.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan id=\"m_8714549223821452038gmail-docs-internal-guid-7cf8a93a-7fff-7da3-eef1-640436f07aa1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eJoin us if you:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeel overwhelmed by your writing routine (or lack thereof).\u003c\/li\u003e\n\u003cli\u003eWant to feel more empowered as a writer.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHave an idea of your writing goals but need help breaking those goals into bite-sized chunks.\u003c\/li\u003e\n\u003cli\u003eNeed practical tips for life as a writer in the digital age.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“When it comes to non-fiction, a big part of an agent’s job is wrangling a book proposal together with their author. Digging into the why of the project, discussing platform, and the like. It only benefits you to be more prepared. The more you have in there, the better. When Tawny’s proposal arrived in my agent inbox and I opened it, it was like that scene in Pulp Fiction when they open the briefcase and all golden light shines out. It was perfect. And I called her the same day asking to work on the project. You’ll learn a lot from her, absolutely” -Eric Smith, author \u0026amp; Tawny’s agent\u003c\/p\u003e\n\u003cp\u003e“The publishing world is a minefield, and Tawny is a Bloodhound. Over the past decade, she's learned how to navigate this clusterfuck of this industry, cutting through the BS, so you can actually get published and your voice heard.” -Zachary Zane, Author of \u003cem\u003eBoyslut, A Memoir and Manifesto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny is such an excellent resource for someone navigating publishing and proposals for the first time. I am a DIY-type who usually just uses Google to teach me everything, but having Tawny's help saved me weeks if not months of research and helped me feel extremely clear and prepared as I began the process. Very grateful for her expertise!” -Mariana Louis, archetypal tarotist\u003c\/p\u003e\n\u003cp\u003e\"Tawny Lara's class on writing non-fiction book proposals is a lighthouse for anyone eager to explore mental health topics with depth and empathy. Her expertise not only helps writers to craft impactful narratives but also to navigate the complexities of mental health with sensitivity and insight.\" - Sophie Saint Thomas, author of \u003cem\u003eReproductive Rites\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny is not only an experienced journalist and writer, but she’s also a marketing wiz who can bring that extra special sauce to your book proposal. If you want to actually sell your book, there’s no one else that I’d rely on to teach me the 101.” - Irina Gonzalez, editor, journalist, and author of the\u003cem\u003e Raising Gen Alpha\u003c\/em\u003e newsletter\u003c\/p\u003e\n\u003cp\u003e\"Tawny is a master when it comes to marketing yourself as a writer. She will help you focus your vision and tap into insider knowledge of the publishing world.\" -Gemma Hartley, author of \u003cem\u003eFed Up: Emotional Labor, Women, and the Way Forward \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny will help you sell your book proposal. She knows the game, and she will teach you how to play it.” -Paulina Pinsky, co-author of\u003cem\u003e It Doesn’t Have to be Awkward\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eTawny, I wanted to take a moment to thank you for what was a chock-full-of-info book proposal seminar yesterday. I am so glad I came; it was worth my time in all respects! Thank you for being so generous and forthcoming and giving us so much knowledge about the book proposal process in such a clear and seamless way. I feel like every minute had something valuable to offer. My kind of seminar!\u003c\/em\u003e\" -former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Tawny Lara\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTuesday, November 10th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive Seminar Via Zoom 6:00PM – 8:00PM Eastern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $99 USD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":45951957893368,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Tawny_Lara_Headshot_3.png?v=1722440751"},{"product_id":"mine-your-life-for-funny-ideas-generative-zoom-seminar-with-caitlin-kunkel","title":"Mine Your Life for Funny Ideas Generative Zoom Seminar with Caitlin Kunkel on Saturday, June 6th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eSaturday, June 6th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar via Zoom from 1:00PM - 3:00PM Eastern \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eLos Angeles (PDT): 10:00 AM – 12:00 PM \/ Chicago (CDT): 12:00 PM – 2:00 PM \/ New York (EDT): 1:00 PM – 3:00 PM \/ London (BST): 6:00 PM – 8:00 PM \/ Berlin (CEST): 7:00 PM – 9:00 PM\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: If you can't attend live, this class will be recorded. All enrolled students will receive a link to watch the recording, which will be available for 30 days.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Caitlin Kunkel's writing has been featured in \u003cem\u003eThe New York Times, The New Yorker, McSweeney's\u003c\/em\u003e, and on public radio. She co-founded the comedy site \u003cem\u003eThe Belladonna\u003c\/em\u003e, created the online satire writing program for The Second City, and co-created the Satire and Humor Festival. Her first co-written book, NEW EROTICA FOR FEMINISTS, was published by Penguin Random House and named one of the 10 best comedy books of the year by \u003cem\u003eVulture\u003c\/em\u003e (\u003cem\u003eNY Mag\u003c\/em\u003e). \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINSIDE JOKES, a humor writing craft book, co-written with Elissa Bassist, is forthcoming from Grand Central Publishing in 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQ: How do you come up with a wealth of ideas for funny parodies, satires, essays, novels, memoirs, or out-of-office replies? \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA: You mine absurdities, specifics, images, and more from your everyday life, then use comedic tools to spin them into premises for pieces.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn this two-hour interactive and generative workshop, satirist and comedy craft book author Caitlin Kunkel will lead students through a series of lists and brainstorming prompts to gather specifics and interesting ideas hidden in plain sight. Come to class ready to write and get weird.\u003c\/p\u003e\n\u003cp\u003eAfter generating the raw material, students will experiment with comedic foundations and tools like exaggeration, templates, and twists to create premises and titles for future funny writing. Everyone will leave class with a clear, repeatable process on how to mine and refine comedic ideas into publishable writing.\u003c\/p\u003e\n\u003cp\u003eThe end of class will focus on creative work strategies to draft, get feedback on, rewrite, and submit work on a (reasonable) schedule–because we’re funny, yes, but also professional.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eA practical, repeatable method to identify and develop humorous material from your daily life.\u003c\/li\u003e\n\u003cli\u003eStrategies for pushing everyday observations into surprising, laugh-out-loud premises.\u003c\/li\u003e\n\u003cli\u003eTechniques for testing and refining comedic angles, from parody and satire to personal essays.\u003c\/li\u003e\n\u003cli\u003eTips for balancing bold comedic choices with clarity and structure in your writing process.\u003c\/li\u003e\n\u003cli\u003eA roadmap for turning rough comedic ideas into polished drafts ready for submission\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eTAKE THIS CLASS IF:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eYou’re ready to unlock unconventional sources of inspiration to spark comedic ideas.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou want to move beyond clichéd humor and discover fresh twists on familiar topics.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou seek a supportive environment to experiment with comedic voice, style, and format.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou’d like to learn how to juggle humor-writing projects alongside other professional commitments.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou’re excited to workshop your comedic premises and hone them into shareable, publishable pieces.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eSTUDENTS LOVE CAITLIN:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Caitlin is an outstanding teacher. The time FLEW by because I was so engaged. So much amazing information and I feel energized to go write.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Caitlin Kunkel will teach you humor beats, how to do a writing sprint, and which kinds of 'babies' to kill in your jokes! All humor aside, I took her Comedy Writing for Non-Comedians workshop last year and left enamored by both the content and her teaching style. I've had bad experiences with online workshops that feel like a live session of what could've been a YouTube video. Caitlin and her workshops are the real deal. As a novelist, I've now taken her Comedy Writing, How to Write Like an Athlete, and How to Write a Short Humor Piece workshops, and they were all brilliant. Highly recommend it!\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I took Caitlin Kunkel's Mine Your Life for Funny Ideas seminar hoping to build a more intentional foundation for my comedy writing, and the class far exceeded my expectations! The level of engagement was incredibly helpful. Forming ideas firsthand in the workshop gave me a solid grasp of her tools and processes, and a sense of confidence I previously lacked. I can’t wait to continue future training and workshops with Caitlin!” \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Such a great class! \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt was helpful, fun, and pitched at a really accessible level for experienced writers and novice writers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Thanks so much for the amazing class, Caitlin! I really learned a lot about humor in general, as well as what interests me specifically. I only recently started writing humor, and your focus on premise and format were insanely helpful. So thank you, seriously, for such an informative and fun class; I'll be taking so much of what you taught us into my future work!\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Caitlin’s an excellent teacher. Her enthusiasm is infectious, her experience broad, and her generosity appreciated. I always look forward to a class with her.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Thank you so much Caitlin! You packed a huge amount of information into a very compact period. I’m very impressed with your follow-up as well. Way above and beyond.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I thought Caitlin was amazing. She packed a lot of knowledge into the two hours, and I highly recommend it. The discussion of the impact of comedy writing across all types of industries was super interesting, and I loved the reading and website suggestions. I can't say enough great things about Caitlin.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"You are a gifted teacher – a lot of energy, insight and expertise come through. I am the one who teaches Creative Thinking at Harvard (and other places) and I was struck by how aligned your techniques are with the ones we teach in our class. Kinda’ cool. But we don’t follow up with materials half as well as you do.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cspan class=\"il\"\u003e\"Caitlin\u003c\/span\u003e was engaging, entertaining, and provided an excellent intro into comedy writing.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I loved the parallels between my writing life and my experience as an athlete. I found the \"warmup\" routine idea very useful and I'm eager to implement this. I also thought it was helpful to frame my writing life in terms of seasons or quarters.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"The entire approach of applying sports preparation and performance techniques to developing the skill of writing. Caitlin was generous with her examples without having them take over the entire course. Very well done.It was jam-packed with content, but the fast pace and depth of information was part of what was so good about it.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99. You can pay for the course in full\u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSaturday, June 6th, 2026\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eLive Seminar via Zoom from 1:00PM - 3:00PM Eastern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNote:\u003c\/strong\u003e If you can't attend live, this class will be recorded. All enrolled students will receive a link to watch the recording, which will be available for 30 days.\u003c\/li\u003e\n\u003cli\u003eTuition is $99.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you have questions, please use the Chat Button or contact us via email \u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46066888212728,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/CaitlinKunkelHeadshot2025.png?v=1757622903"},{"product_id":"solve-your-writing-mysteries-1-on-1-mentorship-for-crime-fiction-with-lisa-levy","title":"Solve Your Writing Mysteries: One-on-One Mentorship for Crime Fiction Writers with Lisa Levy, Apply Now!","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eApply Now!\u003c\/h2\u003e\n\u003ch2\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Apply for Solve Your Writing Mysteries: 1-on-1 Mentorship for Crime Fiction Writers with Lisa Levy\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca rel=\"noopener\" title=\"Novel Mentorship Application with Swan Huntley\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited. \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eMentor Lisa Levy started \u003cem\u003eLit Hub's\u003c\/em\u003e crime coverage and is a founder and contributing editor to \u003cem\u003eCrime Reads\u003c\/em\u003e. Presently, she writes a column about trends and themes in crime fiction for the \u003cem\u003eWashington Post Book World\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003eLisa is a writer, essayist, and critic. Her work has appeared in many publications, including the \u003cem\u003eNew York Times Book Review, New Republic, the LARB, the Believer, the Millions, the Rumpus, TLS, the CBC, \u003c\/em\u003eand\u003cem\u003e Lit Hub\u003c\/em\u003e, where she is a contributing editor. She is also working on a book, \u003cem\u003eFuneral in My Brain: A Biography of Migraine\u003c\/em\u003e, under contract with St Martin's.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/solve-your-writing-mysteries-an-interview-with-lisa-levy-on-writing-and-publishing-crime-fiction\" target=\"_blank\" title=\"Solve Your Writing Mysteries: an Interview with Lisa Levy on Writing and Publishing Crime Fiction\" rel=\"noopener\"\u003e\u003cstrong\u003ean Interview with Lisa\u003c\/strong\u003e\u003c\/a\u003e on Solving Your Writing Mysteries.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis mentorship is designed for writers who have completed a draft of a crime novel but are unsure how to take it to the next level. Participants will explore essential questions—such as how to balance exposition and action, sharpen dialogue, and create believable characters—under the guidance of a dedicated mentor. Lisa Levy has read thousands of crime novels, championed countless authors, and knows how to shape a manuscript into a must-read for crime fiction fans and publishing professionals alike.\u003c\/p\u003e\n\u003cp\u003eThrough comprehensive manuscript evaluations, candid feedback, and expert insights into the crime fiction marketplace, this one-on-one mentorship helps writers gain confidence, polish their prose, and map a path to publication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCourse Structure\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBecause this mentorship caters to writers with working drafts, it is structured to allow time for rethinking and revision. Participants may choose one or two rounds of revision, with each round spanning three months.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eInitial Round of Edits (3 Months)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA thorough line edit of the first 50 pages of your draft, including markup comments and suggestions\u003c\/li\u003e\n\u003cli\u003eA developmental edit of the full manuscript\u003c\/li\u003e\n\u003cli\u003eA detailed editorial letter outlining what works and what needs more attention\u003c\/li\u003e\n\u003cli\u003eOne Zoom meeting to discuss the manuscript in depth\u003c\/li\u003e\n\u003cli\u003eAn opportunity to revise for three months, with ongoing support via email and phone\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSecond Developmental Edit \u003cmeta charset=\"utf-8\"\u003e(3 Months)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAfter revisions are completed, a second developmental edit ensures the manuscript meets its highest potential\u003c\/li\u003e\n\u003cli\u003eA final Zoom meeting provides guidance on next steps toward publication\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy the end of the mentorship, participants will have a stronger, more compelling manuscript and a clear understanding of how to position themselves for success in the crime fiction world. This program equips writers with the tools to refine their craft, navigate the publishing landscape, and bring their crime novels to life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWho Should Apply:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWriters with a Complete Crime Novel Draft: \u003c\/strong\u003eThose who have finished a first draft—or are nearing completion—and are seeking a mentor who can provide tailored feedback, constructive criticism, and a clear roadmap for revisions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthors Seeking an In-Depth Editorial Relationship: \u003c\/strong\u003eIndividuals who value honest, detailed critique and are ready to dive deep into the mechanics of crime fiction, with the support of an experienced editor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorytellers Looking to Strengthen Their Craft: \u003c\/strong\u003eWriters who want to refine their prose, elevate their storytelling techniques, and ensure their dialogue, pacing, and characterization align with the expectations of the crime fiction genre.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAspiring Novelists Curious About the Publishing Process: \u003c\/strong\u003eAnyone eager to learn how to position their finished manuscript for success, gain insights into the industry’s gatekeepers, and understand the next steps between a solid draft and getting a crime novel into readers’ hands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePraise for Lisa Levy:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa was a pleasure to work with: razor-sharp, professional, and keenly insightful. She provided multilayered feedback ranging from the macro level (exposition, emotional stakes) to the micro (fewer adverbs!). Her deep understanding of genre, narrative structure, and character development were instrumental in refining my manuscript. Highly recommended.\u003c\/em\u003e —Matt Dojny, aspiring crime writer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa is a rare combination of sensitive reader and straight shooter that every author yearns for. She intuitively understands your goals as a writer and makes them her own.\u003c\/em\u003e —Brett Foraker, aspiring crime writer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’m a novice writer and Lisa has helped me find my voice. She not only has great ideas on story structure and development but also a sense of when you need encouragement and feedback to keep working toward your goal. Her guidance has taken my writing to a new level and I love working with her.\u003c\/em\u003e —Matt Sterling, memoir student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransitioning from an academic writing background to a more historical nonfiction writing format has been a challenge for me. Lisa has been patient and knowledgeable with the difference between the two and has guided me on how to drop the academic tone to find my own voice in historical nonfiction writing. Writing about the arts is a narrow field. Lisa has educated herself to the artists and time of my focus and has been an asset for editing and writing ideas and directions to consider. She is easy to talk to, smart, well researched for our meetings, and kind. I highly recommend her as an editor with whatever genre you are writing about!\u003c\/em\u003e —Elizabeth Raney, author of Warhol, Dr. Seuss, and the Making of America\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa Levy enabled me to see the shape of my book and organize my material when I got bogged down. She read deeply for subtext and helped me surface the themes in my work. I had never undertaken a memoir before. With Lisa at my back, I felt less intimidated. Her keen knowledge of genre helped me understand what my narrator needed to do. All this while she kept me laughing!\u003c\/em\u003e —Kathryn Trueblood, author of Take Daily As Needed\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI spent several months in a writing mentorship with Lisa, and she helped me break loose from my academic writing to make my work more publishable. I am writing about the lives of criminals, and she was right there with me—understood the nuance I was trying to capture. She is thoroughly professional as well as kind, and very productive. She taught me how to get out of my rut and be more creative. Very helpful. \u003c\/em\u003e—Kate Allen \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking with Lisa Levy is rewarding and inspiring. She keeps me focused, productive, and up-to-date on the latest publications in my areas of expertise. I recommend her without qualification as a mentor and writing coach. \u003c\/em\u003e—Amy Stambach (author of Faith in Schools and Lessons from Mount Kilimanjaro)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI came into my three-month mentorship program with Lisa with very tactical expectations, and left with so much more as a writer. I had three essays I wanted to work on, and I hoped that Lisa could help me prepare them for submission. Not only did Lisa provide me with guidance and edits on those pieces, but she helped me become a better and more serious writer, in multiple ways. She helped me build a rich and regular writing practice, she guided me through the ups and downs of writing, she made excellent and inspirational book recommendations that nourish my writing life, she helped me set ambitious and attainable goals as a writer, and she exposed me to resources, templates, and strategies for the publishing side of things. I got so much out of our time together, and would highly recommend Lisa to anyone looking for guidance, excellent edits, accountability, and someone who will support you as a whole writer.\u003c\/em\u003e —Julie Shah Lamba\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI usually have so many article ideas bouncing around in my head I have trouble figuring out which one to work on next. Lisa helped me flesh out potential stories, brainstorm where to submit them, and edited my pitches and drafts. Her guidance has been invaluable to me in helping me target my pitches to the publications most likely to accept them and strategize around covering a specific beat. \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e—Rachel Kramer Bussel, freelance writer and editor of Open Secrets Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa is that unicorn among editors and writing advisers: attuned to both the big and small pictures, empathetic and generous and direct. Where I can’t see the forest for the trees with my writing sometimes, she always pulls the focus back so I can see where I’m heading in the longer journey. The ideas she shares always ring the bell of truth. Why didn’t I think of that? is a common reaction after receiving Lisa’s wisdom on all matters writing. And the answer is You can’t see what she sees, and you don’t know all that she knows. In moments of self-doubt or confusion, the clarity Lisa has been able to offer has felt nothing short of uncanny.\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003e—Melissa Holbrook Pierson, author of \"The Perfect Vehicle\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Apply for Solve Your Writing Mysteries: 1-on-1 Mentorship for Crime Fiction Writers with Lisa Levy\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca rel=\"noopener\" title=\"Novel Mentorship Application with Swan Huntley\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cbr\u003eTuition Payment:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 3-month program is $2,400, or $4,800 for two rounds. Accepted writers must commit to the full mentorship and meet all assigned deadlines. You can pay the tuition in full \u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page. \u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdditional Program Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eTuition is $2,400, or $4,800 for two rounds.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe Mentorship is fully online and students may participate from anywhere.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Lisa Levy\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"3-Month Mentorship with Lisa Levy","offer_id":46078543495416,"sku":"","price":2400.0,"currency_code":"USD","in_stock":true},{"title":"6-Month Mentorship with Lisa Levy","offer_id":46078543528184,"sku":"","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Lisa_Levy_Headshot_1.png?v=1760037217"},{"product_id":"1-on-1-book-publicity-mentorship-with-lisa-levy","title":"Punk Rock Book Publicity: How to Promote Your Writing and Reach Your Publishing Goals, Apply Now!","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eApply Now!\u003c\/h2\u003e\n\u003ch2\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Apply for 1 on 1 Book Publicity Mentorship with Lisa Levy\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Novel Mentorship Application with Swan Huntley\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now. Early applications are encouraged as space is limited. \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMentor Lisa Levy\u003c\/strong\u003e is a 25-year veteran book critic, editor, and essayist. She writes a monthly column about crime books for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethe \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Lisa Levy covers crime fiction for the Washington Post Book World\" href=\"https:\/\/www.lisalevywrites.com\/crime1\" target=\"_blank\"\u003e\u003cem\u003eWashington Post Book World\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e. \u003c\/span\u003eShe is also a contributing editor at \u003cem\u003eLit Hub\u003c\/em\u003e\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e\u003cem\u003e,\u003c\/em\u003e a founding editor of \u003ca rel=\"noopener\" href=\"https:\/\/crimereads.com\/author\/lisa-levy\/\" target=\"_blank\"\u003e\u003cem\u003eCrime Reads,\u003c\/em\u003e\u003c\/a\u003e and the former\u003c\/span\u003e Mystery \u0026amp; Noir editor at the \u003cem\u003eLARB\u003c\/em\u003e. She is working on a book called \u003cem\u003eFuneral in My Brain: A Biography of Migraine\u003c\/em\u003e, a narrative nonfiction book that looks at the long history and storied lives of migraineurs from Freud and Darwin to Sylvia Plath and Joan Didion; new advances in the treatment of headache disorders; and a memoir of her sudden and debilitating descent into chronic migraine which sold in a pre-empt to St Martin's. You can read her work in \u003ca href=\"https:\/\/www.nytimes.com\/2022\/08\/16\/books\/review\/slenderman-kathleen-hale.html\" title=\"Lisa Levy at The New York Times\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003ethe New York Times\u003c\/em\u003e\u003c\/a\u003e,  \u003ca href=\"https:\/\/lithub.com\/in-defense-of-trash\/\" title=\"Lisa Levy at Lit Hub\" rel=\"noopener\" target=\"_blank\"\u003eLit Hub\u003c\/a\u003e, the \u003ca href=\"https:\/\/lareviewofbooks.org\/article\/how-to-think-more-but-not-better-alain-de-bottons-school-of-life\/\" title=\"Lisa Levy at Los Angeles Review of Books\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eLARB\u003c\/em\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/brevity.wordpress.com\/2020\/07\/08\/becoming-the-subject\/\" title=\"Lisa Levy at Brevity\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eBrevity\u003c\/em\u003e\u003c\/a\u003e, and \u003cem\u003e\u003ca href=\"https:\/\/newrepublic.com\/article\/139198\/were-living-joan-rivers-age-comedy\" title=\"Lisa Levy writing at The New Republic\" rel=\"noopener\" target=\"_blank\"\u003eThe New Republic\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/punk-rock-book-publicity-an-interview-with-lisa-levy\" target=\"_blank\" title=\"Punk Rock Book Publicity: an Interview with Lisa Levy\" rel=\"noopener\"\u003e\u003cstrong\u003ean Interview with Lisa\u003c\/strong\u003e\u003c\/a\u003e on Punk Rock Book Publicity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIf you think you need a fancy MFA or insider connections to make it as a writer, you're wrong. What you need is a strategy and the tenacity to stick to it. In this mentorship, Lisa Levy, a veteran freelancer and book reviewer, will help you formulate short-term and long-term goals for your writing.  \u003c\/p\u003e\n\u003cp\u003eThis mentorship is for writers who want to learn how publicity works and harness its power, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWriters who have a book under contract and a house publicist but want to work on pitching and submitting author essays in tandem with the publicist's efforts. \u003c\/li\u003e\n\u003cli\u003eWriters who plan on self-publishing and want someone to help them plan a campaign or who need help deciding if they want to hire an outside publicist and how to find a good one.\u003c\/li\u003e\n\u003cli\u003eWriters who want feedback on proposals and\/or queries in the context of their careers, or who are stymied by the prospect of writing queries and\/or proposals.\u003c\/li\u003e\n\u003cli\u003eWriters who are preparing to query agents or submit book-length manuscripts to editors who want to beef up their publication records.\u003c\/li\u003e\n\u003cli\u003eWriters who want to pivot and build bylines and showcase their expertise in a new field or genre with an eye toward a book down the line.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMost writers see their careers as one deadline or project after another without considering how to make real progress—however you define it. But writing is a long game, and if you are just scrambling from piece to piece you might want to pause and consider what your long game might be. Not only do you want outstanding examples of your work where people can find it--a decent website is a better investment than hours of social media--you want to think about who your ideal reader is and how to reach them. Progress is subjective; but by setting publication goals you can gain a sense of control over your writing life. This mentorship will set you up to do your best work and reach an engaged and enthusiastic audience. \u003c\/p\u003e\n\u003cp\u003eIn this mentorship, you will work with a gatekeeper to understand how decisions about book coverage are made. We will break down what to expect from a publicity campaign. Most critically, we will discuss what you can do on your own to drum up coverage and engage your potential audience. We will work on pitching pieces that will whet the public appetite for your book. In demystifying the publicity process, you will learn what a house publicist will do, what an outside publicist might offer, and what you can do independently, including writing and placing author essays to run alongside your book (these are sometimes called publicity essays).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs a veteran book reviewer and editor of book reviews, Lisa has worked with many writers on author essays and will help you generate ideas and find possible outlets for them. The author essay, or publicity essay, can be a vital way for you to show off your expertise and your writing. Lisa has edited these pieces for years, and knows what editors look for.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLisa has a flexible approach to mentoring and designs each mentorship with the mentee's input, so goals and deadlines are mutually understood. Each mentee will have their own program, with readings, writing deadlines, and critique at the sentence and the developmental level. Lisa will give you actionable feedback and advice, as well as pushing you to think about your overall goals as a writer. She will also fill in the larger picture of how publishing works from how to land a book deal to how the book publicity sausage gets made.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYou will leave this mentorship with real-world writing tips, ideas about structure and form, and a better understanding about how to deal with rejection and other realities of publishing. You will also be free to ask about other aspects of developing a writing practice and how to achieve your short- and long-term goals. Overall, Lisa will help you figure out your strengths and weaknesses as a writer, and to devise ways for you to improve and grow. At the end of the mentorship, you will have a new vision of how to polish and proceed with your writing, and a plan for the short and long-term in your writing career.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMentor’s Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeetings will be roughly biweekly, which breaks down as follows:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e6 one-on-one meetings for the three-month program; 12 \u003cmeta charset=\"utf-8\"\u003eone-on-one meetings for the six-month program; 24 \u003cmeta charset=\"utf-8\"\u003eone-on-one meetings for the 12-month program.\u003c\/li\u003e\n\u003cli\u003eInline comments and critiques on submitted work, with actionable feedback for revision.\u003c\/li\u003e\n\u003cli\u003eReading lists tailored to the mentee's needs and interests. \u003c\/li\u003e\n\u003cli\u003eSuggestions of where to submit or pitch your work, now or in the future, and materials that will aid you in preparing submissions or pitches. \u003c\/li\u003e\n\u003cli\u003eIdeas for creating a writing practice and structuring your goals as a writer.\u003c\/li\u003e\n\u003cli\u003eCritical resources, discussions, and ideas related to book publishing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMentee’s Input:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommitment to one-on-one mentoring.\u003c\/li\u003e\n\u003cli\u003eRegular biweekly meetings.\u003c\/li\u003e\n\u003cli\u003eA greater understanding of writing as a practice and a process.\u003c\/li\u003e\n\u003cli\u003eHonor all deadlines and responsibilities.\u003c\/li\u003e\n\u003cli\u003eSubmit pages to mentor based on goals negotiated with a mentor at the beginning of the program.\u003c\/li\u003e\n\u003cli\u003eAssess progress based on a schedule and rubric devised by the mentor and mentee.\u003c\/li\u003e\n\u003cli\u003eDo readings and assignments based on your goals and interests.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat You'll Learn:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe secret to writing great pitches: not just offering topics but proposing pieces with a strong argument that will entice editors. \"I want to write about the decline of crypto,\" is a topic. \"The decline of crypto is a direct result of globalization\" is a pitch.\u003c\/li\u003e\n\u003cli\u003eFind your \u003cem\u003eCat Fancy\u003c\/em\u003e: there are publications that cater to every audience and interest. Placing a sharp piece in a targeted publication is more likely to grow your reputation and your audience that a general piece in a larger venue. \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWork toward your Big Goals and get advice about publishing and all of its parts, from pitch to publication.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHow to find and track pitch calls and submission windows\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWays to keep current on your beat or genre and make inroads into finding a writing community\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMilk your ideas by approaching them from various directions, which will increase your ratio of successful pitches and conserve your energy for your most important projects\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWork through the fears\/issues endemic to writers: imposter syndrome, overwhelm, fear of rejection, procrastination, focus, etc.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHow to negotiate with editors (and make them want you back)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWays to keep track of achievements, milestones, and victories with your ultimate writing goals in mind.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePraise for Lisa Levy:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI usually have so many article ideas bouncing around in my head I have trouble figuring out which one to work on next. Lisa helped me flesh out potential stories, brainstorm where to submit them, and edited my pitches and drafts. Her guidance has been invaluable to me in helping me target my pitches to the publications most likely to accept them and strategize around covering a specific beat. \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e—Rachel Kramer Bussel, freelance writer and editor of Open Secrets Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa is that unicorn among editors and writing advisers: attuned to both the big and small pictures, empathetic and generous and direct. Where I can’t see the forest for the trees with my writing sometimes, she always pulls the focus back so I can see where I’m heading in the longer journey. The ideas she shares always ring the bell of truth. Why didn’t I think of that? is a common reaction after receiving Lisa’s wisdom on all matters writing. And the answer is You can’t see what she sees, and you don’t know all that she knows. In moments of self-doubt or confusion, the clarity Lisa has been able to offer has felt nothing short of uncanny.\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003e—Melissa Holbrook Pierson, author of \"The Perfect Vehicle\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa was a pleasure to work with: razor-sharp, professional, and keenly insightful. She provided multilayered feedback ranging from the macro level (exposition, emotional stakes) to the micro (fewer adverbs!). Her deep understanding of genre, narrative structure, and character development were instrumental in refining my manuscript. Highly recommended.\u003c\/em\u003e —Matt Dojny, aspiring crime writer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa is a rare combination of sensitive reader and straight shooter that every author yearns for. She intuitively understands your goals as a writer and makes them her own.\u003c\/em\u003e —Brett Foraker, aspiring crime writer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’m a novice writer and Lisa has helped me find my voice. She not only has great ideas on story structure and development but also a sense of when you need encouragement and feedback to keep working toward your goal. Her guidance has taken my writing to a new level and I love working with her.\u003c\/em\u003e —Matt Sterling, memoir student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTransitioning from an academic writing background to a more historical nonfiction writing format has been a challenge for me. Lisa has been patient and knowledgeable with the difference between the two and has guided me on how to drop the academic tone to find my own voice in historical nonfiction writing. Writing about the arts is a narrow field. Lisa has educated herself to the artists and time of my focus and has been an asset for editing and writing ideas and directions to consider. She is easy to talk to, smart, well researched for our meetings, and kind. I highly recommend her as an editor with whatever genre you are writing about!\u003c\/em\u003e —Elizabeth Raney, author of Warhol, Dr. Seuss, and the Making of America\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLisa Levy enabled me to see the shape of my book and organize my material when I got bogged down. She read deeply for subtext and helped me surface the themes in my work. I had never undertaken a memoir before. With Lisa at my back, I felt less intimidated. Her keen knowledge of genre helped me understand what my narrator needed to do. All this while she kept me laughing!\u003c\/em\u003e —Kathryn Trueblood, author of Take Daily As Needed\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI spent several months in a writing mentorship with Lisa, and she helped me break loose from my academic writing to make my work more publishable. I am writing about the lives of criminals, and she was right there with me—understood the nuance I was trying to capture. She is thoroughly professional as well as kind, and very productive. She taught me how to get out of my rut and be more creative. Very helpful. \u003c\/em\u003e—Kate Allen \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking with Lisa Levy is rewarding and inspiring. She keeps me focused, productive, and up-to-date on the latest publications in my areas of expertise. I recommend her without qualification as a mentor and writing coach. \u003c\/em\u003e—Amy Stambach (author of Faith in Schools and Lessons from Mount Kilimanjaro)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI came into my three-month mentorship program with Lisa with very tactical expectations, and left with so much more as a writer. I had three essays I wanted to work on, and I hoped that Lisa could help me prepare them for submission. Not only did Lisa provide me with guidance and edits on those pieces, but she helped me become a better and more serious writer, in multiple ways. She helped me build a rich and regular writing practice, she guided me through the ups and downs of writing, she made excellent and inspirational book recommendations that nourish my writing life, she helped me set ambitious and attainable goals as a writer, and she exposed me to resources, templates, and strategies for the publishing side of things. I got so much out of our time together, and would highly recommend Lisa to anyone looking for guidance, excellent edits, accountability, and someone who will support you as a whole writer.\u003c\/em\u003e —Julie Shah Lamba\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eClick \u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" title=\"Apply for 1 on 1 Book Publicity Mentorship with Lisa Levy\" rel=\"noopener\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Novel Mentorship Application with Swan Huntley\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e to Apply Now.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cbr\u003eTuition Payment:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 3-month program is $2,400; $4,800 for 6-months; $6,800 for 9-months, $8,800 for 12-months.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAccepted writers must commit to the full mentorship and meet all assigned deadlines. You can pay the tuition in full \u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e opt for equal monthly payments by selecting Shop Pay or Affirm at checkout. If you decide to create a monthly payment plan using Shop Pay or Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page. \u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdditional Program Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eTuition is $2,400; $4,800 for 6-months; $6,800 for 9-months, $8,800 for 12-months.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe Mentorship is fully online and students may participate from anywhere.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMentor and Coach: Lisa Levy\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"3-Month Mentorship with Lisa Levy","offer_id":46078682366200,"sku":null,"price":2400.0,"currency_code":"USD","in_stock":true},{"title":"6-Month Mentorship with Lisa Levy","offer_id":46078682398968,"sku":null,"price":4800.0,"currency_code":"USD","in_stock":true},{"title":"9-Month Mentorship with Lisa Levy","offer_id":46078748950776,"sku":null,"price":6800.0,"currency_code":"USD","in_stock":true},{"title":"12-Month Mentorship with Lisa Levy","offer_id":46078748983544,"sku":null,"price":8800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Lisa_Levy_Headshot.png?v=1736292177"},{"product_id":"one-on-one-short-fiction-mentorship-revise-submit-and-publish-short-stories","title":"Revise, Submit, and Publish Short Stories: 3-Month One-on-One Short Fiction Mentorship with Nathan Dragon, Apply Now","description":"\u003ch2\u003eApply Now! \u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eAcceptance decisions are made on a rolling basis.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003ePlease do not pay for the mentorship until you receive a formal acceptance notification via email.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClick\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Autofiction and Memoir 3-Month Mentorship Application\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto Apply. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this mentorship? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNathan Dragon is a frequent contributor to NOON Annual, the author of \u003c\/span\u003e\u003cem\u003eThe Champ is Here\u003c\/em\u003e\u003cspan\u003e, and, along with Raegan Bird, founder and editor of \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Blue Arrangements Literary Journal\" href=\"https:\/\/bluearrangements.com\/\" target=\"_blank\"\u003e\u003cem\u003eBlue Arrangements\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e. His work can also be read in \u003c\/span\u003e\u003cem\u003eThe Paris Review, New York Tyrant, The Baffler, Bomb Mag, Byline, Paraphase, Fence, Cluny Journal,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSoft Union\u003c\/em\u003e\u003cspan\u003e. He was a DiTrapano Foundation Resident, Fall ‘23. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWho Should Apply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe ideal applicant may be at any stage in putting together a collection or drafting stories but should already have at least some stories on the page. The ideal applicant will come to this mentorship program ready to tackle substantial revision, both on the sentence level (diction, structure, punctuation) and on the bigger-picture level (plot, voice, style, momentum, theme). Applicants should have either one long story (5,000 words or longer) or several shorter stories\/flash pieces in draft form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProgram Goals\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBy the end of this three-month mentorship, you will:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eHave at least one fully polished long story (or 2–3 shorter stories, or multiple flash pieces).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eDevelop a plan for submitting your work to literary journals.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eGain a clearer sense of your personal style, as well as how you might shape a potential short story collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis mentorship is less about writing a “perfect” story and more about discovering what you are trying to do as a writer—within individual stories and across your work as a whole—and then figuring out how best to achieve your fictional vision. When writers intensely focus on crafting short fiction, new questions often arise: How do I find the right voice and point of view for each story? How much plot do I need? How much showing vs. telling should I engage in? How experimental can or should I be? And, when compiling a collection, you might wonder if stories ought to be linked by theme or characters if they should share a consistent voice or tone, or if a variety of lengths and forms might work better.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this mentorship, you and Nathan will collaborate to explore the answers and methods that work for you. The process aims to be both supportive and rigorous—allowing you to test new approaches while encouraging you to revise deeply and thoughtfully. Interested applicants must understand that critique, consistent work, and an eagerness to learn are necessary for real growth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBecause revision is so important, you might spend most of the mentorship on refining a single story while also doing various exercises and readings. Above all, you will learn to see your work with fresh eyes and approach the revision process as objectively as possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHow It Works\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eInitial Consultation: Upon acceptance into the mentorship program, you’ll schedule an initial one-on-one call or Zoom session with Nathan. In this conversation, you’ll discuss your writing background, goals, and what you hope to achieve. Together, you will outline a work plan for the next three months.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eBi-Weekly Meetings \u0026amp; Submissions: You’ll meet with Nathan by phone or Zoom every two weeks until the end of the program. Prior to each meeting, you’ll send him:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eA process letter (1–3 pages) discussing your progress, successes, and concerns since the previous meeting.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eUp to 25 pages of fiction for direct feedback from Nathan (he will provide line edits, comments, and a formal letter).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eThe page count can be adjusted as needed based on your individual pace and goals.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eReadings \u0026amp; Craft Discussion: Every two weeks, Nathan will assign readings tailored to your interests, which may include short stories, craft essays, critical reviews, interviews, or even film\/visual art references. These readings will complement the work you’re doing on your fiction. You’ll discuss them during your bi-weekly meetings, alongside your process letters and story drafts.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOngoing Communication: Nathan will be available to answer questions or offer guidance via email at any point during the mentorship. This includes working through writer’s block, brainstorming, or clarifying feedback.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eSubmission \u0026amp; Publication Planning: By the end of the program, you and Nathan will collaborate to create a plan for submitting at least one polished story to literary journals. If you’re at a stage where you’re ready to query agents about a short story collection, Nathan can also help brainstorm strategies for positioning your manuscript and drafting a query letter.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThree-Month Mentorship Overview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAn initial one-on-one consultation via phone or Zoom will be held to discuss your background, goals, and work plan.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAccountability: Regular check-ins keep you on track and motivated.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eEmail Support: Unlimited email access to Nathan for questions, blocks, and clarifications.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eBi-weekly Meetings (via phone or Zoom):\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eDiscuss your most recent submission (up to 25 pages).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eReview line edits and formal letter feedback from Nathan.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eDelve into assigned readings and craft lessons.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eSet next steps and new writing goals.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eMonthly Assignments: Personalized readings (stories, essays, interviews, craft talks, films, etc.) geared to address your specific development areas.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eFinal Submission Plan:\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cul\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eAt least one polished story (or a small suite of shorter pieces) ready for submission.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"2\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003ePotential querying strategy if you are at the stage of seeking representation for a collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMentor’s Monthly (Bi-Weekly) Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003ePhone\/Zoom Consultations: These are to discuss your latest work, answer questions, and plan the next steps.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eLine Edits \u0026amp; Formal Letter: on your submitted work (up to 25 pages every two weeks).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eReading Assignments: stories, essays, interviews, films, or visual art to inspire and challenge you.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eOngoing Email Support: to address any creative or technical issues that arise.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMentee’s Monthly (Bi-Weekly) Responsibilities\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eStory Submissions: Send up to 25 pages for feedback every two weeks.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eProcess Letter: Reflect on each check-in's achievements, obstacles, and goals.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eEngage with Assignments: Read\/watch\/listen to Nathan's recommended materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eRegular Communication: Stay in touch via email about your progress, questions, or concerns.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReady to push your short fiction to the next level?\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJoin Nathan Dragon for a three-month intensive mentorship focusing on deep revision, craft exploration, and strategic publication planning. By the end of the program, you’ll emerge with stronger stories, a clear submission strategy, and newfound confidence in your writerly voice. We look forward to supporting you on this exciting journey!\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-02cbf3ee5bea58dffce0\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTuition Payment:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFull Tuition for the 3-month program is $2,400. Accepted writers must commit to the full three months and meet all assigned deadlines. You can pay the tuition in full\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eor\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eopt for equal monthly payments by selecting Shop Pay or Affirm at checkout. If you decide to create a monthly payment plan using Affirm, you can do so once you add \"Full Tuition\" to your cart, enter your contact information, and are on the payment page.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eClick\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" title=\"Autofiction Mentorship Application\" href=\"https:\/\/writingworkshops.submittable.com\/submit\/299708\/indiemfa-program-application-with-writingworkshops-com\" target=\"_blank\"\u003eHERE\u003c\/a\u003e\u003ca href=\"https:\/\/writingworkshops.submittable.com\/submit\/292190\/creative-writing-mentorship-application-with-writingworkshops-com\" title=\"Autofiction Mentorship Application\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto Apply. Early applications are encouraged as space is limited.\u003c\/h2\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAdditional Program Information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eTuition is $2,400\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eApply Now\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe Mentorship is fully online and students may participate from anywhere.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNOTE: Shifting some dates around may be necessary but any changes will be communicated well in advance, if possible.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us\u003c\/strong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\"\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eif you have any questions about this program.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46101500133624,"sku":null,"price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Revise_Submit_andPublishShortStories_3-MonthOne-on-OneShortFictionMentorshipwithNathanDragon.png?v=1769119054"},{"product_id":"making-your-characters-physically-present-on-the-page-zoom-seminar","title":"Making Your Characters Physically Present on the Page: A Two-Hour Multigenre Craft Talk with Robert Anthony Siegel on Wednesday, August 12th, 2026","description":"\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-0c22edf6c5f4ee9d89a4\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Wednesday, August 12th, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 7PM - 9PM Eastern\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cstrong\u003eInstructor Robert Anthony Siegel \u003c\/strong\u003eis the author of a memoir, \u003ci\u003eCriminals\u003c\/i\u003e, and two novels, \u003ci\u003eAll Will Be Revealed \u003c\/i\u003eand\u003ci\u003e All the Money in the World\u003c\/i\u003e. His work has appeared in \u003ci\u003eThe New York Times, The Los Angeles Times, Smithsonian Magazine, The Paris Review, The Drift, The Oxford American, and Ploughshares\u003c\/i\u003e, and has been anthologized in \u003ci\u003eBest American Essays 2023, O. Henry Stories 2014, \u003c\/i\u003eand\u003ci\u003e Pushcart Prize XXXVI\u003c\/i\u003e. He has been a Fulbright Scholar in Taiwan, a Mombukagakusho Fellow in Japan, a Writing Fellow at the Fine Arts Work Center in Provincetown, and a Paul Engle Fellow at the Iowa Writers Workshop. He holds an MFA from the Iowa Writers Workshop.\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn real life, we observe the people around us to understand what they are thinking and feeling. Facial expression, body language, clothing and other forms of adornment—all convey deep and meaningful information about the person in front of us.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBut what comes naturally in real life can be maddeningly hard to reproduce on the page. How do you make your characters vividly, physically present in your writing? How do you use their looks to reveal their personalities? This two-hour craft talk is designed to help.\u003c\/p\u003e\n\u003cp\u003eThrough a mixture of lecture, discussion and creative exercises, this multigenre craft talk will show you how to capture a character’s physical presence on the page, using all aspects of appearance to convey the thought and emotion underneath. We will start by reading outstanding examples from published work and discussing the many ways people in real life reveal themselves through their looks. Afterwards, we will do a series of descriptive exercises that can be utilized in an ongoing project or can become the basis of a new one\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass Requirements:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOpen to all levels of experience and all genres. No preparation needed. Just come to class ready to write, explore, and share.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTake-Aways:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e-Techniques for making your characters physically present on the page\u003cbr\u003e-A series of short character descriptions that can be utilized in an ongoing project, or can become the basis of a new one\u003c\/p\u003e\n\u003cstrong\u003e\u003cbr\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"Full of richly drawn characters and jolting plot twists—Glasser’s time behind bars is especially chilling—Siegel’s debut novel works both as a parable of how quickly the high and mighty can fall, and as gripping drama. 'Money' well spent.\" -NEW YORK POST on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"Early in this novel, there is a wonderful scene—rich with embarrassment—in which Louis Glasser, the altogether unlikely hero, helps his Harvard-educated son buy a new suit. The son’s fortunes founder, but that’s nothing compared to the perils that overwhelm his father—a lawyer who operates on the margins and becomes the target of a criminal investigation. Siegel’s … portraits (loving and otherwise) of the Glassers, New York prosecutors, and various lowlifes are right on the money.\" -THE NEW YORKER on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"...Well-turned and elegant...Gloriously complex...\" -ATLANTA JOURNAL-CONSTITUTION on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"...A richly detailed and seedily seductive narrative.\" -PUBLISHERS WEEKLY on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"Robert's unique skill as a teacher comes from his enthusiasm not only for talking, which is present in many talented professors, but for listening... He has a reputation for being the best kind of teacher: generous, knowledgeable, demanding, and always at the ready with excellent advice.\" -former student\u003cbr\u003e\u003cbr\u003e\"The level of discourse was challenging and interesting and I think part of the reason for that was the casual atmosphere of discussion, fostered by Robert. When people are allowed to speak in an open, non-threatening environment, wonderful things happen.\" -former student\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLive Seminar Via Zoom.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Robert Anthony Siegel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive Seminar Via Zoom Wednesday, August 12th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClass will meet 7PM - 9PM Eastern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTuition is $99.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this seminar.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-51a8238b2f73df2e52ed\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46165690908920,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/robertsiegelHeadshot_f9b51221-fdf3-4fd7-8a44-d32238b06d75.png?v=1703195669"},{"product_id":"how-to-write-a-short-humor-piece-zoom-seminar-with-caitlin-kunkel","title":"How to Write a Short Humor Piece Zoom Seminar with Caitlin Kunkel on Saturday, July 11th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eSaturday, July 11th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar via Zoom from 1:00PM - 3:00PM Eastern\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e🌍 \u003cem\u003e\u003cstrong\u003eClass Times by Time Zone: \u003c\/strong\u003eLos Angeles (PDT): 10:00 AM – 12:00 PM \/ Chicago (CDT): 12:00 PM – 2:00 PM \/ New York (EDT): 1:00 PM – 3:00 PM \/ London (BST): 6:00 PM – 8:00 PM \/ Berlin (CEST): 7:00 PM – 9:00 PM\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eIf you can't attend live, this class will be recorded. All enrolled students will receive a link to watch the recording, which will be available for 30 days.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Caitlin Kunkel's writing has been featured in \u003cem\u003eThe New York Times, The New Yorker, McSweeney's\u003c\/em\u003e, and on public radio. She co-founded the comedy site \u003cem\u003eThe Belladonna\u003c\/em\u003e, created the online satire writing program for The Second City, and co-created the Satire and Humor Festival. Her first co-written book, NEW EROTICA FOR FEMINISTS, was published by Penguin Random House and named one of the 10 best comedy books of the year by \u003cem\u003eVulture\u003c\/em\u003e (\u003cem\u003eNY Mag\u003c\/em\u003e). \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINSIDE JOKES, a humor writing craft book, co-written with Elissa Bassist, is forthcoming from Grand Central Publishing in 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDo you want to write funny in 750 words or less? Do you have something to say on a topic you know well? Do you crave fun, need an outlet for your creativity, and hunger for more bylines? Then, short humor is for you.\u003c\/p\u003e\n\u003cp\u003eIn this two-hour class, writer and creator of The Second City’s online satire writing program, Caitlin Kunkel, will teach a repeatable process for writing a short humor piece in the style of \u003cem\u003eMcSweeney’s Internet Tendency, The Belladonna, Points in Case\u003c\/em\u003e, and other online sites (note: we will not cover satirical news like \u003cem\u003eThe Onion \u003c\/em\u003eor\u003cem\u003e Reductress\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eYou’ll learn how to brainstorm, find a structure for your piece, craft a strong comedic premise and title, and use the two-list system of joke writing to fast draft a humor piece.\u003c\/p\u003e\n\u003cp\u003eCome ready to write and leave with a new piece and a set process to write even more in the future.\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003e\u003cbr\u003eSTUDENTS LOVE CAITLIN:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"sqs-block-content\"\u003e“Caitlin is an outstanding teacher. The time FLEW by because I was so engaged. So much amazing information and I feel energized to go write.”\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"First of all, I can't thank you enough for the amazing class. I'm not kidding when I say it's the best online writing course I've ever taken. You packed so much information into two hours. Just incredible!!\"\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"Caitlin Kunkel will teach you humor beats, how to do a writing sprint, and which kinds of 'babies' to kill in your jokes! All humor aside, I took her Comedy Writing for Non-Comedians workshop last year and left enamored by both the content and her teaching style. I've had bad experiences with online workshops that feel like a live session of what could've been a YouTube video. Caitlin and her workshops are the real deal. As a novelist, I've now taken her Comedy Writing, How to Write Like an Athlete, and How to Write a Short Humor Piece workshops, and they were all brilliant. Highly recommend it!\"\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"I took Caitlin Kunkel's Mine Your Life for Funny Ideas seminar hoping to build a more intentional foundation for my comedy writing, and the class far exceeded my expectations! The level of engagement was incredibly helpful. Forming ideas firsthand in the workshop gave me a solid grasp of her tools and processes, and a sense of confidence I previously lacked. I can’t wait to continue future training and workshops with Caitlin!” \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\"Thanks so much for the amazing class, Caitlin! I really learned a lot about humor in general, as well as what interests me specifically. I only recently started writing humor, and your focus on premise and format were insanely helpful. So thank you, seriously, for such an informative and fun class; I'll be taking so much of what you taught us into my future work!\"\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e“Caitlin’s an excellent teacher. Her enthusiasm is infectious, her experience broad, and her generosity appreciated. I always look forward to a class with her.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Thank you so much Caitlin! You packed a huge amount of information into a very compact period. I’m very impressed with your follow-up as well. Way above and beyond.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I thought Caitlin was amazing. She packed a lot of knowledge into the two hours, and I highly recommend it. The discussion of the impact of comedy writing across all types of industries was super interesting, and I loved the reading and website suggestions. I can't say enough great things about Caitlin.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"You are a gifted teacher – a lot of energy, insight and expertise come through. I am the one who teaches Creative Thinking at Harvard (and other places) and I was struck by how aligned your techniques are with the ones we teach in our class. Kinda’ cool. But we don’t follow up with materials half as well as you do.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cspan class=\"il\"\u003e\"Caitlin\u003c\/span\u003e was engaging, entertaining, and provided an excellent intro into comedy writing.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99 USD. You can pay for the course in full\u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eClass is on Saturday, July 11th, 2026, via Zoom from 1:00PM ET - 3:00PM ET \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNote: If you can't attend live, this class will be recorded. All enrolled students will receive a link to watch the recording, which will be available for 30 days.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46180804428024,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/CaitlinKunkelHeadshot2025.png?v=1757622903"},{"product_id":"creating-mystery-and-suspense-in-fiction-workshop-with-carol-goodman","title":"Writing Mystery and Suspense in Fiction 6-Week Zoom Workshop with Carol Goodman, Starts Wednesday, June 10th, 2026","description":"\u003ch2\u003eClass Starts Wednesday, June 10th, 2026\u003c\/h2\u003e\n\u003ch2\u003eThis class will meet via Zoom on Wednesdays from 6:30PM - 8:30PM Eastern\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstructor Carol Goodman\u003c\/strong\u003e is the \u003cem\u003eNew York Times\u003c\/em\u003e Bestselling author of twenty-seven novels, including \u003cem\u003eThe Lake of Dead Languages, The Seduction of Water\u003c\/em\u003e, which won the 2003 Hammett Prize, \u003cem\u003eThe Widow’s House\u003c\/em\u003e, which won the 2018 Mary Higgins Clark Award, and \u003cem\u003eThe Night Visitors\u003c\/em\u003e, which won the 2020 Mary Higgins Clark Award. She has twice been nominated for the Dublin IMPAC award and has been a Hawthornden fellow and an Essere Artist-in-Residence. Her books have been translated into over twenty languages. For over twenty years, she has taught creative writing at The New School and SUNY New Paltz. She combines her love of and long experience in reading, writing, and teaching to offer a supportive and constructive framework for writers at every level and stage of the writing process.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/creating-mystery-and-suspense-in-fiction-an-interview-with-new-york-times-bestselling-author-carol-goodman\" title=\"Creating Mystery and Suspense in Fiction: an Interview with New York Times Bestselling author Carol Goodman\" rel=\"noopener\" target=\"_blank\"\u003ean Interview with Carol\u003c\/a\u003e on Creating Mystery and Suspense in Fiction.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eHow to plot a mystery novel when you're not a plotter.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMystery is at the heart of every story. Whether you want to write mystery, suspense, or general fiction—or you don’t know what you’re writing yet—mystery provides the engine to drive a compelling narrative.\u003c\/p\u003e\n\u003cp\u003eIn this six-week intensive, we will look at the basic elements of storytelling—voice, characterization, setting, imagery, dialogue—and examine how each element can work to create conflict, tension, and suspense to keep the reader turning the page.\u003c\/p\u003e\n\u003cp\u003eShort outside readings and guided exercises illustrate issues of craft. Students’ work is critiqued in a supportive and constructive workshop environment. We'll meet live on Zoom for six weeks, and it will be a lot of fun! \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCourse texts: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe will read short excerpts from writers such as Dennis Lehane, Tana French, Raymond Chandler, Attica Locke, and others.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCOURSE OUTLINE:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 1\u003c\/strong\u003e – Introductions, Voice, Point of View, and the Unreliable Narrator\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 2\u003c\/strong\u003e – Setting, Time, Place, Ominous Atmosphere and Murder Spots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 3\u003c\/strong\u003e – Character Development, the Rule of Three, and Suspects\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 4\u003c\/strong\u003e – Dialogue, Scene, Action, and Red Herrings\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 5\u003c\/strong\u003e – Plotting, Outlines, Chronology, and Time Travel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeek 6\u003c\/strong\u003e – Revision and Going Forward\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eCOURSE TAKEAWAYS:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAn understanding of the mystery novel structure.\u003c\/li\u003e\n\u003cli\u003eA first chapter of your mystery.\u003c\/li\u003e\n\u003cli\u003eThe confidence to embark on a mystery plot.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eONLINE COURSE STRUCTURE:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis class meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePAYMENT OPTIONS:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTuition is $595 USD. You can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eInstructor: Carol Goodman\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eClass Starts Wednesday, June 10th, 2026\u003c\/li\u003e\n\u003cli\u003eThis class will meet via Zoom on Wednesday from 6:30PM - 8:30PM Eastern\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eTuition is $595 USD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Writing Workshops","offers":[{"title":"Default Title","offer_id":46204306751736,"sku":"","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/CarolGoodmanHeadshot.png?v=1771349890"},{"product_id":"pitch-perfect-crafting-a-compelling-nonfiction-book-proposal-zoom-seminar-with-literary-agent-mark-owen-gottlieb","title":"Pitch Perfect: Crafting a Compelling Nonfiction Book Proposal Zoom Seminar with Literary Agent Mark Owen Gottlieb on Saturday, May 16th, 2026","description":"\u003ch2\u003eSaturday, May 16th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eLive Seminar Via Zoom\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eStarts at 1PM EST\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*A recording of this seminar will be made available to enrollees.\u003c\/p\u003e\n\u003cp\u003eLed by an industry-leading literary agent at Trident Media Group, \u003ca href=\"https:\/\/www.tridentmediagroup.com\/agents\/mark-gottlieb\/\" title=\"Trident Media Group\" target=\"_blank\"\u003eMark Owen Gottlieb\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eA well-crafted book proposal is the key to securing a literary agent and landing a publishing deal.\u003c\/p\u003e\n\u003cp\u003eIn this workshop, you'll learn how to structure a compelling nonfiction book proposal that highlights your book’s marketability, audience, and unique selling points.\u003c\/p\u003e\n\u003cp\u003eWe’ll break down the essential components—hook, overview, competitive analysis, chapter outline, and author platform—while exploring what agents and publishers look for in a winning pitch.\u003c\/p\u003e\n\u003cp\u003eWhether you're refining an existing proposal or starting from scratch, this session will equip you with the tools to make your book stand out in the competitive publishing landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Owen Gottlieb\u003c\/strong\u003e is a highly-ranked literary agent in overall deals and other categories. He is actively building his client list of authors using that same initiative and insight for identifying talented writers. Mark Gottlieb is excited to work directly with authors, helping to manage and grow their careers with all of the unique resources available at book publishing’s leading literary agency, Trident Media Group. At Trident Media Group, Mark Gottlieb has represented numerous \u003cem\u003eNew York Times\u003c\/em\u003e bestselling and award-winning authors. He has optioned and sold books to film and TV production companies. He previously ran the agency’s audiobook department and worked in foreign rights. Mark Gottlieb is actively seeking submissions in all categories and genres and looking forward to bringing new and established authors to the curious minds of their future readers.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow to Captivate Readers and Agents From the Start: \u003c\/strong\u003eLearn to craft an irresistible hook and clear overview that immediately conveys why your nonfiction book idea is timely, relevant, and impossible to ignore.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilding a Strong Market Case for Your Book: \u003c\/strong\u003eExplore techniques for conducting a thoughtful competitive analysis and articulating your book’s unique position, ensuring agents and publishers see its commercial potential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStructuring an Engaging Chapter Outline: \u003c\/strong\u003eDiscover how to create an outline that not only organizes your content in a logical manner but also showcases the forward momentum and depth of your story or argument.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarnessing the Power of Your Author Platform: \u003c\/strong\u003eUnderstand how to present your credentials, professional network, and following to demonstrate your ability to drive interest and sales in today’s competitive market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRefining Your Proposal for Publication Success: \u003c\/strong\u003eGain practical insights into polishing every element—style, voice, clarity, and marketability—so your pitch stands out and resonates with agents and publishers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHOR TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“To find someone in the publishing world these days who possesses such style and grace…a throwback. Crown moldings and brass door knocker in a world of prefab housing. —\u003cstrong\u003eLesley Kagen, \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He is professional, knowledgeable, and deeply cares about the careers of his clients. …I'm lucky to have Mark in my corner!” —\u003cstrong\u003eAlan Hlad, \u003cem\u003eUSA Today\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“My writing career never would have advanced as fast or as far without Mark's help.” —\u003cstrong\u003eJames Breakwell, bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He goes above and beyond his work expectations by cultivating caring relationships with his clients, always expressing empathy and patience. He is kind, supportive and knows what he's doing.” —\u003cstrong\u003eRuby Karp, author of \u003cem\u003eEarth Hates Me\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I wanted to thank you for your time this weekend for the Hook and Query writing seminar. It's hard to know from reading articles alone what a query letter or pitch should look like.\" -\u003cstrong\u003eJed H., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It was my absolute pleasure to meet you virtually on Saturday! Thank you for the wealth of detailed information and on-the-spot, yet carefully crafted critiques you shared with each of us— the experience is treasured, and invaluable.\" -\u003cstrong\u003eMica K., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Saturday’s class opened my eyes to the mistakes of my query submissions, which boil down to two crucial elements: word count \u0026amp; comps. Soliciting a bloated manuscript with no comps outside of a couple of 20+ year-old movie references advertised a novice understanding of the publishing industry, making me a rightful candidate for the rejection pile.\" -\u003cstrong\u003eWilliam W., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Thank you, Mark, for this wonderful workshop!\" -\u003cstrong\u003eDiane G., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#000000\"\u003e“You gave me enough writing technique and marketing information to feel like I can get started with confidence. Thank you!” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Thank you for being so diligent, so focused and so professional in your approach to the class. I found the whole experience exceeded my most optimistic expectations.” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Workshop will meet via Zoom on Saturday, May 16th, 2026\u003c\/p\u003e\n\u003cp\u003eSession 1 will be 1:00 PM – 1:45 PM EST\u003c\/p\u003e\n\u003cp\u003e15-minute Break Between Sessions\u003c\/p\u003e\n\u003cp\u003eSession 2 will be 1:55 PM – 3:00 PM EST\u003c\/p\u003e\n\u003cp\u003e*Recordings of all sessions will be made available to everyone who enrolls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eYou can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMark Owen Gottlieb | Live via Zoom\u003c\/li\u003e\n\u003cli\u003eSaturday, May 16th, 2026\u003c\/li\u003e\n\u003cli\u003eSeminar is fully ONLINE and meets via Zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46276902027512,"sku":"","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Crafting_a_Compelling_Nonfiction_Book_Proposal_Mark_Owen_Gottlieb.png?v=1755014142"},{"product_id":"the-art-of-the-first-page-hooking-agents-and-readers-zoom-seminar-with-literary-agent-mark-owen-gottlieb","title":"The Art of the First Page: Hooking Agents and Readers Zoom Seminar with Literary Agent Mark Owen Gottlieb on Saturday, April 18th, 2026","description":"\u003ch2\u003eSaturday, April 18th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eLive Seminar Via Zoom from 1PM - 3PM Eastern\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*A recording of this seminar will be made available to enrollees.\u003c\/p\u003e\n\u003cp\u003eLed by an industry-leading literary agent at Trident Media Group, \u003ca href=\"https:\/\/www.tridentmediagroup.com\/agents\/mark-gottlieb\/\" title=\"Trident Media Group\" target=\"_blank\"\u003eMark Owen Gottlieb\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eYour first page is your first impression—and in today’s competitive publishing landscape, it has to be unforgettable. Whether you're querying agents, submitting to editors, or enticing readers to keep turning pages, your opening must captivate, intrigue, and compel.\u003c\/p\u003e\n\u003cp\u003eIn The Art of the First Page, we’ll explore what makes a compelling opening, from crafting an irresistible hook to establishing character, voice, and tension right from the start. We’ll analyze successful first pages, discuss common pitfalls, and workshop participants’ openings to ensure they grab attention for all the right reasons.\u003c\/p\u003e\n\u003cp\u003eBy the end of this session, you’ll have a sharpened understanding of how to make your first page impossible to ignore—and the tools to revise with confidence. Bring your opening paragraphs for live feedback or come ready to absorb insights that will transform your writing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Owen Gottlieb\u003c\/strong\u003e is a highly-ranked literary agent in overall deals and other categories. He is actively building his client list of authors using that same initiative and insight for identifying talented writers. Mark Gottlieb is excited to work directly with authors, helping to manage and grow their careers with all of the unique resources available at book publishing’s leading literary agency, Trident Media Group. At Trident Media Group, Mark Gottlieb has represented numerous \u003cem\u003eNew York Times\u003c\/em\u003e bestselling and award-winning authors. He has optioned and sold books to film and TV production companies. He previously ran the agency’s audiobook department and worked in foreign rights. Mark Gottlieb is actively seeking submissions in all categories and genres and looking forward to bringing new and established authors to the curious minds of their future readers.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraft an Unforgettable Hook: \u003c\/strong\u003eLearn how to shape your opening sentences so they instantly grab agents, editors, and readers—creating a compelling gateway into your story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEstablish Character and Voice Right Away: \u003c\/strong\u003eDiscover techniques to anchor your protagonist’s perspective and personality from the very first page, setting the tone for the entire manuscript.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInfuse Immediate Tension and Intrigue: \u003c\/strong\u003eUnderstand how to generate page-turning suspense in your opening, ensuring that readers are invested before they’ve even turned to page two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpot and Avoid Common Pitfalls: \u003c\/strong\u003eIdentify the missteps that can derail an otherwise promising beginning, and learn how to sidestep clichés or overly familiar tropes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevise with Confidence: \u003c\/strong\u003eGain actionable feedback on your own work and walk away with a toolkit for refining first pages, empowering you to make each draft stronger than the last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHOR TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“To find someone in the publishing world these days who possesses such style and grace…a throwback. Crown moldings and brass door knocker in a world of prefab housing. —\u003cstrong\u003eLesley Kagen, \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He is professional, knowledgeable, and deeply cares about the careers of his clients. …I'm lucky to have Mark in my corner!” —\u003cstrong\u003eAlan Hlad, \u003cem\u003eUSA Today\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“My writing career never would have advanced as fast or as far without Mark's help.” —\u003cstrong\u003eJames Breakwell, bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He goes above and beyond his work expectations by cultivating caring relationships with his clients, always expressing empathy and patience. He is kind, supportive and knows what he's doing.” —\u003cstrong\u003eRuby Karp, author of \u003cem\u003eEarth Hates Me\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I wanted to thank you for your time this weekend for the Hook and Query writing seminar. It's hard to know from reading articles alone what a query letter or pitch should look like.\" -\u003cstrong\u003eJed H., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It was my absolute pleasure to meet you virtually on Saturday! Thank you for the wealth of detailed information and on-the-spot, yet carefully crafted critiques you shared with each of us— the experience is treasured, and invaluable.\" -\u003cstrong\u003eMica K., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Saturday’s class opened my eyes to the mistakes of my query submissions, which boil down to two crucial elements: word count \u0026amp; comps. Soliciting a bloated manuscript with no comps outside of a couple of 20+ year-old movie references advertised a novice understanding of the publishing industry, making me a rightful candidate for the rejection pile.\" -\u003cstrong\u003eWilliam W., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Thank you, Mark, for this wonderful workshop!\" -\u003cstrong\u003eDiane G., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#000000\"\u003e“You gave me enough writing technique and marketing information to feel like I can get started with confidence. Thank you!” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Thank you for being so diligent, so focused and so professional in your approach to the class. I found the whole experience exceeded my most optimistic expectations.” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Workshop will meet via Zoom on Saturday, April 18th, 2026\u003c\/p\u003e\n\u003cp\u003eSession 1 will be 1:00 PM – 1:45 PM EST\u003c\/p\u003e\n\u003cp\u003e15-minute Break Between Sessions\u003c\/p\u003e\n\u003cp\u003eSession 2 will be 1:55 PM – 3:00 PM EST\u003c\/p\u003e\n\u003cp\u003e*Recordings of all sessions will be made available to everyone who enrolls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eYou can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMark Owen Gottlieb | Live via Zoom\u003c\/li\u003e\n\u003cli\u003eSaturday, April 18th, 2026\u003c\/li\u003e\n\u003cli\u003eSeminar is fully ONLINE and meets via Zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46276928176376,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/The_Art_of_the_First_Page_Mark_Owen_Gottlieb.png?v=1755014179"},{"product_id":"indie-vs-traditional-publishing-which-path-is-right-for-you-zoom-seminar-with-literary-agent-mark-owen-gottlieb","title":"Indie vs. Traditional Publishing: Which Path is Right for You? Zoom Seminar with Literary Agent Mark Owen Gottlieb on Saturday, June 13th, 2026","description":"\u003ch2\u003eSaturday, June 13th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eLive Seminar Via Zoom\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eStarts at 1PM EST\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*A recording of this seminar will be made available to enrollees.\u003c\/p\u003e\n\u003cp\u003eLed by an industry-leading literary agent at Trident Media Group, \u003ca title=\"Trident Media Group\" href=\"https:\/\/www.tridentmediagroup.com\/agents\/mark-gottlieb\/\" target=\"_blank\"\u003eMark Owen Gottlieb\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn today’s evolving publishing landscape, authors have more options than ever when it comes to bringing their books to market. But how do you determine which path—independent or traditional publishing—is the best fit for your goals?\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis seminar will provide an in-depth comparison of indie and traditional publishing, covering key topics such as creative control, financial considerations, distribution, marketing, and the role of agents and publishers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWe’ll discuss the pros and cons of each approach, debunk common myths, and explore real-world success stories from both paths. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWhether you’re an aspiring author or an industry professional looking to guide clients, this session will equip you with the knowledge to make an informed decision about your publishing journey.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoin us for an engaging discussion and Q\u0026amp;A session that will help you navigate the opportunities and challenges of today’s publishing industry!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Owen Gottlieb\u003c\/strong\u003e is a highly-ranked literary agent in overall deals and other categories. He is actively building his client list of authors using that same initiative and insight for identifying talented writers. Mark Gottlieb is excited to work directly with authors, helping to manage and grow their careers with all of the unique resources available at book publishing’s leading literary agency, Trident Media Group. At Trident Media Group, Mark Gottlieb has represented numerous New York Times bestselling and award-winning authors. He has optioned and sold books to film and TV production companies. He previously ran the agency’s audiobook department and worked in foreign rights. Mark Gottlieb is actively seeking submissions in all categories and genres and looking forward to bringing new and established authors to the curious minds of their future readers.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComprehensive Understanding of Publishing Options: \u003c\/strong\u003eAttendees will gain a clear overview of both indie and traditional publishing models, their processes, and the types of authors and projects each route typically serves best. This big-picture knowledge empowers you to choose the publishing path that aligns with your specific goals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Factors for Decision-Making: \u003c\/strong\u003eYou’ll learn how crucial elements—like creative control, financial risks and rewards, distribution channels, marketing resources, and timing—differ between indie and traditional publishing. Armed with these insights, you can weigh the pros and cons to determine which option is the right fit for you or your clients.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDebunking Myths and Misconceptions: \u003c\/strong\u003eThrough real-world examples and expert insights, the seminar will address common myths—such as believing traditional publishing always equals greater financial success or that indie publishing is inherently “lesser.” You’ll come away with a more nuanced perspective that helps you avoid pitfalls or oversimplifications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInsider Tips from a Literary Agent’s Perspective: \u003c\/strong\u003eAs a seasoned literary agent, Mark Owen Gottlieb will share insider knowledge on how agents and publishers operate within the traditional model—giving you a candid look behind the scenes. You’ll discover how to navigate agent-author relationships and what it really takes to stand out in a competitive market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eActionable Strategies for Your Next Steps: \u003c\/strong\u003eFinally, you’ll walk away with practical advice for whichever route you choose. From evaluating upfront costs and managing your own distribution to approaching agents and assembling a strong query, the session offers concrete strategies to launch—or level up—your publishing journey with confidence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHOR TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“To find someone in the publishing world these days who possesses such style and grace…a throwback. Crown moldings and brass door knocker in a world of prefab housing. —\u003cstrong\u003eLesley Kagen, \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He is professional, knowledgeable, and deeply cares about the careers of his clients. …I'm lucky to have Mark in my corner!” —\u003cstrong\u003eAlan Hlad, \u003cem\u003eUSA Today\u003c\/em\u003e bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“My writing career never would have advanced as fast or as far without Mark's help.” —\u003cstrong\u003eJames Breakwell, bestselling author \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“He goes above and beyond his work expectations by cultivating caring relationships with his clients, always expressing empathy and patience. He is kind, supportive and knows what he's doing.” —\u003cstrong\u003eRuby Karp, author of \u003cem\u003eEarth Hates Me\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I wanted to thank you for your time this weekend for the Hook and Query writing seminar. It's hard to know from reading articles alone what a query letter or pitch should look like.\" -\u003cstrong\u003eJed H., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"It was my absolute pleasure to meet you virtually on Saturday! Thank you for the wealth of detailed information and on-the-spot, yet carefully crafted critiques you shared with each of us— the experience is treasured, and invaluable.\" -\u003cstrong\u003eMica K., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Saturday’s class opened my eyes to the mistakes of my query submissions, which boil down to two crucial elements: word count \u0026amp; comps. Soliciting a bloated manuscript with no comps outside of a couple of 20+ year-old movie references advertised a novice understanding of the publishing industry, making me a rightful candidate for the rejection pile.\" -\u003cstrong\u003eWilliam W., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Thank you, Mark, for this wonderful workshop!\" -\u003cstrong\u003eDiane G., Workshop Student\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#000000\"\u003e“You gave me enough writing technique and marketing information to feel like I can get started with confidence. Thank you!” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Thank you for being so diligent, so focused and so professional in your approach to the class. I found the whole experience exceeded my most optimistic expectations.” \u003cstrong\u003e— Workshop Student\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Workshop will meet via Zoom on Saturday, June 13th, 2026\u003c\/p\u003e\n\u003cp\u003eSession 1 will be 1:00 PM – 1:45 PM EST\u003c\/p\u003e\n\u003cp\u003e15-minute Break Between Sessions\u003c\/p\u003e\n\u003cp\u003eSession 2 will be 1:55 PM – 3:00 PM EST\u003c\/p\u003e\n\u003cp\u003e*Recordings of all sessions will be made available to everyone who enrolls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eYou can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMark Owen Gottlieb | Live via Zoom\u003c\/li\u003e\n\u003cli\u003eSaturday, June 13th, 2026\u003c\/li\u003e\n\u003cli\u003eSeminar is fully ONLINE and meets via Zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PST): 10:00 AM – 12 PM \/ Chicago (CST): 12:00 PM – 2:00 PM \/ New York (EST): 1:00 PM – 3:00 PM \/ London (GMT): 6:00 PM – 8:00 PM \/ Berlin (CET): 7:00 PM – 9:00 PM\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46276954652920,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Indie_vs_Traditional_Publishing_with_Mark_Owen_Gottlieb_72f37f9d-5f7b-49ab-b151-e9511d9509b4.png?v=1755014073"},{"product_id":"the-list-making-method-transform-your-fiction-poetry-and-essays-a-zoom-seminar-with-ethan-joella","title":"The List-Making Method: Transform Your Fiction, Poetry and Essays, a Zoom Seminar with Ethan Joella on Wednesday, July 22nd, 2026","description":"\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-689061bb302a5b82a1ea\"\u003e\n\u003ch2\u003eWednesday, July 22nd, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with\u003c\/strong\u003e \u003cstrong\u003eus.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEthan Joella i\u003c\/strong\u003e\u003cspan\u003es the author of the \u003c\/span\u003e\u003cspan\u003enovels \u003ci\u003eA Little Hope\u003c\/i\u003e (Scribner, 2021), which was a Read \u003c\/span\u003e\u003cspan\u003ewith Jenna Bonus Selection, \u003ci\u003eA Quiet Life\u003c\/i\u003e (Scribner, \u003c\/span\u003e\u003cspan\u003e2022), \u003ci\u003eThe Same Bright Stars\u003c\/i\u003e (Scribner, 2024), and \u003cem\u003eThe Top of the World\u003c\/em\u003e (Scribner, 2026). \u003c\/span\u003e\u003cspan\u003eHis books have been featured in \u003ci\u003eThe New York Times, People, \u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003eand\u003ci\u003e Good Housekeeping\u003c\/i\u003e.  Ethan teaches English and \u003c\/span\u003e\u003cspan\u003epsychology at the University of Delaware and specializes in community writing workshops. He lives in Rehoboth Beach, Delaware \u003c\/span\u003e\u003cspan\u003ewith his family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca rel=\"noopener\" title=\"Master the Art of List-Making: Ethan Joella's Proven Techniques for Breaking Writer's Block\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/master-the-art-of-list-making-ethan-joellas-proven-techniques-for-breaking-writers-block\" target=\"_blank\"\u003ean Interview with Ethan \u003c\/a\u003eon Mastering the List-Making Method.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn this class, students will learn how lists can enhance fiction, nonfiction, and poetry writing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAre you struggling to make your characters feel authentic or your settings come alive? Finding it difficult to structure your stories, essays or poems in a way that resonates with readers? Most writers hit creative roadblocks that standard writing advice simply doesn't solve.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhat if you're overlooking one of the most powerful techniques used by literary legends like Susan Sontag, Ray Bradbury, Kim Addonizio, and Elizabeth Strout?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe List-Making Method is a transformative approach that accomplished writers have quietly relied on for decades to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReveal complex character psychology in a single paragraph.\u003c\/li\u003e\n\u003cli\u003eCreate immersive settings that readers can't forget.\u003c\/li\u003e\n\u003cli\u003eStructure poems and essays with unexpected resonance.\u003c\/li\u003e\n\u003cli\u003eBreak through creative blocks when you're stuck.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn this intimate, interactive Zoom workshop, celebrated author Ethan Joella reveals the exact list-making techniques that have revolutionized his own writing process and those of his most successful students.\u003cbr\u003e\u003cbr\u003eWhat you'll experience:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnalyze rarely-discussed list techniques from contemporary masterworks.\u003c\/li\u003e\n\u003cli\u003eCreate your own transformative lists through guided exercises.\u003c\/li\u003e\n\u003cli\u003eReceive personalized feedback in a supportive environment.\u003c\/li\u003e\n\u003cli\u003eApply these methods immediately to your current projects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhether you're developing existing work or starting something new, join us to unlock a technique that can instantly elevate your writing across all genres.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eReserve your spot now before this session fills – and bring a current project that's ready for transformation.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eEthan will share examples of lists in various genres.\u003c\/li\u003e\n\u003cli\u003eStudents will discuss lists and do response exercises.\u003c\/li\u003e\n\u003cli\u003eStudents will come away with new ideas to enhance character or setting, try different structures, or add conflict or resolution via lists.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI really appreciated how the weekly feedback that was specific to my work. I would recommend this to any writer looking to take their work to the next level.\u003c\/em\u003e\" - Tara K.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis class exceeded my expectations. The assignments were well-defined, and Ethan's thoughtful feedback pushed me out of my comfort zone. I felt that the class was really well-scoped. I'd love to take further classes with Ethan, especially anything around character interiority and expressing a character's needs\/wants\u003c\/em\u003e.\" -Lizz H.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEthan is such a thoughtful teacher. I really enjoyed this class and hope he teaches more classes soon\u003c\/em\u003e!\" -former student\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis class exceeded my expectations and now I have a new tool in my writing toolbox!\u003c\/em\u003e\" -former student\u003c\/p\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTuition is $99 USD. This class will meet live via Zoom. If you can't attend live, a recording will be provided.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Ethan Joella\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWednesday, July 22nd, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-3d8366dec4183f93ceae\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46325811052792,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/EthanJoellaUpdatedHeadshot2026.png?v=1772561669"},{"product_id":"summer-camp-for-writers-8-week-session-with-sarah-mccoll","title":"Summer Camp for Writers 8-Week Online Session with Sarah McColl starts on Saturday, June 20th, 2026","description":"\u003ch2 class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eBegins Saturday, June 20, 2026\u003c\/h2\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eThis 8-week generative online writing workshop is delivered asynchronously via Wet Ink.\u003c\/h2\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eZoom Note:\u003c\/strong\u003e\u003c\/em\u003e At the midpoint of our work together, we will meet for one hour of silent cowriting via Zoom. The last thirty minutes will be time for a casual chat to check in and see how the writing is going. This meeting is optional but encouraged. It helps forge connections and confirm that we are, indeed, real people behind our profile pics. Our lone Zoom Meeting is scheduled for Wednesday, July 22, 9:30–11:00 AM Pacific.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eInstructor Bio\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eInstructor Sarah McColl is the author of the debut memoir and Belletrist Book Club Selection JOY ENOUGH (Liveright\/W.W. Norton \u0026amp; Company, 2019). For five years, she published LOST ART, Substack bestseller about the creative work of (mostly) dead women and a 2023 finalist for the Andy Warhol Arts Writers Grant. In 2026, she launched PAPER CHOIR, a quarterly mail art and zine publishing experiment with artist LK James. Her essays have appeared in McSweeney's, the Paris Review, and StoryQuarterly. The recipient of fellowship awards from MacDowell, Millay Arts, Ucross, and Vermont Studio Center, McColl holds an MFA from Sarah Lawrence College and lives in Northern California with her family.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eMeet the Teaching Artist: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/summer-camp-for-adult-writers-an-interview-with-sarah-mccoll-on-the-pleasures-of-unstructured-creative-play\" target=\"_blank\" title=\"Summer Camp for Adult Writers: an Interview with Sarah McColl on the Pleasures of Unstructured Creative Play\" rel=\"noopener\"\u003e\u003cem\u003eSummer Camp for Adult Writers: an Interview with Sarah McColl on the Pleasures of Unstructured Creative Play\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSummer Camp for Writers is for anyone looking at a summer calendar of travel and disrupted routines and wondering how on earth they will find time to write. This 8-week generative writing workshop provides scaffolding to nurture your writing life during the loosey-goosey summer months. Open to all levels and all genres—fiction, nonfiction, and poetry writers are welcome. Expect creative experiments, inspiring readings, lots of prompts for generative writing, and a supportive community of fellow writers.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePart of summer's beauty is its undoneness. Our schedules fall apart (ideally replaced by shady hammocks and sandy sandwiches). In this lovely looseness, our artistic practice can suffer. Don't lose your art this summer! Come to Summer Camp for Writers!\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSummer Camp for Writers is time to practice—an invitation to mess around, generate new material, and talk about writing in a low-stakes environment with other folks who want to keep the flame of their creativity lit through a season that tends to throw routines by the wayside. Less grinding it out, more delighting in the creative act. No victors or finish lines, just staying close to your work and voice. Through weekly invitations to creative experiments, generative writing prompts, and asynchronous togetherness via our online writing class on Wet Ink, writers in Summer Camp collaboratively invent and imagine ways to nurture their creative lives that don't require logging hours at a laptop. Because the sun's out, the mountains call, the ice cream is melting.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis creative writing workshop grows from the steadfast belief that creating the conditions for pleasure—for awe and play, connection and feeling good—positively impacts our writing life. If you feel good about your writing life, you will want to return there. Our goals are two-fold: to bring lightness and liveliness to our creative lives during a season when they might otherwise get short shrift and to gather with a writing community who shares that desire. The instructor will comment on each piece of work writers post to Wet Ink. This feedback is intended to be supportive and encourage further generativity through questions and suggested opportunities present in the work. Writers are also encouraged to comment on each other's work to contribute to a community of mutual encouragement.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this course, students will bring lightness and liveliness to their creative lives during a season when they might otherwise get short shrift and gather with a writing community who shares that desire. Writers who actively participate will generate at least eight pieces based on prompts. The instructor will provide supportive written feedback on each piece posted to Wet Ink, encouraging further generativity through questions and suggested opportunities present in the work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eReadings\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReadings may include excerpts, essays, stories, and poems by Kate Chopin, Chris Dennis, Elaine Dundy, Betty Smith, Emily Dickinson, Kim Addonizio, Gretel Ehrlich, Heather Christle, Sybille Bedford, Eula Biss, Susan Sontag, Rebecca Solnit, E.B. White, and others.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 1: Welcome to Summer Camp\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 2: Time\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 3: Sand, Splinters, and Other Irritants\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 4: The Seriousness of Frivolity\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 5: Ripe to Bursting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 6: Salt\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 7: Field Trip\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003eWeek 8: The Talent Show\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eConnect with a community of like-minded writers through ongoing discussions and shared learnings\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eReceive 8 Summer Camp newsletters full of writing prompts, reframes, readings, and radical ideas to encourage a sustainable (and joyful!) writing practice\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eReframe your writing practice as a source of play, delight, and fun\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eDiscover new ideas and experiment with creative approaches\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eGenerate a mass of wild, fresh, urgent writing nourished by sun and salt air\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePreserve time for your vital, inner relationship with self, art, and creativity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"Sarah McColl's workshop was an experience I will neither regret nor forget. Her remote workshop sessions guided us gently through intense and important journeys, and her genuine interest in each and every one of us was clear in both her approach and style. In addition to remote workshop classes, thought-provoking newsletters which included themed writing prompts encouraged me to push past my comfort zone into a territory I'd not explored in many years, and the Group Diary we all shared helped me realize that both my successes and my shortcomings were not unfounded nor uncommon. It was the perfect mix of cherishable challenges. I would recommend Sarah McColl's workshops to anyone and everyone who wants to not only improve their writing and\/or write more often, but to learn more about themselves and their part in the process of furthering their art. This experience was the indisputable highlight of my summer. Highly recommended.\" — Marnie M.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"The prompts really pushed me creatively, and the instructor's feedback and enthusiasm were much appreciated. I loved just having time to experiment in the class and hear others' responses. Sarah was great.\" — Former Student\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"This generative writing camp with Sarah was exactly what I was looking for at exactly the right time. Sarah did a great job facilitating this class, and I really appreciated the time she took with the feedback I received from her.\" — Former Student\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"I wanted a space where I could experiment without too much pressure. I liked that we didn't analyze the experience of the writing exercise too much, we just kept moving along. It made it all feel less important somehow, which made it less stressful, which made it more fun, which made for better writing. At least, for me. I also commend you, Sarah, for setting the tone of the workshop as a collaborative and supportive and curious space.\" — Former Student\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"From the readings to the generative prompts and lively discussions, I came away feeling refreshed and invigorated not only to write and read, but to make writing an important part of my daily routine. I'm grateful to you for helping me to feel alive and curious again.\" — Former Student\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e\"I felt like I was in really compassionate orchestrating hands. The experience, wisdom and energy provided at such a high level makes it really easy to just let go and go for the ride and see what you can mine from yourself. Okay....I don't want to get weird and whip out a pan flute but it's a really special blend of pragmatism, craft, inspiration, and magic. There's a feeling of it being spiritual if you want it to be without it having to be group therapy. I felt lucky to be there and definitely don't really know how to explain it's more than a writing workshop to people.\" — Former Student\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eONLINE COURSE STRUCTURE:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an 8-week online class\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSarah has designed a weekly email newsletter that includes prompts, readings, and ideas. Wet Ink will be used for online discussion.\u003c\/p\u003e\n\u003cp\u003eThis class is entirely asynchronous which means you complete the weekly assignments on your own schedule. There are no set meeting times in order to allow for greater participation; your cohort will consist of writers from across different time zones, which allows for a wonderful diversity of voices.\u003c\/p\u003e\n\u003cp\u003eAlong with your weekly deadlines there is plenty of interaction with Sarah and your peers within\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e, our dedicated online classroom. Craft materials, lectures, reading assignments, and writing prompts are all available through the online classroom. \u003c\/p\u003e\n\u003cp\u003eYou can get the work done as you see fit week-to-week, so it is perfect for any schedule. There are discussion questions each week inspired by the assigned readings and topics in the lecture notes. Students are encouraged to take these wherever is most compelling and\/or useful for them. Sarah engages with these discussions throughout the week and you will receive feedback from all assigned writing activities.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eHOW DOES WET INK WORK?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003c\/strong\u003eWet Ink was built and designed specifically for online writing classes. Wet Ink is private, easy to use, and very interactive. You can learn more about the Wet Ink platform by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/wet.ink\/demos\/take-a-class\/get-familiar-with-your-class\" target=\"_blank\"\u003eWatching a Class Demo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTuition is $545 USD. You can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eInstructor: Sarah McColl\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eBegins Saturday, June 20, 2026\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eThis 8-week generative writing workshop is delivered asynchronously via Wet Ink, with one optional Zoom cowriting session on Wednesday, July 22, 9:30–11:00 AM Pacific\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eTuition is $545 USD.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46325899034872,"sku":"","price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/SarahMcCollSummerCampforWriters2026.png?v=1772672020"},{"product_id":"mastering-sense-of-place-a-multigenre-setting-craft-seminar","title":"Mastering Sense of Place: a Multigenre Craft Seminar on Setting with Robert Anthony Siegel  (Zoom), Monday, August 31st, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar via Zoom Monday, August 31st, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 7PM - 9PM Eastern\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cstrong\u003eInstructor Robert Anthony Siegel \u003c\/strong\u003eis the author of a memoir, \u003ci\u003eCriminals\u003c\/i\u003e, and two novels, \u003ci\u003eAll Will Be Revealed \u003c\/i\u003eand\u003ci\u003e All the Money in the World\u003c\/i\u003e. His work has appeared in \u003ci\u003eThe New York Times, The Los Angeles Times, Smithsonian Magazine, The Paris Review, The Drift, The Oxford American, and Ploughshares\u003c\/i\u003e, and has been anthologized in \u003ci\u003eBest American Essays 2023, O. Henry Stories 2014, \u003c\/i\u003eand\u003ci\u003e Pushcart Prize XXXVI\u003c\/i\u003e. He has been a Fulbright Scholar in Taiwan, a Mombukagakusho Fellow in Japan, a Writing Fellow at the Fine Arts Work Center in Provincetown, and a Paul Engle Fellow at the Iowa Writers Workshop. He holds an MFA from the Iowa Writers Workshop.\u003cstrong\u003e\u003cspan style=\"background-color: white;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003eSetting is the physical world your characters inhabit, the place where their stories play out. The temptation is to treat it like a simple container for the action, a stage set, but truly effective setting does many kinds of narrative work. It helps convince us of the physical reality of the story, its materiality, but it also expresses emotion, engages our senses, reveals character, shapes the action, and connects to theme, the big idea hovering unspoken behind events. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eThrough a mixture of lecture, discussion and creative exercises, this multigenre craft talk will show you how to create effective setting.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eWe will start by reading outstanding examples of place description from a variety of great writers (Raymond Carver, James Baldwin, Annie Dillard, John Cheever, and Chimamanda Ngozi Adichie, among others,) analyzing the way they use setting to deepen character and story, regardless of whether the genre is fiction or nonfiction.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eAfterwards, we will do a series of exercises designed to help you explore and develop your own use of setting.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eWhat you will take away:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"sqs-block-content\"\u003eAn understanding of the many roles performed by setting\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqs-block-content\"\u003eTechniques for making your setting more effective\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"sqs-block-content\"\u003eA series of short descriptions of place that can be utilized in an ongoing project, or can become the basis of a new one\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cstrong\u003eCourse Expectations:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003eOpen to all levels of experience and all genres. No preparation needed. Just come to class ready to write, explore, and share.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"Full of richly drawn characters and jolting plot twists—Glasser’s time behind bars is especially chilling—Siegel’s debut novel works both as a parable of how quickly the high and mighty can fall, and as gripping drama. 'Money' well spent.\" -NEW YORK POST on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"Early in this novel, there is a wonderful scene—rich with embarrassment—in which Louis Glasser, the altogether unlikely hero, helps his Harvard-educated son buy a new suit. The son’s fortunes founder, but that’s nothing compared to the perils that overwhelm his father—a lawyer who operates on the margins and becomes the target of a criminal investigation. Siegel’s … portraits (loving and otherwise) of the Glassers, New York prosecutors, and various lowlifes are right on the money.\" -THE NEW YORKER on ALL THE MONEY IN THE WORLD\u003cbr\u003e\u003cbr\u003e\"...Well-turned and elegant...Gloriously complex...\" -ATLANTA JOURNAL-CONSTITUTION on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"...A richly detailed and seedily seductive narrative.\" -PUBLISHERS WEEKLY on ALL WILL BE REVEALED\u003cbr\u003e\u003cbr\u003e\"Robert's unique skill as a teacher comes from his enthusiasm not only for talking, which is present in many talented professors, but for listening... He has a reputation for being the best kind of teacher: generous, knowledgeable, demanding, and always at the ready with excellent advice.\" -former student\u003cbr\u003e\u003cbr\u003e\"The level of discourse was challenging and interesting and I think part of the reason for that was the casual atmosphere of discussion, fostered by Robert. When people are allowed to speak in an open, non-threatening environment, wonderful things happen.\" -former student\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eLive Seminar Via Zoom. Class will meet 7PM - 9PM Eastern.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTuition is $99. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Robert Anthony Siegel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive Seminar Via Zoom Monday, August 31st, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClass will meet 7PM - 9PM Eastern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTuition is $99.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this seminar.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-51a8238b2f73df2e52ed\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46419169706232,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/robertsiegelHeadshot_f9b51221-fdf3-4fd7-8a44-d32238b06d75.png?v=1703195669"},{"product_id":"writing-from-the-body-a-fiction-and-nonfiction-class","title":"Writing From the Body: A Fiction and Nonfiction 2-Week Class (Zoom) with Shze-Hui Tjoa, on Sunday, July 12th and 19th, 2026","description":"\u003ch2\u003eClass is on Sundays, July 12th \u0026amp; 19th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet on consecutive Sundays via Zoom for 2 Hours at 10AM - 12PM Eastern\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e🌍 \u003cem\u003eClass Times by Time Zone: \u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003eLos Angeles (PDT): 7:00 AM – 9:00 AM \/ Chicago (CDT): 9:00 AM – 11:00 AM \/ New York (EDT): 10:00 AM – 12:00 PM \/ London (BST): 3:00 PM – 5:00 PM \/ Berlin (CEST): 4:00 PM – 6:00 PM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Shze-Hui Tjoa is a Singaporean writer who lives in Edinburgh, UK. Her debut, \u003cem\u003eThe Story Game: A Memoir\u003c\/em\u003e (Tin House Books, 2024), is a genre-bending work about storytelling, sisterhood, the body\/mind divide of c-PTSD, having been raised as a child musician, and deconstructing\/finding the self. T\u003cem\u003ehe New York Times, The Boston Globe, \u003c\/em\u003eand\u003cem\u003e Book Riot\u003c\/em\u003e recognized it as a notable book of its release season. Shze-Hui is a Nonfiction Editor at \u003cem\u003eGuernica\u003c\/em\u003e and a Commissioning Fiction\/Nonfiction Editor at \u003cem\u003eAdi Magazine\u003c\/em\u003e. Her career has been supported by various global arts organizations, including AWP and VONA\/Voices (US), Disquiet International (Portugal), Green Olive Arts (Morocco), and the National Arts Council of Singapore. \u003c\/p\u003e\n\u003cp\u003eHave you ever wondered what knowledge your body holds that your mind doesn’t -- yet? In this two-part class, we will explore this question together.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIn our first week, \u003c\/strong\u003e\u003c\/em\u003ewe will do a close reading of several fiction and nonfiction texts written from a bodily perspective -- covering themes including food, movement, sex, and pain.\u003c\/p\u003e\n\u003cp\u003eTogether, we will learn about the strategies that writers across genres have used to successfully tap into the body’s point-of-view -- inhabiting the particular ways in which the body perceives sensation, time, and space, so as to bring the fullness and materiality of its experiences into their writing.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIn our second week, \u003c\/strong\u003e\u003c\/em\u003ewe will pivot towards generative writing -- while incorporating the theoretical knowledge we gained in week one. Shze-Hui will lead students through a writing ritual designed to help them find the unique voice of their own body -- tapping into its memories and unconscious desires to help it \"speak\" more clearly.\u003c\/p\u003e\n\u003cp\u003eThe aim is for students to leave equipped with a long-form writing exercise that they can utilize independently, in whichever genre they usually work with (e.g. as part of character design in fiction, or to explore the self more deeply in memoir).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TEXTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe will read short excerpts from the following books:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eButter\u003c\/em\u003e by Asako Yuzuki, \u003cem\u003eLittle Scratch\u003c\/em\u003e by Rebecca Watson, \u003cem\u003eHurricane Season\u003c\/em\u003e by Fernando Melchor, \u003cem\u003ethere are more things\u003c\/em\u003e by Yara Rodrigues Fowler, \u003cem\u003eThe Archer \u003c\/em\u003eby Shruti Swamy, \u003cem\u003eParadise Rot \u003c\/em\u003eby Jenny Hval, \u003cem\u003eMaps of Our Spectacular Bodies \u003c\/em\u003eby Maddie Mortimer, \u003cem\u003eSplit Tooth\u003c\/em\u003e by Tanya Tagaq, and others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1: \u003c\/strong\u003eClose-reading of nonfiction and fiction texts, as well as short writing exercises to learn from the literary techniques that writers are deploying in order to capture the body’s voice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2: \u003c\/strong\u003eLong-form generative writing ritual to help writers find the unique voice of their own body, so as to help it “speak\" more clearly on the page.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOverall, students will leave with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExperience analyzing literary texts\u003c\/li\u003e\n\u003cli\u003eA syllabus of body-centric writing and books\u003c\/li\u003e\n\u003cli\u003eA toolkit of exercises that they can use to “drop down” from their minds into their bodies at any given time in their personal writing practices.\u003c\/li\u003e\n\u003cli\u003eAnd several pieces of experimental\/generative writing that we will produce together in class\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eTuition is $180 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Shze-Hui Tjoa\u003c\/li\u003e\n\u003cli\u003eClass is on Sundays, July 12th and 19th, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet on consecutive Sundays via Zoom for 2 Hours at 10AM - 12PM Eastern\u003c\/li\u003e\n\u003cli\u003eTuition is $180 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46496849756408,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Shze-HuiTjoaHeadshot2025.png?v=1748633059"},{"product_id":"getting-started-with-creative-writing-with-meg-eden-kuyatt","title":"Getting Started with Creative Writing: Poetry \u0026 Fiction Fundamentals 6-Week Intensive with Meg Eden Kuyatt Starts Monday, August 31st, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eStarts Monday, August 31st, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eThis is an asynchronous class that will have an online classroom in Wet Ink.\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003eInstructor Meg Eden Kuyatt is the author of the 2021 Towson Prize for Literature-winning poetry collection, \u003cem\u003eDrowning in the Floating World,\u003c\/em\u003e and children’s novels, including a 2023 ALA Schneider Family Book Award Honor \u003cem\u003eGood Different\u003c\/em\u003e, and the forthcoming \u003cem\u003eThe Girl in the Wall \u003c\/em\u003e(Scholastic, 2025).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eDaunted by starting a new writing project? Stuck as a writer? Feeling overwhelmed about where to begin your creative writing journey? Struggling with writer's block or imposter syndrome?\u003c\/p\u003e\n\u003cp\u003eYou're not alone, and this course is designed specifically for writers like you.\u003c\/p\u003e\n\u003cp\u003eExplore poetry and fiction’s essential tools for writing through traditional literary work as well as comic strips, slam poems, movies, and video games.\u003c\/p\u003e\n\u003cp\u003eLearn the essentials of what makes good poetry through exploring imagery and voltas, as well as the distinctive elements of fiction’s narrative structure, character arcs, and voice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster the Core Skills Every Writer Needs:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoetry Foundations: \u003c\/strong\u003eDiscover how to create powerful imagery, craft meaningful \"aha moments\" (voltas), and bring life to your words through personification techniques.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiction Essentials: \u003c\/strong\u003eLearn proven narrative structure frameworks, develop authentic characters that readers care about, and find your unique writing voice.\u003c\/p\u003e\n\u003cp\u003eEach weekly unit will focus on an element of craft, including writing exercises, workshops, and reading discussions.\u003c\/p\u003e\n\u003cp\u003eThis is a great way to get started in creative writing and gain confidence on the page, or for experienced writers to revisit craft essentials from a new perspective.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1: \u003c\/strong\u003ePoetry Fundamentals - Creating Vivid Imagery\u003cbr\u003eMaster the foundation of all great poetry through sensory details and concrete images.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2: \u003c\/strong\u003ePoetry Craft - The Power of the \"Aha Moment\"\u003cbr\u003eLearn to identify and create voltas that transform ordinary poems into memorable experiences.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3: \u003c\/strong\u003eAdvanced Poetry Techniques - Personification Mastery\u003cbr\u003eBring your writing to life by giving human qualities to the world around you.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4: \u003c\/strong\u003eFiction Foundations - Flash Fiction \u0026amp; Narrative Structure\u003cbr\u003eUnderstand story architecture and learn to tell complete, compelling stories in minimal words.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 5: \u003c\/strong\u003eCharacter Development \u0026amp; Voice in Fiction\u003cbr\u003eCreate authentic characters and develop your distinctive writing voice.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 6: \u003c\/strong\u003eIntegration \u0026amp; Next Steps\u003cbr\u003eReflect on your progress and receive bonus exercises to continue your writing growth.\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003ePerfect for These Writers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComplete beginners who want to start their creative writing journey with proper fundamentals\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStuck writers looking to break through creative blocks with fresh perspectives\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExperienced writers wanting to revisit craft essentials and discover new approaches\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGenre-switchers interested in exploring both poetry and fiction writing\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAnyone seeking a supportive, structured environment to develop their creative voice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUnderstanding the strengths and distinctions between poetry and fiction writing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWrite 2-3 poems and 2-3 short prose pieces.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGain confidence on the page through writing exercises and an online community.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEssential craft lessons to jumpstart and sustain your writing practice moving forward.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eYou can pay for the course in full or use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class is entirely asynchronous, which means you complete the weekly assignments on your own schedule. There are no set meeting times in order to allow for greater participation; your cohort will consist of writers from across different time zones, which allows for a wonderful diversity of voices.\u003c\/p\u003e\n\u003cp\u003eAlong with your weekly deadlines, there is plenty of interaction with Meg and your peers within \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e, our dedicated online classroom. Craft materials, lectures, reading assignments, and writing prompts are all available through the online classroom. Students also post work and provide and receive feedback within the online classroom environment.\u003c\/p\u003e\n\u003cp\u003eYou can finish the work as you see fit week-to-week, which is perfect for any schedule. Each week, discussion questions are inspired by the assigned readings and topics in the lecture notes. Students are encouraged to take these wherever is most compelling and\/or useful for them. Meg engages with these discussions throughout the week and you will receive feedback from all assigned writing activities. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eHOW DOES WET INK WORK? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003c\/strong\u003eWet Ink was built and designed specifically for online writing classes. Wet Ink is private, easy to use, and very interactive. You can learn more about the Wet Ink platform by \u003ca href=\"https:\/\/wet.ink\/demos\/take-a-class\/get-familiar-with-your-class\" target=\"_blank\"\u003eWatching a Class Demo\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eStarts Monday, August 31st, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis is an asynchronous class that will have an online classroom in Wet Ink.\u003c\/li\u003e\n\u003cli\u003eTuition is $445 USD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you have questions, please use the Chat Button or contact us via email \u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46515333726456,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/MegEdenHeadshot2024_1_6e48266c-4656-4abe-8aa5-e3c7e9dc520c.png?v=1716472262"},{"product_id":"exploring-and-writing-magical-realism-6-week-workshop","title":"Exploring and Writing Magical Realism 6-Week Workshop with P.C. Verrone Starts Tuesday, September 1st, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003e\u003cstrong\u003eBegins Tuesday, September 1st, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly via Zoom on Tuesdays, 6:00PM Central - 8:00PM Central\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eInstructor P.C. Verrone is a writer of page and stage, and his debut novel \u003ca rel=\"noopener\" title=\"Rabbit, Fox, Tar forthcoming from Catapult Books in 2026\" href=\"https:\/\/books.catapult.co\/books\/rabbit-fox-tar\/\" target=\"_blank\"\u003e\u003cem\u003eRabbit, Fox, Tar\u003c\/em\u003e\u003c\/a\u003e is forthcoming from Catapult in 2026. His work has appeared in \u003cem\u003eFIYAH Magazine, PodCastle, Nightmare Magazine\u003c\/em\u003e, and numerous anthologies. He is the winner of the 2024 Otherwise Award, 2021 Bridport Prize for Flash Fiction, and WNDB’s Black Creatives Revisions Workshop. He has been awarded fellowships and residencies from Tin House, Playwrights’ Center, Generation Now, and New Jersey State Council on the Arts. He holds a B.A. from Harvard University and an MFA in Creative Writing from Rutgers University-Newark. He lives in Dallas with his husband, a historian.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eLearn more about P.C. in our \u003ca href=\"https:\/\/writingworkshops.com\/blogs\/news\/meet-the-teaching-artist-exploring-and-writing-magical-realism-with-p-c-verrone\" title=\"Meet the Teaching Artist: Exploring \u0026amp; Writing Magical Realism with P.C. Verrone\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eMeet the Teaching Artist\u003c\/a\u003e series.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMagical realism is a global genre of fiction that uses experimental and speculative narrative techniques to explore the ordinary world through the uncanny.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThis six-week class, limited to just 10 writers, \u003c\/strong\u003e\u003c\/em\u003ewill focus on exploring magical realism through writing short fiction. This course is open to both genre and literary writers interested in learning the history and conventions of magical realism and applying this knowledge to their own writing.\u003c\/p\u003e\n\u003cp\u003eWe will reference magical realist fiction by Gabriel Garcia Marquez, Han Kang, Louise Erdrich, and many others as examples of how the genre can be used in storytelling across the world.\u003c\/p\u003e\n\u003cp\u003eWith guidance from P.C. Verrone, each week will focus on breaking down a key aspect of magical realist literature. In the first week, P.C. Verrone will provide writing prompts to spur ideas as students begin their 5,000 max-word short stories.\u003c\/p\u003e\n\u003cp\u003eWe will also coordinate a workshop schedule. Over the following four weeks, we will workshop two students’ stories per week, discussing craft techniques such as characterization, voice, and tone as well as the stories’ magical realist aspects. We will also continue to discuss the conventions of magical realism in relation to the course readings. In the final week, we will discuss revision plans and tips for submitting to revised stories for publication.\u003c\/p\u003e\n\u003cp\u003eEach student will leave the course with a complete short story draft, a revision plan to continue work on their story, and a stronger understanding of the genre of magical realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1: \u003c\/strong\u003eFantasy Meets Reality: The Magical Realism Movement\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2:\u003c\/strong\u003e The Body Meets Nature\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3:\u003c\/strong\u003e Hybrid Storytelling\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4:\u003c\/strong\u003e Point of View\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 5:\u003c\/strong\u003e Uncanny Structures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 6:\u003c\/strong\u003e Metafiction and Revision\u003c\/p\u003e\n\u003cp\u003eSelect readings will include: Gabriel Garcia Marquez, “A Very Old Man with Enormous Wings”; Han Kang, “The Fruit of my Woman”; Louise Erdrich, “Fleur”; Kim Fu, “Liddy, First to Fly”; iman adam, “The Purpose of Bone”; Phillip B. Williams, ‘Ours', and others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudents will leave with a stronger understanding of the conventions, history, and diversity within the genre of magical realism.\u003c\/li\u003e\n\u003cli\u003eStudents will complete a draft of one 5000-word max short story.\u003c\/li\u003e\n\u003cli\u003eStudents will receive feedback and a revision plan to continue working on their piece.\u003c\/li\u003e\n\u003cli\u003eStudents will produce the beginning pages of multiple new stories, and a deeper understanding of the craft of fiction.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eThis class meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $445 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: P.C. Verrone\u003c\/li\u003e\n\u003cli\u003eBegins Tuesday, September 1st, 2026\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Zoom on Tuesdays, 6:00PM Central - 8:00PM Central\u003c\/li\u003e\n\u003cli\u003eTuition is $445 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46517136130296,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/WritingMagicalRealismwithP.C.Verrone.png?v=1749323764"},{"product_id":"intermediate-autofiction-nail-your-protagonist-to-find-your-plot-12-week-zoom-workshop","title":"Intermediate Autofiction: Nail Your Protagonist To Find Your Plot 12-Week Zoom Workshop with Victoria Costello, Starts Tuesday, September 8th, 2026","description":"\u003cdiv id=\"block-62b681ac90b953325c64\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBegins Tuesday, September 8th, 2026\u003c\/h2\u003e\n\u003ch3 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWriters in this class meet twice a month for the duration of the program. We will meet bi-monthly (2x each month), once with the whole class of eight, and a second monthly meeting dedicated to a smaller group workshop. Meetings will take place on the first and third Tuesdays of each month, from 6 to 8pm ET.\u003c\/h3\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e🌍 Class Times by Time Zone: Los Angeles (PDT): 3:00 PM – 5:00 PM \/ Chicago (CDT): 5:00 PM – 7:00 PM \/ New York (EDT): 6:00 PM – 8:00 PM \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTaught by Victoria Costello, an Emmy Award-winning writer, teacher, and the author of six published non-fiction books, including her memoir, \u003cem\u003eA Lethal Inheritance\u003c\/em\u003e. Her debut novel of autobiographical fiction is \u003cem\u003eOrchid Child\u003c\/em\u003e (June 2023). \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA 12-week course for intermediate and advanced writers: transform your raw life experiences into a masterful work of autofiction that captivates readers while honoring your truth.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat You'll Achieve in 12 Weeks\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBy the end of this intensive workshop, you'll have:\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA Crystal-Clear Protagonist: You'll move beyond writing \"yourself\" to crafting a compelling fictional character based on your experiences, one with distinct motivations, flaws, and a unique voice that draws readers in from page one.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA Plot That Drives Forward: Your story will no longer meander through memories. Instead, you'll have a tightly constructed narrative with rising tension, meaningful complications, and a satisfying resolution that feels both inevitable and surprising.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMastery of the Autofiction Balance: You'll confidently navigate the delicate line between truth and fiction, knowing exactly when to stick to facts and when to invent details that serve your story's deeper emotional truth.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA Complete Story Arc: Your protagonist will face a problem that truly matters, struggle with both surface desires and deeper needs, and emerge transformed, taking your readers on an unforgettable journey.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eProfessional-Level Craft Skills: You'll command advanced narrative techniques that elevate your writing from personal testimony to universal storytelling that resonates with any reader.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho This Workshop Transforms\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis intensive 12-week program is designed for writers who are ready to take their personal stories to the next level. You're perfect for this workshop if you have 5-10 pages of a work in progress featuring a protagonist based on yourself, facing a significant problem or life-changing event.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhether you're a memoirist wanting to explore fiction techniques or a fiction writer drawing from personal experience, you'll learn to craft stories that transcend the personal to become universally compelling.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eYour Expert Guide\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eVictoria Costello brings Emmy Award-winning storytelling expertise and six published books to guide your transformation. Her debut autofiction novel Orchid Child and memoir A Lethal Inheritance demonstrate her mastery of trauma-informed storytelling that heals both writer and reader.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eThe Workshop Experience\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIntimate Learning Environment: Limited to just eight writers for personalized attention and meaningful feedback\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBi-Monthly Structure: Two meetings per month—full group sessions and smaller workshop groups—ensuring both community learning and individual focus\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFlexible Scheduling: First and third Tuesdays, 6–8pm ET, designed for working writers\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNo Intimidating Applications: Start immediately with your existing pages—no lengthy application process required\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eYour Story Deserves to Be Told Powerfully\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eStop struggling with memories that feel too important to fictionalize and too complex for straight memoir. In 12 weeks, you'll have the skills and confidence to tell your story in a way that honors your experience while creating art that moves others.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReady to transform your personal story into compelling fiction?\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWriters in this class meet twice a month during the program.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe whole group of eight writers attends the monthly lectures and discussions. Workshops consist of four writers each, with these subgroups meeting once a month to give and receive feedback on class exercises and chapters from their works-in-progress.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSEPTEMBER 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSeptember 8th, 2026: WELCOME — Introductions, Schedule, Workshop Process.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLecture 1: Three Essential Steps to Nail Your Protagonist in Chapter One\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExercise for Workshop\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWorkshop A (09\/15) \u0026amp; Workshop B (09\/22): Writers give and receive feedback on first chapters and workshop exercise responses.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSeptember 29th, 2026, Lecture 2: Going Deeper into Your Protagonist Using a Trauma Perspective\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExercise for Workshop\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWorkshop A (10\/06) \u0026amp; B (10\/13): Writers give and receive feedback on second chapters and character arc exercise responses.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eOCTOBER 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOctober 27th, 2026, Lecture 3: Protagonist Break Point as Story Climax\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExercise for Workshop\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWorkshop A (11\/03) \u0026amp; B (11\/10): Writers give and receive feedback on a chapter from their WIP that contains scenes involving the protagonist's key ally and\/or primary antagonist, in light of exercise responses.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eNOVEMBER 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNovember 24th, 2026, Lecture 4: Twelve Ways to Revise Your Manuscript\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eExercise for Workshop\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWorkshop A (12\/01) \u0026amp; B (12\/08): Writers give and receive feedback on their opening and closing pages in light of their response to the story question exercise.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDECEMBER 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDecember 15th, 2026, Lecture 5: How to Discover your Readers and Choose a Publishing Strategy\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"I have an MFA and I've workshopped with many writers over the years, some quite famous. I feel that Victoria's workshop helped me the most because of her gift of balancing a writer's personal trauma with the craft of writing. And I love how she managed to meet everyone within a diverse group at their own individual pace and level of readiness.\" — Hannah, PA\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"Thank you so much for your encouragement and excellent suggestions and revisions, Victoria!\" — Diane G.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"Thank you, Victoria. You have given me the encouragement I needed to feel like this is a worthwhile project.\" — Pat S.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"Victoria is dedicated to instructing her students. She offered honest, valuable feedback along with a personal touch. Her insight and sense of humor made the group comfortable and rewarding. I appreciate the encouragement she gave me and others throughout the course.\" — Paul B.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"I had a really monumental class experience. I walked away with a solid start to a first chapter, and, for the first time, concrete ideas on how to plod forward.\" — Sonya C.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"I got so much out of the class. It was informative and so much fun! It really infused some life back into me, which was the hope.\" — Alison L.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eI had no idea what to expect from this class and was very pleasantly surprised when it felt like the right fit. The depth of the classes and the feedback from the classmates and your critique was insightful and helpful. Thank you for giving me a pleasing experience on my journey of writing. — Jonette S.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThank you so much, Victoria! Your notes have been of great help to me. I also thank you for your warm words at the end. It was a pleasure for me too to be in this class. — Anca P.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThank you for all that you have shared. I have learned a lot and appreciate your time and mentoring. — Cynthia S.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAs the author of an autobiographical novel in process, I've been greatly helped by Victoria's teaching on questions like how to portray living people, how to maintain dramatic tension, and who this story belongs to. She is a perceptive reader whose taste encompasses literary fiction and more popular work. As an instructor, she provides specific constructive suggestions on framing and word choice as well as pacing. She develops an esprit de corps within the class and encourages supportive yet discerning feedback on one another's work. — Diane Crothers, Brooklyn, New York\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOur lives hold stories waiting to be told, and Victoria is helping me tell mine. She brings her professional experience as a memoirist and novelist and empathy born of her own life's experiences to her teaching. With an eye for innovative details and suggestions for new approaches to bring a character to life, Victoria skillfully guides her students through the storytelling process, whether they be seasoned writers or newcomers to the craft. — Deborah Rothschild, Talent, Oregon\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eVictoria obviously knows her stuff! I found that the space she created in our class, and her guidance, to be supportive, insightful, and very helpful. As an author of memoir trying out new material, the class was invaluable. — Donna M. Thomas, Ashland, Oregon\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"It is not easy to take complex ideas and competing theories about form and create clarity from them, but Victoria Costello has managed to do just that in her course on autofiction. My writing has benefited greatly from her capacity for synthesis, her generous spirit of feedback and sharing of resources, and her belief in the possibility of the work. What a fabulous course!\" — Patti Digh, author of Life is a Verb and seven other books\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"As a memoirist, this introduction to autofiction inspired me to fictionalize pieces of my book that I had been struggling with writing. I had such a great time learning new techniques that Victoria taught in addition to reviewing some foundations of writing a full length novel. Victoria helped me turn an idea into a well thought out book in an interactive and inspiring way. I highly recommend this course, no matter where you are on your writing journey.\" — Holly Whiteknight, naturopathic physician and memoirist\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"I would recommend this class for anyone who wants to bring a memoir to life by turning it into auto-fiction. Victoria is skilled at seeing the possibilities because she has personal experience of turning a memoir into auto-fiction.\" — Kanu Kogod, diversity consultant\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePAYMENT OPTIONS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTuition is $950 USD. You can pay for the course in full or use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWriters in this class meet twice a month from September 8 through December 15, 2026. We will meet bi-monthly (2x each month), once with the whole class of eight, and a second monthly meeting dedicated to a smaller group workshop. Meetings will take place on the first and third Tuesdays of each month, from 6 to 8pm ET. This online class will be taught via Zoom and is limited to 8 students. Tuition is $950 USD.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46590397219064,"sku":null,"price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/products\/VictoriaCostelloHeadshot.png?v=1672699622"},{"product_id":"writing-past-the-page-6-week-generative-zoom-intensive-with-josh-krigman","title":"Writing Past The Page 6-Week Generative Zoom Intensive with Josh Krigman, Starts Monday, September 14th, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eBegins  Monday, September 14th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\n\u003cstrong\u003eClass will meet weekly via Zoom on Mondays, 7PM - 9PM EST \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ch2\u003eNow Enrolling!\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eInstructor Josh Krigman (he\/him) is a writer, teacher, and facilitator in New York City. He has taught creative writing at Hunter College, the United Nations International School, Center for Fiction, National Geographic Expeditions, and more. He has been awarded residencies from Vermont Studio Center, and his work has appeared in the \u003cem\u003eSummerset Review, Akashic Books, Necessary Fiction\u003c\/em\u003e, and elsewhere. He received his MFA in fiction from Hunter College. He is also the co-founder and New York host of Club Motte, an international storytelling series that hosts live events in New York and Berlin.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eLearn more about Josh in our \u003ca rel=\"noopener\" title=\"How to Stay Warmed Up as a Writer: An Interview with Josh Krigman\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/how-to-stay-warmed-up-as-a-writer-an-interview-with-josh-krigman\" target=\"_blank\"\u003eMeet the Teaching Artist\u003c\/a\u003e series.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eWriting Past The Page uses observation-based exercises to keep you in a writing frame of mind more frequently, making it easier to find and stay in the rhythm when you finally have the time. All prompts are designed for writers at every level of experience and introduce new ways to make your relationship to writing more productive, more fun, and more you.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIt’s often hard to make time for your writing, and even harder to feel like you’re using that time well. Too often, once you’ve finally warmed up, you have to stop and return to the rest of your life. But what if you could stay warmed up all the time?\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIn this six-week, generative course, we’ll explore ways of taking your writing practice beyond your desk, starting with building your own writing sketchbook. Unlike a notebook, a sketchbook isn’t for ideas to be used and developed later, but a place where you can practice writing for its own sake. Your writing sketchbook is a space for you to observe the world through language, and a tool that encourages you to stay open to those observations more often.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eThrough in-class prompts and ongoing assignments, we’ll slowly build our sketchbooks, expanding your relationship to writing from the status of your current project to the way you interact with the world and producing plenty of new pages in the process. Then, when it is time for your project, you’ll be warmed up and ready to go. All genres are welcome, no experience is necessary.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eReadings may include 'May' by Ali Smith, 'Teaching A Stone To Talk' by Annie Dillard, and other PDF material that Josh will distribute via email each week.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1:\u003c\/strong\u003e Introductions, unpacking our writing biases and unconscious rules, and an exercise to shake the dust off and get to know one another’s practice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2: \u003c\/strong\u003eAli Smith’s ‘May’ and new approaches to observational writing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3: \u003c\/strong\u003eDistinguishing an observation from an assumption, and playing with the relationship between the two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4: \u003c\/strong\u003eDiscussing Annie Dillard’s ‘Teaching A Stone To Talk’ and using our observations to write a poem.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 5: \u003c\/strong\u003eInventing observations and using found objects to inspire new characters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 6: \u003c\/strong\u003eSharing our collected observations and using our own and each others to build new work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDevelop a personal writing sketchbook practice\u003c\/strong\u003e - Create a dedicated space for observing the world through language and practicing writing for its own sake, separate from project-focused work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster observation-based writing techniques\u003c\/strong\u003e - Learn to distinguish observations from assumptions and use daily collected observations to fuel your creative process and generate new material.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuild sustainable daily writing habits\u003c\/strong\u003e - Establish a consistent practice that keeps you \"warmed up\" and in a writing mindset more frequently, making it easier to transition into productive writing sessions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenerate new stories and characters from everyday life\u003c\/strong\u003e - Use found objects, collected colors, and shared observations to inspire fresh narratives and develop compelling characters across all genres.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJosh’s workshops and one-on-one sessions have been invaluable to my growth as a writer. His approach to the craft is refreshingly fun and thorough, and his feedback on my writing sample directly contributed to my acceptance to Hunter’s MFA program. I really can’t recommend him enough!\u003c\/em\u003e\" — Alisa P.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Josh Krigman fostered a non-judgmental sense of community within our class. The writing exercises were fun and low-pressure, and Josh kept the focus on how to keep your writing brain turned on even when it's not your main focus. I think it will be easy to continue to use the methods shared to keep my writing practice going.\" \u003cmeta charset=\"utf-8\"\u003e— Former Student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Writing Past the Page with Josh really helped me to establish a writing practice that is fluid - meaning that I feel constantly engaged with the writer in me and feel less anxious about sitting down to write, staring at a blank screen. The paralysis of writer's block has been banished! I now have a 'writer's sketchbook' and a structure for collecting ideas, information, and material in my sketchbook that will keep writer's block at bay!\" \u003cmeta charset=\"utf-8\"\u003e— Former Student\u003c\/p\u003e\n\u003cp\u003e\"Josh is a patient, communicative, and inspiring writing instructor who guides without imposing. After taking two writing workshops with Josh, I would highly recommend him to anyone who wants to dive deeper into their narratives, flesh out their characters, and receive thoughtful, constructive criticism on their work.\" — Liz L.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eThis class meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $445 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Josh Krigman\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBegins Monday, September 14th, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Zoom on Mondays, 7PM - 9PM EST\u003c\/li\u003e\n\u003cli\u003eTuition is $445 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46590838866168,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/WritingPastthePagewithJoshKrigmanSeptember2026.png?v=1773433160"},{"product_id":"self-promo-without-the-cringe-platform-pitching-and-press-releases-4-week-zoom-intensive-with-tawny-lara","title":"Self-Promo Without the Cringe: Platform, Pitching, and Press Releases 4-Week Zoom Intensive with Tawny Lara, Starts Tuesday, June 30th, 2026","description":"\u003ch2\u003e\u003cstrong\u003eClass Starts on Tuesday, June 30th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe class will meet weekly via Zoom on Tuesdays, 6:00PM - 8:00PM Eastern.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eThis course is designed for writers ready to prioritize their platform. Tawny Lara, Quirk and Penguin Random House author of \u003ci\u003e\u003ca href=\"https:\/\/www.penguinrandomhouse.com\/books\/730665\/dry-humping-by-tawny-lara\/\" title=\"Dry Humping  A Guide to Dating, Relating, and Hooking Up Without the Booze By Tawny Lara\" rel=\"noopener\" target=\"_blank\"\u003eDry Humping: A Guide to Dating Relating, and Hooking Up Without the Booze\u003c\/a\u003e\u003c\/i\u003e, and the forthcoming card deck, \u003ci\u003e\u003ca href=\"https:\/\/www.penguinrandomhouse.com\/books\/750832\/the-sobriety-deck-by-tawny-lara-and-lisa-smith\/\" title=\"The Sobriety Deck  Simple Practices for a Booze-Free Lifestyle By Tawny Lara and Lisa Smith\" rel=\"noopener\" target=\"_blank\"\u003eThe Sobriety Deck\u003c\/a\u003e, \u003c\/i\u003edesigned this intensive as the DIY PR Intensive she needed in the early stages of her publishing career. Tawny also has a Business degree, and she's the CMO of a \u003ca href=\"https:\/\/www.drinkparentheses.com\/\" title=\"(parentheses) is a vinegar-based botanical beverage created by sober entrepreneurs, Tawny Lara (author) and Nick Mechak (former sommelier).\" rel=\"noopener\" target=\"_blank\"\u003edrink brand\u003c\/a\u003e. She approaches DIY PR the same way she approaches business. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003eHiring a publicist can be expensive AF, while learning how to do your own outreach can feel like one more thing on an already overwhelming to-do list. You want to get the word out about your work but have no clue where to start. That's where DIY PR comes in. This course is designed to help you promote your work (books, essays, expertise, business, products) by learning Tawny's scrappy approach to DIY publicity and platform building.\u003c\/p\u003e\n\u003cp\u003eJoin author and entrepreneur Tawny Lara for a five-week intensive filled with tangible advice on getting quoted as an expert on your subject, being a podcast guest, and creating a public persona with solid boundaries. You'll also learn whether to hire a publicist or try DIY.\u003c\/p\u003e\n\u003cp\u003eTawny's a self-help author who likes to keep it real, so she'll facilitate frank discussions about the finances of working with publicists and \u003ca href=\"https:\/\/www.businessinsider.com\/hiring-virtual-assistant-overwhelmed-work-improved-productivity-2024-10\" title=\"I hired a virtual assistant after I realized how overwhelmed I was with work. Asking for help was hard, but it's been so worth it.\" rel=\"noopener\" target=\"_blank\"\u003evirtual assistants\u003c\/a\u003e. This course concludes with therapy-informed tips on managing the emotions that come with rejection, imposter syndrome, and the myriad emotions associated with writer life and media outreach.\u003c\/p\u003e\n\u003cp\u003eSpecial Guest Speakers Include:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/substack.com\/@rachelkramerbussel\" title=\"Rachel Kramer Bussel Substack\" rel=\"noopener\" target=\"_blank\"\u003eRachel Kramer Bussel\u003c\/a\u003e, a journalist, copywriter, anthology editor, erotica writing teacher, consultant, and event organizer. \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.linkedin.com\/in\/sarina-appel\/\" title=\"Sarina Appel LinkedIn page\" rel=\"noopener\" target=\"_blank\"\u003eSarina Appel\u003c\/a\u003e, a seasoned Media Relations, Marketing, and Events professional.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eCOURSE OUTLINE:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eWeek 1: Platform + Persona \u003c\/strong\u003e- Identify what makes you, you by exploring your “why me, why now.” Learn Tawny’s experience creating \"The Sober Sexpert\" persona that landed her a book deal and hear what she’d do differently if she started today. You’ll also learn how to set boundaries while honing a public persona so you can prioritize your privacy. \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eWeek 2: Find Your Target Audience(s)\u003c\/strong\u003e - Tawny leads a series of exercises to help you identify your target audience(s). Then, you’ll learn how to pitch the gatekeepers (editors, reporters, podcast hosts, etc…) who publish the content your target audience consumes. Getting eyes and ears on your expertise is essential for platform building.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3: Essay Pitches\u003c\/strong\u003e - Writing for traditional or new media outlets can be a great way to establish yourself as an expert while also getting more eyes on existing work. Tawny shares examples of her essay pitches that got her in writing in Men’s Health, Playboy, LitHub, and more. Students will practice writing their own pitches and receive feedback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4: Press Pitches\u003c\/strong\u003e - While week 3 is all about collecting bylines, week 4 covers “alerting the press” about your expertise. Learn the basics of a press release and personalized media pitch. You’ll also review Tawny's media pitches that landed her expertise as “The Sober Sexpert” on NPR, Men’s Health, Dan Savage's Savage Love, and more. Students will write their own media pitches and receive feedback.\u003c\/p\u003e\n\u003cstrong\u003e\u003cbr\u003eSPECIFIC COURSE TAKEAWAYS:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eStudents will learn how to define (or refine) their public persona—rooted in their personal “why me, why now”—while still maintaining healthy boundaries to protect their privacy. By the end of Week 1, they’ll have clarity on what sets them apart and how to leverage that uniqueness to stand out in a saturated market.\u003c\/li\u003e\n\u003cli\u003eThrough guided exercises, students will pinpoint the exact audiences most likely to connect with their work. They’ll also learn practical outreach tactics—pitching editors, podcast hosts, and other “gatekeepers”—to effectively reach those audiences and build a genuine platform.\u003c\/li\u003e\n\u003cli\u003eOver Weeks 3 and 4, students will develop and refine their own essay pitches and press releases. They’ll see real examples from Tawny’s successful placements (in outlets like Men’s Health, Playboy, LitHub, NPR) and receive personalized feedback to help them position their writing and expertise for maximum impact.\u003c\/li\u003e\n\u003cli\u003eThe course culminates in candid discussions on the realities of rejection, imposter syndrome, and the mental toll of doing your own publicity. Students will leave with therapy-informed strategies to navigate emotional roadblocks, plus insights on whether to DIY or hire professional help—all grounded in an honest look at the finances and logistics of PR for writers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“When it comes to non-fiction, a big part of an agent’s job is wrangling a book proposal together with their author. Digging into the why of the project, discussing platform, and the like. It only benefits you to be more prepared. The more you have in there, the better. When Tawny’s proposal arrived in my agent inbox and I opened it, it was like that scene in Pulp Fiction when they open the briefcase and all golden light shines out. It was perfect. And I called her the same day asking to work on the project. You’ll learn a lot from her, absolutely” -Eric Smith, author \u0026amp; Tawny’s agent\u003c\/p\u003e\n\u003cp\u003e“The publishing world is a minefield, and Tawny is a Bloodhound. Over the past decade, she's learned how to navigate this clusterfuck of this industry, cutting through the BS, so you can actually get published and your voice heard.” -Zachary Zane, Author of \u003cem\u003eBoyslut, A Memoir and Manifesto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny is such an excellent resource for someone navigating publishing and proposals for the first time. I am a DIY-type who usually just uses Google to teach me everything, but having Tawny's help saved me weeks if not months of research and helped me feel extremely clear and prepared as I began the process. Very grateful for her expertise!” -Mariana Louis, archetypal tarotist\u003c\/p\u003e\n\u003cp\u003e\"Tawny Lara's class on writing non-fiction book proposals is a lighthouse for anyone eager to explore mental health topics with depth and empathy. Her expertise not only helps writers to craft impactful narratives but also to navigate the complexities of mental health with sensitivity and insight.\" - Sophie Saint Thomas, author of \u003cem\u003eReproductive Rites\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny is not only an experienced journalist and writer, but she’s also a marketing wiz who can bring that extra special sauce to your book proposal. If you want to actually sell your book, there’s no one else that I’d rely on to teach me the 101.” - Irina Gonzalez, editor, journalist, and author of the\u003cem\u003e Raising Gen Alpha\u003c\/em\u003e newsletter\u003c\/p\u003e\n\u003cp\u003e\"Tawny is a master when it comes to marketing yourself as a writer. She will help you focus your vision and tap into insider knowledge of the publishing world.\" -Gemma Hartley, author of \u003cem\u003eFed Up: Emotional Labor, Women, and the Way Forward \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tawny will help you sell your book proposal. She knows the game, and she will teach you how to play it.” -Paulina Pinsky, co-author of\u003cem\u003e It Doesn’t Have to be Awkward\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eTuition is $330 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eInstructor: Tawny Lara\u003c\/li\u003e\n\u003cli\u003eClass Starts on Tuesday, June 30th, 2026\u003c\/li\u003e\n\u003cli\u003eThe class will meet weekly via Zoom on Tuesdays, 6:00PM - 8:00PM Eastern.\u003c\/li\u003e\n\u003cli\u003eLimited to 20 students.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46608347824376,"sku":null,"price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Tawny_Lara_Headshot_5.png?v=1737474635"},{"product_id":"limbs-longing-writing-intimate-scenes-that-move-stories-forward-4-week-zoom-workshop-with-thao-thai","title":"Limbs \u0026 Longing: Writing Intimate Scenes That Move Stories Forward 4-Week Zoom Workshop with Thao Thai starts Wednesday, July 8th, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003e\u003cstrong\u003eThis Workshop Begins Wednesday, July 8th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly via Zoom on Wednesdays, 6:30PM - 8PM Eastern\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eInstructor \u003ca href=\"https:\/\/thaowrites.com\/\" title=\"Creative Writing Instructor Thao Thai is the author of Banyan Moon, the July 2023 Read with Jenna title, Barnes \u0026amp;amp; Noble Discover Pick, and Book of the Month selection.\"\u003eThao Thai\u003c\/a\u003e\u003ca href=\"https:\/\/thaowrites.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003c\/a\u003e is the author of \u003cem\u003eBanyan Moon\u003c\/em\u003e, the July 2023 Read with Jenna title, Barnes \u0026amp; Noble Discover Pick, and Book of the Month selection. A recipient of the 2024 Ohio Arts Council’s Individual Excellence Award, her work has been published in the \u003cem\u003eLos Angeles Review of Books, Southern Living, Elle, Lit Hub\u003c\/em\u003e, and other publications. She holds an MFA from The Ohio State University and an MA from the University of Chicago. She also publishes romance novels under the pen name, Nora Nguyen, where her debut novel was named one of NPR's 2024 Best Books of the Year and Amazon's Editor's Picks.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eLearn more about Thao Thai in our \u003ca rel=\"noopener noreferrer\" title=\"The Art of Vulnerability: Thao Thai on Writing Intimate Scenes That Transform Stories\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/the-art-of-vulnerability-thao-thai-on-writing-intimate-scenes-that-transform-stories\" target=\"_blank\"\u003eMeet the Teaching Artist\u003c\/a\u003e series.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003eThis class is limited to 8 writers. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn this course, we'll excavate the emotional terrain of a love scene through its physical choreography, character interiority, and the varied conflicts at play. Through close readings and generative, in-class work, students will walk away with a greater understanding of how to create moving sex scenes that also build character and narrative.\u003c\/p\u003e\n\u003cp\u003eWe've all encountered a range of sex scenes that elicit a spectrum of responses: cringing, titillation, confusion, heartbreak, repulsion, elation—the list goes on.\u003c\/p\u003e\n\u003cp\u003eA well-wrought sex scene is never a result of happenstance. It's built through a series of careful craft choices that balance character, setting, action, dialogue, interiority, and many other moments that are often invisible to the reader.\u003c\/p\u003e\n\u003cp\u003eAdditionally, context is hugely important to a scene between two or more characters. How does race play into a sex scene? Gender? Class? Age? Within each sex scene, there is an arc that tells us something new about the dynamics between the people participating.\u003c\/p\u003e\n\u003cp\u003eIn this course, we will work together to unpack those craft choices by examining some passages of iconic (and, maybe, iconoclastic) sex scenes. After spending time with these close readings, we'll apply them through some generative writing exercises designed for our own projects.\u003c\/p\u003e\n\u003cp\u003eWe'll spend time workshopping our work in a safe setting with our peers and walk away with an understanding of where to go in our projects.\u003c\/p\u003e\n\u003cp\u003eHere, there are no clear genre distinctions. An effective sex scene can exist in romantasy, in literary fiction, in horror, in a crime novel. I write in multiple genres (romance, literary fiction, and mystery) and have employed sex scenes in each of my novels to move plot and character forward. Similarly, sex scenes are crucial elements in fiction, nonfiction, and poetry.\u003c\/p\u003e\n\u003cp\u003eTogether, we will explore the purpose of a sex scene and how we can all capitalize on longing and power—the two strongholds of sex—in order to create more tension in our work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 1 Focus\u003c\/strong\u003e: Close Readings and Craft Lecture\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 2 Focus\u003c\/strong\u003e: Craft Tools and Generative Work\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 3 Focus\u003c\/strong\u003e: Workshopping\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek 4 Focus\u003c\/strong\u003e: Workshopping (continued), Revision Tips, Q\u0026amp;A\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudents will learn what moves them in a love scene.\u003c\/li\u003e\n\u003cli\u003eStudents will have an understanding of which tools are most effective for them as readers.\u003c\/li\u003e\n\u003cli\u003eStudents will have one draft of a scene that they can work on.\u003c\/li\u003e\n\u003cli\u003eStudents will have feedback, if desired, on their workshopped scene.\u003c\/li\u003e\n\u003cli\u003eStudents will have the chance to participate in open and safe dialogue about what makes a sex scene effective for a reader.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePRAISE FOR THAO THAI:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Thao Thai captures the complexities of familial love with an unflinching yet gorgeously lyric eye. Banyan Moon is an ambitious and masterful debut!\" —Stacey Swann, author of \u003cem\u003eOlympus, Texas\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Heart-shatteringly beautiful. Banyan Moon is a love letter to keepers of secrets, to motherhood, family, and survival. Thao Thai is a major talent whose exciting, impressive, and poetic prose will grow into you, like a strong and lush banyan tree deeply rooted in the rich Vietnamese literary heritage.”—Nguyễn Quế Mai, internationally bestselling author of \u003cem\u003eThe Mountains Sing and Dust Child\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Banyan Moon is an intricately woven story of three generations of women, surviving and living each in their own way. This novel has everything you want: desire, betrayal, grit, tenderness, pride, love, and—most deliciously, most brazenly—the dirty secrets and sacred secrets we make and keep to protect what we hold dear.”—Meng Jin, author of \u003cem\u003eLittle Gods \u003c\/em\u003eand\u003cem\u003e Self-Portrait with Ghost\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A beautifully written, page-turning novel that explores the traumatic legacy of war and the intimacy of family conflict with fierce grace and psychological acuity. Banyan Moon is a celebration of life in all its forms and a joy to read.”—Christina Baker Kline, #1 \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author of \u003cem\u003eThe Exiles\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Tender, gripping, and heartbreaking. A haunting page-turner that reexamines lineage, motherhood, and what it means to be a survivor—in every definition of the word.  A welcome debut from a stunning voice who will forever impact the Vietnamese American canon.” —Carolyn Huynh, author of \u003cem\u003eThe Fortunes of Jaded Women\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Banyan Moon offers an honest and aching exploration of the gulf between generations—how we misunderstand those we love the most, the unintentional hurt we cause them, how we struggle to find the language to connect. But it’s also a novel of hope, a story of forgiveness, a reminder that even though we can never fully know the people closest to us, it is worth the try.\"—Tracey Lien, international bestselling author of \u003cem\u003eAll That’s Left Unsaid\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Thao Thai pierces the veil between the living and the dead in this haunted and beautifully rendered debut. This is a story about mothers and daughters, the chasm where misunderstandings accrue, and enduring tenderness despite the little hurts we may inflict on our loved ones. Most affectingly, Thai gives us characters who mourn lost origins, but who still get to decide what home looks like. A spellbinding and intricately layered story, Banyan Moon celebrates Vietnamese women.\"—E.M. Tran, author of \u003cem\u003eDaughters of the New Year \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003eThis workshop meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $430 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Thao Thai\u003c\/li\u003e\n\u003cli\u003eThis Workshop Begins Wednesday, July 8th, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Zoom on Wednesdays, 6:30PM - 8PM Eastern\u003c\/li\u003e\n\u003cli\u003eThe workshop is limited to 8 writers. \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eTuition is $430 USD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46634561143032,"sku":null,"price":430.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/ThaoThaiHeadshot_4e45abfd-1436-4b7c-86b6-c3b43c634f09.png?v=1770851429"},{"product_id":"no-place-like-home-how-to-write-the-domestic-but-make-it-weird-zoom-seminar-with-amber-sparks","title":"No Place Like Home: How to Write  the Domestic, But Make It Weird Zoom Seminar with Amber Sparks on Saturday, August 1st, 2026","description":"\u003ch2\u003e\u003cstrong\u003eSaturday, August 1st, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eLive Seminar Via Zoom 10AM – 1PM Central\u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eThis class will be recorded if you cannot attend live.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInstructor Amber Sparks is the author of the novel, \u003c\/span\u003e\u003cem\u003eHappy People Don’t Live Here\u003c\/em\u003e\u003cspan\u003e, and a forthcoming short story collection, \u003c\/span\u003e\u003cem\u003eDid Parents in the Middle Ages Love Their Children? \u003c\/em\u003e\u003cspan\u003e(both from Liveright\/W.W. Norton), and four collections of short fiction, including \u003c\/span\u003e\u003ci\u003eAnd I Do Not Forgive You: Revenges and other Stories\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eThe Unfinished World\u003c\/i\u003e\u003cspan\u003e. Her fiction and essays have appeared in \u003c\/span\u003e\u003ci\u003eAmerican Short Fiction, the Paris Review, Slate, Tin House, Granta, The Cut,\u003c\/i\u003e\u003cspan\u003e and elsewhere.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFabulist fiction tends toward the exotic, the historical, the once-upon-a-time, the far-flung. Saramago and Rushdie have created worlds where the unthinkable has happened; Dinesen reports back from centuries and countries ago, from castles, counts and courtiers; Angela Carter gives us new-old fairy tales from long ago.\u003c\/p\u003e\n\u003cp\u003eBut domestic fabulism takes the elements of fabulism — the animals that talk, the weather that wills itself into being, the people who can fly — and pulls them in tight, bringing them home. Domestic fabulism uses elements like a magnifying glass, or rather, a funhouse mirror. It simultaneously distorts and reveals the true nature of the home, the family, the place of belonging or, in many cases, not belonging at all. Steven Millhauser, Kelly Link, Can Xue, and Joy Williams all write this kind of un-homely, or unheimlich, Freud’s word for it. \u003c\/p\u003e\n\u003cp\u003eIn this seminar, we’ll go through examples and rules of domestic fabulism, read a few pieces of fiction that fit the description, and use the rules to weird up a piece of your writing that needs a little edge. And we’ll work together through several generative writing exercises that will leave you with a couple of different solid pieces of writing to take home and work on. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWho is This Class For? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class is designed for fiction writers who want to explore magical realism and fabulist techniques within familiar, domestic settings. It's perfect for authors seeking to add supernatural edge and deeper meaning to stories about home, family, and everyday life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTAKE THIS CLASS IF\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYou're finding the constraints of your current writing practice too limiting.\u003c\/li\u003e\n\u003cli\u003eYou want exposure to a range of new approaches to bring to your writing practice.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou want an expanded sense of what is possible in your work.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSEMINAR TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Master the principles and techniques of domestic fabulism, learning how to infuse ordinary home and family settings with fantastical elements that reveal deeper truths about belonging and identity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2. Develop skills to transform mundane domestic scenes using fabulist tools like talking animals, sentient weather, and characters with supernatural abilities as a \"funhouse mirror\" to distort and illuminate reality.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3. Analyze exemplary works by Steven Millhauser, Kelly Link, Can Xue, and Joy Williams to understand how successful authors create the \"unheimlich\" or uncanny atmosphere in familiar settings.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4. Complete multiple generative writing exercises and receive guidance on revising existing work, leaving with several polished pieces that effectively blend the domestic with the weird.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eI took Amber's Modern Gothic class on a whim after seeing Amber mention it on Twitter. It exceeded my expectations. I come from a very traditional educational background and found Amber's perspective quite refreshing and very useful for my work in progress. Really this class blew my mind. It as exactly the espresso shot my private writing practice needed. I really appreciated the concrete craft lessons. I am at a stage of writing where this is exactly what I need\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eOne of the more creative workshops I have ever taken. Amber Sparks really got me to think in different and creative ways. It was the right class at the right time for me.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eI really enjoyed Amber Sparks' workshop on Fractured Narrative! Great list of possible approaches to non-linear story-telling with helpful references to specific author's works as examples. Good exercises. Really enjoyed the chat input from other attendees as well. Great value for the price.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eThis class was great. From the powerpoint slides, examples, fun exercises, very short stories to read during class, and Amber's friendly responsiveness in the chat and of course her expertise, I would highly recommend studying with Amber!\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"\u003cem\u003eThis was very good. The prompts and the mini-workshop were great. This was my first course. So far, so good. Easy to register and you are very responsive.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003eThis class will meet via Zoom on Saturday, December 13th, 2025, from 10AM - 1PM CST\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003eTuition is $99 USD. You can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eAmber Sparks | Live via Zoom\u003c\/li\u003e\n\u003cli\u003eSaturday, August 1st, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive Seminar Via Zoom 10AM – 1PM Central\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSeminar is fully ONLINE and meets via Zoom\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46636185813240,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/TheModernGothicMakingHauntedFictionsforthe21stCenturyZoomSeminarwithAmberSparks.png?v=1748029608"},{"product_id":"advanced-short-fiction-8-week-zoom-workshop-with-tom-andes","title":"Advanced Short Fiction 8-Week Zoom Workshop with Tom Andes starts Monday, June 22nd, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eThis Workshop Begins Monday, June 22nd, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly via Zoom on Mondays, 8PM - 10PM Eastern\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eInstructor Tom Andes wrote the detective novel \u003cem\u003eWait There Till You Hear from Me\u003c\/em\u003e (Crescent City Books, 2025). His stories have appeared in \u003cem\u003eBest American Mystery and Suspense Stories 2025, The Best Private Eye Stories of the Year 2025, Best American Mystery Stories 2012, \u003c\/em\u003eand\u003cem\u003e Ellery Queen’s Mystery Magazine\u003c\/em\u003e, among many others. He lives in Albuquerque, where he is a musician and freelance editor. Southern Crescent Recording Co. re-released his acclaimed EPs on vinyl under the title \u003cem\u003eThe Ones That Brought You Home \u003c\/em\u003ein 2025. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eLearn more about Tom in our \u003ca rel=\"noopener\" title=\"The Art of the Perfect Ending: Tom Andes on Crafting Contemporary Short Fiction\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/the-art-of-the-perfect-ending-tom-andes-on-crafting-contemporary-short-fiction\" target=\"_blank\"\u003eMeet the Teaching Artist\u003c\/a\u003e series.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003eThis class is limited to 8 writers. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThis course is for advanced writers looking to develop their skills at writing the short story and, more broadly, looking to develop their chops as a fiction writer, as the short story can sometimes be a springboard to writing longer work. That said, the workshop focuses on the short story form, so it assumes an interest in the particular challenges and rewards of that form.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNothing hits quite like a great short story. We all know the feeling, especially after a perfect ending. It feels like we’ve been thrown off a cliff. We can’t believe the writer has stopped here. How can they refuse to tell us what comes next? Yet, we know intuitively this is the right place to stop because we either know what comes next, or we know everything we need to know about the characters in the story. The form is so tantalizing, so powerful, so beguiling in part because of what it doesn’t tell us, what it leaves out.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis workshop course for advanced writers attempts to interrogate the theories and practices that inform the contemporary American short story. What concerns and aesthetic practices animate the stories writers are currently publishing? To that end, alongside a traditional workshop, we’ll be looking at this year’s Best American Short Stories anthology and focusing on how writers in this anthology approach particular craft elements.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWe'll devote a week to voice, a week to dialogue, a week to setting and a week to plot. We'll also devote two weeks to strategies for revision, focusing on concrete, actionable steps writers can take to develop their stories. Finally, we'll spend a week talking about publishing, again focusing on specific, actionable strategies writers can take to find magazines hospitable to their work and improve their chances of placing.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBut the focus of the course will be on workshopping the stories writers bring to the course. Each writer will have the opportunity to workshop twice. The second workshop may—optionally—be a substantial revision of the first workshopped story. Workshopped stories should be between five and twenty pages in length.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA note about the reading: One might do well to be a little dubious of “best of” anthologies. Given the glut of stories published every year, can a single anthology ever claim to contain the best stories of the year? Of course not. But it’s a good place to start.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhat Are the Writing Goals for This Course? \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWriters can expect to walk away with direct, specific, actionable feedback on two complete short story manuscripts. They can also expect to walk away feeling conversant in the aesthetic and other issues that are at the heart of the contemporary short story. They will also deepen their knowledge of particular craft elements. They will also walk away with specific, actionable strategies they can employ when revising their stories and looking for places to publish their work.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDoes This Class Include Instructor Feedback?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the instructor will participate in the workshop and provide feedback on two stories from each writer. The feedback will be specific and granular, based in a close, line-level reading of each story but also informed by an understanding of the writer’s intentions, the genre(s) the writer is working in, as well as the cultural context for the story. I know that in some workshops, there is a moratorium on so-called proscriptive suggestions. As a writer, I have always found proscriptive suggestions helpful, provided they are made with a degree of humility, presented as exercises, or perhaps prefaced with the statement, “If this was my story…” I’d like to model that type of engagement for the workshop, a deep, emotional, subjective reading of each story, with the understanding that our individual readings are just that, subjective, therefore our answers might not be the right answers for the writer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis course assumes writers already have a discipline, a practice, and stories they want to workshop, so two writers will be asked to submit their stories one week in advance of the initial class meeting for the first workshop. Each workshop will be divided as follows: 30 minutes for discussion of the published reading, followed by 45 minutes for each story the writers submit. The exception will be the first class, in which those 30 minutes will be spent on introductions and discussing workshop etiquette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek One: \u003c\/strong\u003eIntroductions, workshop etiquette\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Two: \u003c\/strong\u003eFocus on voice\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Three:\u003c\/strong\u003e Focus on dialogue \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Four:\u003c\/strong\u003e Focus on setting\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Five: \u003c\/strong\u003eFocus on plot\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Six: \u003c\/strong\u003eRevision strategies part one \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Seven:\u003c\/strong\u003e Revision strategies part two\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Eight:\u003c\/strong\u003e Submission and publication strategies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe goals of this course are basically twofold: to improve the writing of the workshop participants and to engage more deeply with the contemporary conversations that are part of American writing and specifically of the American short story at the present moment.\u003c\/p\u003e\n\u003cp\u003eI take for granted that those goals are interrelated, that understanding our place in the contemporary conversations helps us better understand our own work and therefore how to improve it. There will also be specific craft takeaways for writers. Some of these might already be familiar revision strategies. But the goal of the course is to add as many tools as we can to the toolbox we use when writing and revising short fiction. To this end, writers will have received specific, actionable guidance and feedback on two full-length short stories, and we will have read and discussed representative selections from the most recent Best American anthology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is the kind of reader and teacher every writer should feel lucky to work with—sharp, incisive, intuitive, curious, and warm. Wildly well-read, he brings a keen critical mind and an expansive imagination to his teaching. It was in his classroom that I first workshopped the initial chapters of what would become my debut novel. He read my work with meticulousness and generosity, providing feedback that left me eager to return to the page.” — Antonia Angress, author of Sirens and Muses\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is an outstanding instructor, coach, and editor. His ever-thoughtful feedback, editorial advice, and career guidance have been instrumental in my development as a writer over the years. Tom’s workshops are thoroughly engaging for writers at any stage in their career. He has an incredible breadth of literary knowledge, and his love for the written word is both genuine and contagious.” —Derrick Boden\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom does far more than edit, or even teach. He guides, mentors. After patiently sifting through my novel many times Tom continuously offered focused suggestions while pointing out strengths, all the while asking questions that allowed me to find my own answers. Think Morpheus saying, “Do you think that’s air you’re breathing?” Then Tom even shared versions of his own query letters—hugely impactful and confidence building. If you’d like to know more about my experience with Tom, please ask him for my email and reach out.” — Anto Ljoljic\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Thomas Andes is a brilliant writer and teacher, kind, perceptive,humorous, industrious, compassionate, inspiring. All the great attributes of a master teacher. I recommend him to you. I’ve learned so much in his workshop.” — Rosary O’Neill\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom was instrumental in bringing my manuscript to its final stage. His notes helped me hone in on character motivations, fight choreography, and overall big-picture changes that helped to drive the story forward much better than the manuscript I presented for his consideration. From the developmental edit to the line edit to helping with my query letter and synopsis, he maintained an enthusiasm for my story that kept me excited about moving forward through additional rewrites. I highly recommend him for anyone seeking editorial services.” — Jon Hébert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is the kind of mentor who seeks first to understand what you’re tying to write, and then helps you get there. So many instructors impose their own rigid rules of writing, but not Tom. He’s an expert of the craft who can provide guidance across a range of genres and styles without missing a beat. Tom’s editing is always insightful and invigorating. His teaching makes writing feel fun and his encouragement is so genuinely tailored to your project that you forget all the writerly despair.” — Laurel Shimasaki\u003c\/p\u003e\n\u003cp\u003e\"Tom Andes is a fabulous instructor. I would take any class he teaches. I loved his New Noir class.\" -former student\u003c\/p\u003e\n\u003cp\u003e\"I took Tom's New Noir class, and I wanted to tell you what a terrific teacher he is. Not just because he really knows his stuff-- the history of noir, the films,  the authors (new and old).  He had terrific stories for us to read and discuss, and excellent writing assignments. Our class had a range of writers from starting out to seasoned, those trying their hand, to those wanting to learn more. Tom created a lovely, supportive atmosphere, found the good in each person's submission, celebrating everyone. This made for a cohesive group (all vowing to stay in touch), and made us look forward to attending. Hard to believe it was 8 weeks! I came away with a partial short story that I will be turning into my next book-- the first time I've been excited by a new idea for my next project (some ideas, no excitement until now). Thank you for having Tom in your pantheon of instructors!\" -former student\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003eThis workshop meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $595 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Tom Andes\u003c\/li\u003e\n\u003cli\u003eThis Workshop Begins Monday, June 22nd, 2026\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Zoom on Mondays, 8PM - 10PM Eastern\u003c\/li\u003e\n\u003cli\u003eTuition is $595 USD.\u003c\/li\u003e\n\u003cli\u003eThe workshop is limited to 8 writers. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46663614923000,"sku":null,"price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/ThomasAndesHeadshot.png?v=1753871594"},{"product_id":"writing-the-new-noir-8-week-zoom-workshop-with-tom-andes","title":"Writing the New Noir 8-Week Zoom Workshop with Tom Andes starts Monday, August 24th, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eThis Workshop Begins Monday, August 24th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly via Zoom on Mondays, 8PM - 10PM Eastern\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button (lower left) to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eInstructor Tom Andes wrote the detective novel \u003cem\u003eWait There Till You Hear from Me\u003c\/em\u003e (Crescent City Books, 2025). His stories have appeared in \u003cem\u003eBest American Mystery and Suspense Stories 2025, The Best Private Eye Stories of the Year 2025, Best American Mystery Stories 2012, \u003c\/em\u003eand\u003cem\u003e Ellery Queen’s Mystery Magazine\u003c\/em\u003e, among many others. He lives in Albuquerque, where he is a musician and freelance editor. Southern Crescent Recording Co. re-released his acclaimed EPs on vinyl under the title \u003cem\u003eThe Ones That Brought You Home \u003c\/em\u003ein 2025. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003eThis class is limited to 12 writers. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThis course is for a writer who has at least a passing familiarity with the conventions of genre fiction and experience writing in shorter forms. Because we’ll be generating the workshopped material in the course, it is open to writers of all levels who are interested in either working in the noir genre or bringing a noir aesthetic to a different genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNoir fiction has been influential in literature and filmmaking for more than a century. But what is noir? Is it a sub-genre, a style, or a set of aesthetic assumptions? And how can it speak to readers now?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis generative workshop course is for writers interested in bringing the noir aesthetic into their writing in whatever capacity makes sense to them. Whether they are writing literary short stories, so-called rural noir, or classic detective fiction, writers will learn to break through what might seem formulaic, subverting clichés and reinvigorating the tropes that to a certain extent define the genre.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWe’ll begin with a brief overview of the history of the genre, covering its early days in pulp magazines up through its reinvention as neo-noir in the seventies and eighties, as well as investigating the ways in which women and writers of color began to reinvigorate what had been a largely white, male genre until the 1990s.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAlong the way, we’ll consider the noir aesthetic. What is noir, exactly? We might recognize certain conventions, such as the world-weary narrator, the hard-bitten, cynical PI, the femme fatale, or the downbeat ending. Similarly, in movies, we might recognize the stark, expressionistic use of lighting to create a mood.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe purpose of this course is to help us interrogate what makes this genre tick, so we can write noir for the 21st century. What patterns and tropes do we want to borrow or update? What do we want to discard? How can we write noir fiction that satisfies the conventions of the genre without feeling stuck in the past? How can we write noir that's fresh, relevant, alive?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first four weeks, we’ll be looking at published writing in the genre and doing generative exercises to help us develop a working definition of what the genre is. The readings will will focus on contemporary practitioners and how people are writing into this genre in the recent past or present time.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe second part of the course will be a traditional workshop. Each writer will have a chance to workshop one story. Though writers are welcome to bring material from outside the workshop, they are encouraged to expand one of their generative exercises into a new story.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBear in mind that people often associate noir with transgressive fiction. It’s in the name: this stuff looks at the dark side. Nevertheless, transgression should not be confused with cheap provocation, and there will be no tolerance for work that trades in racism, sexism, homophobia, ablism, or in other dehumanizing stereotypes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf exploring the dark side is part of the tradition, how can we do that in a way that doesn’t feel sleazy, exploitative, or that simply upholds traditional hierarchies? We’ll be looking at both contemporary and historical practitioners who have solved these problems by making work that is challenging and disruptive, transgressive in the best way.\u003c\/p\u003e\n\u003cp\u003eAssigned reading may include: James M. Cain, “Pastorale,” Dorthy B. Hughes, “The Homecoming” James Sallis: “Ukelele and the World’s Pain” Vicki Hendricks, Miami Purity, First Chapter Megan Abbott: “Oxford Girl” James D. F. Hannah, “Twenty Centuries” Nikki Dolson, “Come Let Us Kiss and Part” Jim Thompson, The Killer Inside Me, First Chapter S.A. Cosby, “Star of Wonder” Ivy Pachoda, “Johnny Christmas”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhat Are the Writing Goals for This Course? \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWriters will produce one full-length short story on which they've received feedback, as well as two other generative exercises they can use to begin new stories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek One: \u003c\/strong\u003eA brief history of the genre and the story as confession. We’ll talk about classic novels from The Postman Always Rings Twice to Down There (famously filmed as Shoot the Piano Player). We’ll talk about misdirection and withholding as narrative strategies and the story as confession. In-class reading includes “Ukelele and the World’s Pain” by James Sallis and the opening chapter of Miami Purity by Vicki Hendricks. Take home exercises: write a confession. Take home reading: “Pastorale,” James M. Cain and “The Homecoming” by Dorthy B. Huges\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Two: \u003c\/strong\u003eThe rebirth of the genre and the importance of subverting tropes and cliché. We’ll talk about the various times the genre has been reinvented, from the post-World War II boom to 1970s films like The Long Goodbye and Chinatown to writers like James Ellroy in the 1990s, continuing to identify tropes and conventions of the genre and talking about the ways writers subvert them. We’ll talk about how women writers like Sarah Paretsky and Laura Lippman helped to redefine both noir and the mystery genre in general in the 1990s and early 2000s. Writers will share selections from their take-home exercises. Take-home exercise: write a story that subverts of one or more tropes we’ve identified in the genre. Take home reading: “Oxford Girl” by Meagan Abbott, “Twenty Centuries” by James D. F. Hannah, and “Come Let Us Kiss and Part” by Nikki Dolson.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Three: \u003c\/strong\u003eThe importance of place. It’s almost a cliché that noir fiction and mystery and crime fiction do setting uniquely well. This week, we’ll talk about setting as we’ve encountered in the readings it so far. What attitudes, in particular, do these stories have about change, and how do they purport to tap into a realness or a kind of authenticity in the way they evoke setting? We’ll also touch on the idea of appearances and reality, looking at a chapter from Jim Thompson’s The Killer Inside Me, in which a smalltown sheriff hides his psychosis under a bland, people-pleasing exterior. Take-home exercise: write the secret or true history of a place. (Alternatively, write about the ugly truth of something or someone that seems to have a beautiful or positive exterior.) Take home reading: S.A. Cosby, “Star of Wonder” and “Johnny Christmas,” Ivy Pachoda.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Four: \u003c\/strong\u003eWriters will share exercises. We’ll discuss the reading. Time permitting, we’ll look at selections from Daniel Woodrell, Attica Locke, and Ron Rash, discussing whether these readings are in fact noir and how they are informed by the genre, as well as considering what element of social critique is present in all the work we’ve read so far. We will discuss workshop etiquette. Writers begin distributing material for the workshop. Optional take-home exercise: write something cross-genre, however you understand that term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Five: \u003c\/strong\u003eWorkshop Round 1: First three writers receive guided, direct feedback on their work\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Six: \u003c\/strong\u003eWorkshop Round 2: Second three writers receive guided, direct feedback on their work\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Seven: \u003c\/strong\u003eWorkshop Round 3: Third three writers receive guided, direct feedback on their work\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeek Eight: \u003c\/strong\u003eWorkshop Round 4: Fourth three writers receive guided, direct feedback on their work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWriters can expect to walk away with a working theory of what noir as a genre is and what it has historically tried to do.\u003c\/p\u003e\n\u003cp\u003eThey should also have a sense of how it can (or cannot) speak to the present time.\u003c\/p\u003e\n\u003cp\u003eThey should walk away with a sharpened sense of how to spot cliches or tropes in their own work, as well as how to undermine those cliches and refresh those tropes.\u003c\/p\u003e\n\u003cp\u003eThey produce three generative exercises, any of which might be springboards into new work, i.e. the beginning of a new story.\u003c\/p\u003e\n\u003cp\u003eAnd they will walk away with a complete draft of a story generated either in this workshop or on their own on which they have received feedback twice, once from the workshop and the instructor, and a second time from the instructor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENT TESTIMONIALS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is the kind of reader and teacher every writer should feel lucky to work with—sharp, incisive, intuitive, curious, and warm. Wildly well-read, he brings a keen critical mind and an expansive imagination to his teaching. It was in his classroom that I first workshopped the initial chapters of what would become my debut novel. He read my work with meticulousness and generosity, providing feedback that left me eager to return to the page.” — Antonia Angress, author of Sirens and Muses\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is an outstanding instructor, coach, and editor. His ever-thoughtful feedback, editorial advice, and career guidance have been instrumental in my development as a writer over the years. Tom’s workshops are thoroughly engaging for writers at any stage in their career. He has an incredible breadth of literary knowledge, and his love for the written word is both genuine and contagious.” —Derrick Boden\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom does far more than edit, or even teach. He guides, mentors. After patiently sifting through my novel many times Tom continuously offered focused suggestions while pointing out strengths, all the while asking questions that allowed me to find my own answers. Think Morpheus saying, “Do you think that’s air you’re breathing?” Then Tom even shared versions of his own query letters—hugely impactful and confidence building. If you’d like to know more about my experience with Tom, please ask him for my email and reach out.” — Anto Ljoljic\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Thomas Andes is a brilliant writer and teacher, kind, perceptive,humorous, industrious, compassionate, inspiring. All the great attributes of a master teacher. I recommend him to you. I’ve learned so much in his workshop.” — Rosary O’Neill\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom was instrumental in bringing my manuscript to its final stage. His notes helped me hone in on character motivations, fight choreography, and overall big-picture changes that helped to drive the story forward much better than the manuscript I presented for his consideration. From the developmental edit to the line edit to helping with my query letter and synopsis, he maintained an enthusiasm for my story that kept me excited about moving forward through additional rewrites. I highly recommend him for anyone seeking editorial services.” — Jon Hébert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Tom is the kind of mentor who seeks first to understand what you’re tying to write, and then helps you get there. So many instructors impose their own rigid rules of writing, but not Tom. He’s an expert of the craft who can provide guidance across a range of genres and styles without missing a beat. Tom’s editing is always insightful and invigorating. His teaching makes writing feel fun and his encouragement is so genuinely tailored to your project that you forget all the writerly despair.” — Laurel Shimasaki\u003c\/p\u003e\n\u003cp\u003e\"Tom Andes is a fabulous instructor. I would take any class he teaches. I loved his New Noir class.\" -former student\u003c\/p\u003e\n\u003cp\u003e\"I took Tom's New Noir class, and I wanted to tell you what a terrific teacher he is. Not just because he really knows his stuff-- the history of noir, the films,  the authors (new and old).  He had terrific stories for us to read and discuss, and excellent writing assignments. Our class had a range of writers from starting out to seasoned, those trying their hand, to those wanting to learn more. Tom created a lovely, supportive atmosphere, found the good in each person's submission, celebrating everyone. This made for a cohesive group (all vowing to stay in touch), and made us look forward to attending. Hard to believe it was 8 weeks! I came away with a partial short story that I will be turning into my next book-- the first time I've been excited by a new idea for my next project (some ideas, no excitement until now). Thank you for having Tom in your pantheon of instructors!\" \u003cmeta charset=\"utf-8\"\u003e-former student\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003eThis workshop meets weekly via Zoom. Come prepared for a super fun class with live interaction on Zoom each week and plenty of writing, reading, and talking!\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $545 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Tom Andes\u003c\/li\u003e\n\u003cli\u003eThis Workshop Begins Monday, August 24th, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet weekly via Zoom on Mondays, 8PM - 10PM Eastern\u003c\/li\u003e\n\u003cli\u003eTuition is $545 USD.\u003c\/li\u003e\n\u003cli\u003eThe workshop is limited to 12 writers. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eContact us \u003c\/strong\u003e\u003ca title=\"Contact\" href=\"https:\/\/writingworkshops.com\/pages\/contact\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e if you have any questions about this class.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46663656210680,"sku":null,"price":545.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/ThomasAndesHeadshot.png?v=1753871594"},{"product_id":"idea-generators-discovering-new-direction-in-your-writing-a-zoom-seminar-with-ethan-joella","title":"Idea Generators: Discovering New Direction in Your Writing, a Cross-Genre Zoom Seminar with Ethan Joella on Wednesday, May 6th, 2026","description":"\u003cdiv id=\"block-689061bb302a5b82a1ea\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003ch2\u003e\u003cstrong\u003eWednesday, May 6th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with\u003c\/strong\u003e us.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEthan Joella i\u003c\/strong\u003e\u003cspan\u003es the author of the \u003c\/span\u003e\u003cspan\u003enovels \u003ci\u003eA Little Hope\u003c\/i\u003e (Scribner, 2021), which was a Read \u003c\/span\u003e\u003cspan\u003ewith Jenna Bonus Selection, \u003ci\u003eA Quiet Life\u003c\/i\u003e (Scribner, \u003c\/span\u003e\u003cspan\u003e2022), \u003ci\u003eThe Same Bright Stars\u003c\/i\u003e (Scribner, 2024), and \u003cem\u003eThe Top of the World\u003c\/em\u003e (Scribner, 2026). \u003c\/span\u003e\u003cspan\u003eHis books have been featured in \u003ci\u003eThe New York Times, People, \u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003eand\u003ci\u003e Good Housekeeping\u003c\/i\u003e.  Ethan teaches English and \u003c\/span\u003e\u003cspan\u003epsychology at the University of Delaware and specializes in community writing workshops. He lives in Rehoboth Beach, Delaware \u003c\/span\u003e\u003cspan\u003ewith his family.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHave you been poring over the same piece nonstop and need a break? Do you have a new idea but aren’t sure how to get started with it? Are you just generally looking for new approaches or inspiration? Then this one-day workshop is for you.\u003c\/p\u003e\n\u003cp\u003eIn this class, we’ll do a series of prompts to help you get out of your groove and get started on something fresh.\u003c\/p\u003e\n\u003cp\u003eWe’ll discuss issues such as where to begin and end the piece and how to achieve transparency and momentum.\u003c\/p\u003e\n\u003cp\u003eWriters will be invited (not required) to share work and exchange ideas. All genres welcome!\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003e\u003cbr\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eEthan will share examples in various genres.\u003c\/li\u003e\n\u003cli\u003eStudents will discuss idea generation and do response exercises.\u003c\/li\u003e\n\u003cli\u003eStudents will come away with new ideas to enhance character or setting, try different structures, or add conflict or resolution.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI really appreciated how the weekly feedback that was specific to my work. I would recommend this to any writer looking to take their work to the next level.\u003c\/em\u003e\" - Tara K.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis class exceeded my expectations. The assignments were well-defined, and Ethan's thoughtful feedback pushed me out of my comfort zone. I felt that the class was really well-scoped. I'd love to take further classes with Ethan, especially anything around character interiority and expressing a character's needs\/wants\u003c\/em\u003e.\" -Lizz H.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEthan is such a thoughtful teacher. I really enjoyed this class and hope he teaches more classes soon\u003c\/em\u003e!\" -former student\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis class exceeded my expectations and now I have a new tool in my writing toolbox!\u003c\/em\u003e\" -former student\u003c\/p\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003eYou can pay for the course in full \u003ci\u003e or\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTuition is $99 USD. This class will meet live via Zoom. If you can't attend live, a recording will be provided.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Ethan Joella\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWednesday, May 6th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eTuition is $99 USD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-3d8366dec4183f93ceae\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46679845110008,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/EthanJoellaUpdatedHeadshot2026.png?v=1772561669"},{"product_id":"the-road-to-getting-published-from-rejection-to-read-with-jenna-a-zoom-seminar-with-ethan-joella","title":"The Road to Getting Published: From Rejection to Read with Jenna, a Zoom Seminar with Ethan Joella on Wednesday, August 5th, 2026","description":"\u003cdiv id=\"block-689061bb302a5b82a1ea\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003ch2\u003e\u003cstrong\u003eWednesday, August 5th, 2026\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cstrong\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST\u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with\u003c\/strong\u003e \u003cstrong\u003eus.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eA Master Class with Acclaimed Novelist Ethan Joella\u003c\/h2\u003e\n\u003cp\u003eJoin Scribner-published novelist Ethan Joella for an actionable seminar that reveals the exact strategies he used to break through years of rejection and land a dream publishing deal with one of literature's most prestigious houses.\u003c\/p\u003e\n\u003ch3\u003eYour Instructor's Journey: From 100+ Rejections to Literary Success\u003c\/h3\u003e\n\u003cp\u003eBefore becoming a \u003ca href=\"https:\/\/www.instagram.com\/p\/CplvvJsr53Z\/?hl=en\u0026amp;img_index=1\" title=\"Ethan Joella's Novel is a Read with Jenna Bonus Pick author\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eRead with Jenna Bonus Pick author\u003c\/strong\u003e\u003c\/a\u003e featured in \u003cem\u003eThe New York Times\u003c\/em\u003e, \u003cem\u003ePeople\u003c\/em\u003e, and \u003cem\u003eGood Housekeeping\u003c\/em\u003e, Ethan Joella queried nearly every literary agent in the country. Today, his novels—\u003cem\u003eA Little Hope\u003c\/em\u003e, \u003cem\u003eA Quiet Life\u003c\/em\u003e, \u003cem\u003eThe Same Bright Stars, \u003c\/em\u003eand\u003cem\u003e The Top of the World\u003c\/em\u003e—\u003ca href=\"https:\/\/www.simonandschuster.com\/authors\/Ethan-Joella\/178936526\" title=\"Ethan Joella Author Page at Scribner\" rel=\"noopener\" target=\"_blank\"\u003eare published by Scribner.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAs a WritingWorkshops.com alum who attended our 2019 Writing Workshop in Paris, France, as a student, Ethan understands precisely where you are in your writing journey.\u003c\/p\u003e\n\u003cp\u003eNow, as one of our most beloved instructors leading workshops in Dublin, Paris, and Tuscany, Ethan plans to share the insider knowledge that changed everything.\u003c\/p\u003e\n\u003ch3\u003eWho Should Attend:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFiction writers\u003c\/strong\u003e with completed manuscripts ready for the next step\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmerging authors\u003c\/strong\u003e seeking their first traditional publishing deal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWriters facing rejection\u003c\/strong\u003e who need proven strategies to break through\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSerious writers\u003c\/strong\u003e committed to understanding the business side of publishing\u003c\/li\u003e\n\u003cli\u003eAnyone who's wondered: \u003cem\u003e\"My writing is strong—why aren't agents responding?\"\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Learn from Ethan Joella:\u003c\/h3\u003e\n\u003cp\u003eEthan's journey is recent, relevant, and replicable. He secured his agent in 2019 and has published three acclaimed novels in rapid succession—all while teaching and raising a family. His approach is practical, tested, and designed for today's hypercompetitive publishing landscape.\u003c\/p\u003e\n\u003cp\u003eAs both a University of Delaware professor and a working novelist, Ethan brings a unique dual perspective: the analytical precision of an educator and the hard-won wisdom of someone who's navigated every stage of the publishing process.\u003c\/p\u003e\n\u003ch3\u003eFormat:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1:45 minutes\u003c\/strong\u003e of concentrated, actionable instruction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 minutes\u003c\/strong\u003e of Q\u0026amp;A to address your specific publishing questions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccess\u003c\/strong\u003e to the recording for enrolled participants\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBonus\u003c\/strong\u003e: Sample query letter template based on Ethan's successful approach\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI would recommend this to any writer looking to take their work to the next level.\u003c\/em\u003e\" - Tara K.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEthan is such a thoughtful teacher. I really enjoyed this class and hope he teaches more classes soon\u003c\/em\u003e!\" -former student\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis class exceeded my expectations and now I have a new tool in my writing toolbox!\u003c\/em\u003e\" -former student\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003e\u003cbr\u003ePAYMENT OPTIONS\u003c\/strong\u003e: \u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003eYou can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTuition is $99 USD. This class will meet live via Zoom. If you can't attend live, a recording will be provided.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInstructor: Ethan Joella\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWednesday, August 5th, 2026\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe class will meet via Zoom, 6:00PM - 8:00PM EST \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $99 USD. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-3d8366dec4183f93ceae\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46684293759224,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/EthanJoellaUpdatedHeadshot2026.png?v=1772561669"},{"product_id":"the-propulsive-plot-tools-and-tactics-for-more-compelling-stories-weekend-intensive-zoom-with-debra-jo-immergut","title":"The Propulsive Plot: Tools and Tactics for More Compelling Stories Weekend Intensive (Zoom) with Debra Jo Immergut on May 2nd and May 3rd, 2026","description":"\u003ch2\u003eWeekend Intensive will Meet on Saturday, May 2nd, \u0026amp; Sunday, May 3rd, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet both days via Zoom for 3 Hours at 2PM - 5PM ET\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e🌍 \u003cem\u003e\u003cstrong\u003eClass Times by Time Zone: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLos Angeles (PST): 11:00 AM – 2:00 PM \/ \u003c\/span\u003e\u003cspan\u003eChicago (CST): 1:00 PM – 4:00 PM \/ \u003c\/span\u003e\u003cspan\u003eNew York (EST): 2:00 PM – 5:00 PM \/ \u003c\/span\u003e\u003cspan\u003eLondon (GMT): 7:00 PM – 10:00 PM \/ \u003c\/span\u003e\u003cspan\u003eBerlin (CET): 8:00 PM – 11:00 PM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor Debra Jo Immergut is the author of the novels \u003cem\u003eYou Again\u003c\/em\u003e, named a \u003cem\u003eNew York Times\u003c\/em\u003e Best of the Year and shortlisted for the 2021 Gotham Book Prize, and \u003cem\u003eThe Captives\u003c\/em\u003e, a 2019 Edgar Award finalist and published in over a dozen countries. She has also published a collection of short fiction, \u003cem\u003ePrivate Property\u003c\/em\u003e. Her essays and stories have appeared in \u003cem\u003eAmerican Short Fiction, Narrative, The New York Times, PANK, Hobart\u003c\/em\u003e, and elsewhere. A recipient of Michener and MacDowell fellowships, she has an MFA from the Iowa Writers’ Workshop. Debra has extensive experience teaching creative writing courses in undergraduate, graduate, and continuing education programs. She lives in western Massachusetts.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eRead \u003ca rel=\"noopener\" title=\"Read an Interview with Debra Jo Immergut on The Art of the Propulsive Page-Turner.\" href=\"https:\/\/writingworkshops.com\/blogs\/news\/the-art-of-the-propulsive-page-turner-an-interview-with-debra-jo-immergut\" target=\"_blank\"\u003ean Interview with Debra Jo Immergut\u003c\/a\u003e on The Art of the Propulsive Page-Turner.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eThis course will benefit writers working on writing more compelling literary or commercial fiction or nonfiction, at any stage of development, from a vague notion to a full draft. It is open to all levels.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEvery story should be, in some sense, a thriller–and there’s no doubt that publishers endlessly crave writing that compels readers to turn pages. In this course, we’ll identify the essential components of narrative tension and suspense in novels and short stories. We will also discuss how character informs plot and how to reimagine genre forms in fresh ways that steer clear of cliche. We will talk about premises, plot twists, outlining, and how to write with greater power and style.\u003c\/p\u003e\n\u003cp\u003eOur sessions together will benefit writers working on literary or commercial fiction or nonfiction, at any stage of development, from a vague notion to a full draft. Writers will take away a set of practical tools and strategies for planning and refining plots and for boosting the propulsive power of their narratives.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eZoom meetings will consist of illustrated craft lectures and generative writing sessions centered on specific techniques for constructing a strong story.\u003c\/p\u003e\n\u003cp\u003eParticipants will have a chance to share bits of in-class work. Sharing is always optional.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TEXTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe’ll analyze excerpts from authors as varied as Kazuo Ishiguro, John LeCarre, Jesmyn Ward, Shirley Jackson, Justin Torres, and Ian McEwan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE OUTLINE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1: \u003c\/strong\u003eThe Power of Premise (finding the soul of your story, using your premise as the engine of propulsion)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: \u003c\/strong\u003eThe Drivers and The Map (how characters inform plot, outlining strategies, twists, withheld Information). Finding the Finish Line (essentials for writing with poetry and precision, ideas about endings, how to revise for a stronger plot, how to keep going)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this course, students will generate a strong premise statement, two new scenes, and an in-depth character study.\u003c\/p\u003e\n\u003cp\u003eOverall, group members will leave with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA stronger premise statement for their work-in-progress.\u003c\/li\u003e\n\u003cli\u003eA deeper understanding of how to use character development as a source of narrative tension.\u003c\/li\u003e\n\u003cli\u003eIdeas for using setting to increase a story's possibilities\u003c\/li\u003e\n\u003cli\u003e2-3 flexible tools for building and assessing story structure\u003c\/li\u003e\n\u003cli\u003e4 strategies for boosting forward momentum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDebra is not only a gifted writer, but she is a gifted teacher of writing. She meets writers where they are and gently takes them to the next level, with insightful feedback, warmth, and good humor. — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDebra has a magical way of fostering rigor, curiosity, and generosity, and my work has grown immensely since the start of the course. — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDebra’s laserlike comments and brilliant suggestions have kept me going this fall and winter. I really can’t recommend this experience enough. — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eI had a wonderful time in Debra’s workshop. A few things stand out: Debra’s warm, welcoming manner and her care in assembling a group of bright, engaged writers. She helped me develop a non-punitive plan — “a roadmap, not a train schedule” — toward completing the first draft of my novel, which has resulted in fruitful writing months. — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eI made so many notes throughout the course about how I might use these strategies in my work. I want to map out the existing structure of the stories I'm revising to help me see what patterns and rhythms emerge and how I can work to complete them in a satisfying and resonant way. I'm feeling excited about completing an unfinished story and revising the two that I'm trying to get ready to send out into the world. Thank you for pointing out a few mechanisms to try! — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGreat balance of instruction and writing time. Loved it, wouldn’t change a thing! Appreciated the instructor’s thoughtfulness and engagement. I’m very new to writing and found the content very helpful and accessible. — former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe content was fabulous; the examples were so eye-opening. It really is the best workshop I've taken in the last year. — former student\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class meets weekly via Zoom on Saturday, May 2nd, and Sunday, May 3rd, 2026\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eTuition is $180 USD. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Debra Jo Immergut\u003c\/li\u003e\n\u003cli\u003eWeekend Intensive will Meet on Saturday, May 2nd, and Sunday, May 3rd, 2026\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass will meet both days via Zoom for 3 Hours at 2PM - 5PM ET Eastern\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e🌍 \u003cem\u003e\u003cstrong\u003eClass Times by Time Zone: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLos Angeles (PST): 11:00 AM – 2:00 PM \/ \u003c\/span\u003e\u003cspan\u003eChicago (CST): 1:00 PM – 4:00 PM \/ \u003c\/span\u003e\u003cspan\u003eNew York (EST): 2:00 PM – 5:00 PM \/ \u003c\/span\u003e\u003cspan\u003eLondon (GMT): 7:00 PM – 10:00 PM \/ \u003c\/span\u003e\u003cspan\u003eBerlin (CET): 8:00 PM – 11:00 PM \u003c\/span\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46703362801912,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/DebraJoImmergutHeadshot2025_1124de07-cd0d-4698-8c71-17423d067cb0.png?v=1755207161"},{"product_id":"writing-our-mother-wound-6-week-multi-genre-zoom-writing-workshop","title":"Writing Our Mother Wound 6-week Multi-Genre Zoom Writing Workshop starts Wednesday, July 8th, 2026","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eClass Starts Wednesday, July 8th, 2026\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eClass will meet weekly on Wednesday Nights via Zoom, 7PM EST - 9PM EST. \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch2\u003eOpen to All Genres \u0026amp; Levels.\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*This course will have an online classroom in \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e with weekly \u003cstrong\u003eZoom\u003c\/strong\u003e meetings. \u003cbr\u003e\u003cbr\u003eLed by Kate Hill Cantrill, author of the short story collection \u003cem\u003eWalk Back From Monkey School\u003c\/em\u003e. She holds an MFA from The Michener Center For Writers, and her stories, essays, and poetry have appeared in literary journals such as: \u003cem\u003eStory Quarterly, The Believer, Mississippi Review, Texas Observer, Blackbird, Salt Hill, \u003ca href=\"https:\/\/www.shortstoryproject.com\/writers\/kate-hill-cantrill\/\" target=\"_blank\"\u003eThe Short Story Project\u003c\/a\u003e\u003c\/em\u003e, and others. She has received fellowships from The Corporation of Yaddo, The Virginia Center for Creative Arts, Jentel Artists’ Residency, and The James A. Michener Fund.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: left;\"\u003eWriting Our Mother Wound is a 6-week, multi-genre writing workshop in which we will explore the deep complexities of our relationships with our mothers in the hopes of illuminating and untangling from what is known as The Mother Wound.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat is the Mother Wound? \u003c\/strong\u003e\u003c\/em\u003eAccording to Bethany Webster, author of \u003cem\u003e\u003ca rel=\"noopener\" title=\"Discovering the Inner Mother A Guide to Healing the Mother Wound and Claiming Your Personal Power by Bethany Webster\" href=\"https:\/\/bookshop.org\/p\/books\/discovering-the-inner-mother-a-guide-to-healing-the-mother-wound-and-claiming-your-personal-power-bethany-webster\/13103109?ean=9780062884442\u0026amp;next=t\" target=\"_blank\"\u003eDiscovering the Inner Mothe\u003c\/a\u003er: A Guide to Healing the Mother Wound and Claiming Your Personal Power\u003c\/em\u003e:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Mother Wound is the pain rooted in our relationship with our mothers that is passed down from generation to generation in patriarchal cultures and has a profound effect on our lives. When left unresolved, we pass on the Mother Wounds our mothers and grandmothers before us failed to heal, which consist of toxic and oppressive beliefs, ideals, perceptions and choices about ourselves, others, and all of life itself. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eUsing craft, peer discussion, and working in different writing formats we will look at this harmful dynamic in ways that we never before considered and create work that much of the world can relate to. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis class was birthed from teaching my Writing Our Family class for many years and seeing this topic arise more than any other.\u003c\/p\u003e\n\u003cp\u003eLook at the most popular memoirs of the last few years and you’ll see that writers around the world are finally ready to address, and hopefully heal, this deep, generational wound. \u003c\/p\u003e\n\u003cp\u003eBy using my multi-genre approach (epistolary, fiction, poetry, non-fiction, memoir), we will be tapping into our deeper selves and unearthing new perspectives on the matter. By focusing on craft and peer critique, we will be creating work that transmutes dysfunction into art. \u003c\/p\u003e\n\u003cp\u003eEach week, every class participant will craft a short (1000-word or fewer) piece to be workshopped, so everyone will leave the class with five pieces of writing that can either stand alone for publication or be expanded later into longer story\/poetry collections, novels, or memoirs. \u003c\/p\u003e\n\u003cp\u003eThis class is open to all levels (please note that we will be addressing the craft of writing as opposed to the basic mechanics of a sentence and paragraphs).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive Polished Multi-Genre Pieces: \u003c\/strong\u003eStudents will complete five distinct 1000-word pieces across different genres (fiction, poetry, memoir, epistolary, non-fiction) that can stand alone for publication or be expanded into longer works like novels, story collections, or memoirs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew Perspectives on Generational Patterns: \u003c\/strong\u003eThrough craft techniques and peer discussion, students will uncover and examine the Mother Wound from angles they've never considered before, gaining a deeper understanding of toxic beliefs and patterns passed down through generations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTools to Transform Personal Pain into Art: \u003c\/strong\u003eStudents will learn specific craft techniques to transmute family dysfunction and personal wounds into compelling, relatable creative work that resonates with readers worldwide.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExperience in Multiple Writing Genres: \u003c\/strong\u003eStudents will gain confidence experimenting with genres they might not typically explore, discovering new creative strengths through epistolary writing, poetry, fiction, and memoir formats.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValuable Peer Feedback and Community: \u003c\/strong\u003eThrough weekly workshops and online classroom interaction, students will receive detailed feedback from both instructor Kate Hill Cantrill and fellow writers, building a supportive community for exploring difficult family dynamics through writing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTUDENTS LOVE KATE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"I am writing review as recipient of a gift from my husband to participate in this course. What a lovely course I experienced with Kate Hill Cantrill. I was a newbie to a formal writing course and also busy with regular life in the meantime. Kate was gracious, passionate, and kind. She was supportive and inspiring in her guidance and feedback. I appreciated the well prepared content and writing prompts, and loved the idea that we could be honest and open about the difficult topics we approached in writing about family. I felt Kate was also particularly patient and encouraging to newcomers to the process. I would recommend her course highly, and also hope to take a future course with her when I have the time.\" -Richard J.\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"I appreciated the ability to experiment with writing genres I would not have ordinarily have had the courage (\u0026amp; maybe even interest) to play around with, e.g., poetry, but surprisingly I really enjoyed writing a freeform piece. The class was life-changing for me because it provided an environment to explore how some of my childhood experiences affected me in a creative way; I am strongly considering sharing these with others.\" -Sonya C.\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"I would recommend Kate's class very highly. The class FAR exceeded my expectations! Kate is a fabulous teacher. She provided excellent input and a reading list of suggested authors that has been inspirational. Kate's feedback was so helpful for my personal growth as was her reading list, positive attitude, and her knowledge about writing was exceptional.\" -Ellen G.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\"Kate Hill Cantrill's class Writing Our Family was excellent! The group of students worked well together, Kate's comments were precise and helpful and I learned a lot. I would do it again!\" -V.S.\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eYou can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eONLINE COURSE STRUCTURE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis class will have a weekly Zoom meeting, weekly deadlines, and plenty of interaction with Kate and your peers with the addition of \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003e\u003cstrong\u003eWet Ink\u003c\/strong\u003e\u003c\/a\u003e, a dedicated online classroom. Craft materials, lectures, reading assignments, and writing prompts are all available through the online classroom. Students also post work and provide and receive feedback within the online classroom environment. You can get the work done as you see fit week-to-week, so it is perfect for any schedule. There are discussion questions each week inspired by the assigned readings and topics in the lecture notes. Students are encouraged to take these wherever is most compelling and\/or useful for them. Each writer will have the opportunity to submit their work, receiving detailed feedback from their peers as well as Kate; follow-up questions and conversations often occur. Kate engages with these discussions throughout the week.\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003e\u003cstrong\u003eWORKSHOP DETAILS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eInstructor: Kate Hill Cantrill\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eClass size limited to 8 writers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eClass Starts Wednesday, July 8th, 2026\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eClass will meet weekly on Wednesday Nights via Zoom, 7PM EST - 9PM EST\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe course is fully online, with students participating in a weekly Zoom meeting and working according to their own schedule within weekly deadlines in Wet Ink. Once you have enrolled, the instructor will send you a link to our online classroom, provided via \u003ca href=\"https:\/\/wet.ink\/\" target=\"_blank\"\u003eWet Ink\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf you have questions, please contact us \u003ca href=\"https:\/\/writingworkshops.com\/pages\/contact\" title=\"Contact\" target=\"_blank\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cscribe-shadow id=\"crxjs-ext\" data-crx=\"okfkdaglfjjjfefdcppliegebpoegaii\" style=\"position: fixed; width: 0px; height: 0px; top: 0px; left: 0px; z-index: 2147483647; overflow: visible; visibility: visible;\"\u003e\u003c\/scribe-shadow\u003e\u003c\/p\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46718866751736,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/products\/KateHillCantrill.png?v=1607380017"},{"product_id":"creating-difficult-characters-with-karen-e-bender-1-day-fiction-master-class","title":"Creating Difficult Characters with Karen E. Bender 1-Day Fiction Master Class (Zoom) on Saturday, May 2nd, 2026","description":"\u003cdiv id=\"block-0c22edf6c5f4ee9d89a4\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eLive Seminar Via Zoom Saturday, May 2nd, 2026\u003cbr\u003e\u003cbr\u003eClass will meet 12PM - 4:00PM EST\u003c\/h2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e🌍 \u003cem\u003e\u003cstrong\u003eClass Times by Time Zone: \u003c\/strong\u003e\u003c\/em\u003eLos Angeles (PST): 9:00 AM – 1:00 PM \/ Chicago (CST): 11:00 AM – 3:00 PM \/ New York (EST): 12:00 PM – 4:00 PM \/ London (GMT): 5:00 PM – 9:00 PM \/ Berlin (CET): 6:00 PM – 10:00 PM\u003c\/p\u003e\n\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaught by Karen E. Bender, author of three collections: \u003c\/span\u003e\u003cem\u003eRefund\u003c\/em\u003e\u003cspan\u003e, which was a Finalist for the National Book Award, shortlisted for the Frank O'Connor International Story Prize, and Longlisted for the Story prize; \u003c\/span\u003e\u003cem\u003eThe New Order\u003c\/em\u003e\u003cspan\u003e, which was Longlisted for the Story prize; and \u003c\/span\u003e\u003cem\u003eThe Words of Dr. L\u003c\/em\u003e\u003cspan\u003e,  published in May, 2025. Her novels are \u003c\/span\u003e\u003cem\u003eLike Normal People\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eA Town of Empty Rooms\u003c\/em\u003e\u003cspan\u003e. Her fiction has appeared in \u003c\/span\u003e\u003cem\u003eThe New Yorker, Granta, Ploughshares, Zoetrope, The Yale Review, The Harvard Review, Story, Guernica\u003c\/em\u003e\u003cspan\u003e, and others, have been reprinted in \u003c\/span\u003e\u003cem\u003eBest American Short Stories\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eBest American Mystery\u003c\/em\u003e\u003cspan\u003e stories and won three Pushcart prizes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHow do you create difficult characters--or, ones that you can't stop reading about? In this course, we will examine a few different types of difficult or \"unlikeable\" characters.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWe will read some examples of great and mesmerizing difficult characters in literature, reading work by writers including Lorrie Moore, Elena Ferrante, John Cheever, Edward P. Jones, Jhimpa Lahiri and Gish Jen, and see how writers create them.\u003c\/p\u003e\n\u003cp\u003eWe will see how writers use juxtaposition and layering to make them rounded. We will have time for generative work so that you can work on developing your own difficult characters. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The week of the seminar, Karen will email several PDFs of stories to read; you can read these before class, but you don't have to. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCan't Make It Live?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cstrong\u003eCOURSE TAKEAWAYS\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eUnderstand the techniques writers use create difficult characters\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSeveral character sketches that you can incorporate into current or future drafts\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThink strategically about past drafts and how to deepen your characters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCOURSE EXPECTATIONS: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe will be going over the different types of difficult characters in class and then writing generative exercises to practice exploring these characters. Students should come to class ready to write and will have opportunities to share work if they like. They will leave class with a variety of memorable characters and ideas on how to develop them.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis seminar exceeded my expectations. I loved going through the different types of story openings that exist and then seeing clear-cut examples of each from the materials that were shared in class. Karen is a fantastic facilitator!\u003c\/em\u003e\" -Alexandra Y.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eClass was excellent and exceeded my expectations. I found Karen's approach of writing an opening that set up two questions extremely valuable. Five of five stars\u003c\/em\u003e.\" -Diane K.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI though Karen gave great input on our exercises. I would highly recommend this seminar! I learned so much.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The best part about the Exploring Strategies for Story Beginnings seminar with Karen E. Bender were her insights, warmth, generosity, intelligence and the categories for types of story beginnings she presented to us. Karen is a wonderful instructor, and I've taken all of her seminars.\" -former student\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe close reading of the texts was extremely valuable. Karen is a great teacher, and I though this was a great seminar on strategies for story beginnings.\u003c\/em\u003e\" -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I found Karen's teaching so valuable. She dives right in and I love her style. I signed up for her other seminars after I took this one. Thank you!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In her seminars, Karen always offer such specific techniques, which has helped me deepen my understanding of craft and benefited my writing practice. Thank you!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen's class taught me invaluable writing techniques that I missed because I have a JD instead of an MFA. This was so great! Thank you, Karen!\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I loved the structure of understanding various story openings and emphasis on goals for first paragraphs. This class definitely exceeded my expectations.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It was great. I was working on a rewrite, came to the realization that I needed more interiority, saw this class, jumped on it, and I've already used some of the techniques. The concepts and ideas that were coupled with good, well-paced exercises.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This class helps all levels of writers get better access to the all-important matter of characters. Highly recommend.\"\u003c\/em\u003e -former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"What a fantastic person! I liked her style, her content, and her drive for us to get the most out of 2 hours. Karen really pointed out a fantastic technique and her enthusiasm is infectious. I just wanted more time with her!\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Exceeded expectations. Lots of content, practice, plus interaction packed into Zoom.\" \u003c\/em\u003e-former student\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Karen E. Bender's Strategies for Story Beginnings seminar exceeded my expectations! Karen is an excellent teacher: she is patient, explains all her materials well and provides valuable examples and feedback. I really enjoy how Karen runs her courses. This is the second of hers I've taken, and I plan to take more. In fact, I recommended Karen's classes enough after the first one I took that a friend joined me for this one. Thank you again!\" -former student\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eONLINE COURSE STRUCTURE:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/div\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTuition is $150. You can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. These options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: Karen E. Bender\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive Seminar Via Zoom on Saturday, May 2nd, 2026\u003c\/li\u003e\n\u003cli\u003e12PM - 4PM EST\u003c\/li\u003e\n\u003cli\u003eLive Seminar Via Zoom. Can't Make It Live? No problem! The session will be recorded and available to watch after the seminar concludes.\u003c\/li\u003e\n\u003cli\u003eTuition is $150.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":46727259488504,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/Karen_Bender_Headshot_0f28a25c-9ca9-451d-9526-202ab68f3154.png?v=1736023512"}],"url":"https:\/\/writingworkshops.com\/en-be\/collections\/hub-fiction-writing-classes-workshops.oembed","provider":"Writing Workshops","version":"1.0","type":"link"}