{"product_id":"hues-within-without-poetry-of-color-writing-workshop-online","title":"Hues Within \u0026 Without: The Poetry of Color Poetry Workshop with John Sibley Williams on Wednesday, May 20th and May 27th, 2026","description":"\u003ch2\u003eWednesday, May 20th and 27th, 2026\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003eClass will meet for two sessions via Zoom on Wednesdays, 6:00–8:30 PM EST\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAny questions about this class? Use the Chat Button to talk with us. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe session will be recorded and available to watch after the seminar concludes.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eInstructor Bio\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eInstructor John Sibley Williams is the author of nine poetry collections, including \u003cem\u003eScale Model of a Country at Dawn\u003c\/em\u003e (Cider Press Review Poetry Award), \u003cem\u003eThe Drowning House\u003c\/em\u003e (Elixir Press Poetry Award), \u003cem\u003eAs One Fire Consumes Another\u003c\/em\u003e (Orison Poetry Prize), \u003cem\u003eSkin Memory\u003c\/em\u003e (Backwaters Prize, University of Nebraska Press), \u003cem\u003eskycrape\u003c\/em\u003e (WaterSedge Poetry Chapbook Contest), and \u003cem\u003eSummon\u003c\/em\u003e (JuxtaProse Chapbook Prize). His book S\u003cem\u003eky Burial: New \u0026amp; Selected Poems\u003c\/em\u003e is forthcoming in translation from the Portuguese press do lado esquerdo. A thirty-five-time Pushcart nominee, John serves as editor of \u003cem\u003eThe Inflectionist Review and \u003c\/em\u003ePoetry Editor at Kelson Books. Previous publishing credits include \u003cem\u003eBest American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, \u003c\/em\u003eand\u003cem\u003e TriQuarterly\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWho is this class for?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis poetry writing workshop is for poets interested in exploring how color—in all its variety, interpretations, and metaphors—can impact and enhance their work. Open to all levels.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn What Is Color in Poetry, Dorothea Lasky writes, \"Color creates an expanse; a field, a shared formal field, with which to plant more shared components of the material imagination, a poem. Color makes this space bigger, this imaginative space more specific and bigger, gives it weight, makes it solid.\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe colors of a poem, whether precisely named or implied, filter through you just like the poem itself, as if you are a prism. Each hue has its own story to tell. The use of color—or the deliberate absence of it—can make or break your poem.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this online poetry workshop, you will analyze a variety of poems with unique color focuses, including the abstract, nature, and the deeply human. Poets you'll read include classics such as Robert Frost, William Carlos Williams, and D.H. Lawrence, as well as fresh contemporary voices such as Maggie Nelson, Donald Hall, Jenny Xie, Aimee Nezhukumatathil, Marge Piercy, and Marvin Bell. There will also be a variety of writing activities throughout and an opportunity to share your work with our small, safe group of wonderful poets. The workshop includes a robust 40-page workbook.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eWhat are the writing goals?\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn this course, students will enjoy a variety of short prompts as well as generate two poem drafts. You will have the opportunity to share your work with the group in a supportive environment.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003e\u003cstrong\u003eReadings\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReadings will come from the included 40-page workbook. No outside reading required.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE OUTLINE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSession 1 (Wednesday, May 20): \u003c\/strong\u003eAnalyze a variety of poems with unique color focuses, including the abstract, nature, and the deeply human. Read work by Robert Frost, William Carlos Williams, D.H. Lawrence, Maggie Nelson, Donald Hall, Jenny Xie, Aimee Nezhukumatathil, Marge Piercy, and Marvin Bell. Participate in writing activities and begin generating poem drafts.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSession 2 (Wednesday, May 27): \u003c\/strong\u003eContinue exploration of color in poetry. Complete additional writing activities and share your work with our small, supportive group of poets.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCOURSE TAKEAWAYS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1.5 [li_\u0026amp;]:gap-1.5 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-2 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eStudy diverse poetry that successfully employs color for great effect\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLearn and practice how the use of color in poetry impacts poetic imagination\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLearn and practice how the use of color in poetry grounds readers in the world of a poem\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eLearn and practice how the use of color in poetry adds sensory input to help readers truly enter and experience your work\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eGenerate two poem drafts using color as a central craft element\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTESTIMONIALS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I feel so grateful to John for keeping his top-notch editing\/critique and workshop rates quite affordable because it’s allowed me to make such remarkable improvements over just the last year. One major breakthrough I’ve made under his tutelage is to more keenly and instinctively write from the basis of image as opposed to the abstract questionings I would previously use to launch my poetic explorations. John’s feedback often includes suggestions for mini-exercises to help hone my weaker grasp on certain elements of craft, and his vast, wide-ranging knowledge of (and awe-inspiring passion for) all things poetry-related always ensured that there was never a shortage of new suggestions or approaches to try. John has that rare, all-inclusive teaching talent for being able to show not only the what and the why, but mostly importantly, the how. I can’t thank John enough for all his generosity with his skills and expertise. ” — Abigail Licad\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Over the past couple of years working together, I’ve found John Sibley Williams to be a careful reader\/editor who is willing to push me out of longstanding habits. His critiques are straightforward, and his suggestions are clear and thought-provoking. John does not hesitate to push back strongly on pieces which are skeletal or merely musings without a center. That said he is also honest about his personal preferences. This provides room for my own instincts while alerting me to various untethered spots in the poems. I’m so grateful for John’s guidance which has deepened my thinking around process and craft.” — Greta Nintzel\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“John is an exceptional teacher, poet, and editor. He expresses genuine interest in my poetry and progress as a poet, offering honest, insightful critiques and resources. I have taken his inspiring, generative workshops and received detailed feedback on individual poems as well as a thorough critique of a full-length manuscript. More than anything, John helps me deepen my understanding of my own aesthetic and draws out my poetic voice more fully.” — Sandra Fees\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I call John Sibley Williams trusted friend and reader now. When I shared my most recent manuscript with him, his responses were extremely thorough and sensitive. John deeply respected my poems and my intent, even when he had thoughtful and honest suggestions to offer. He was always cognizant of his approach versus my own, a rare gift.” — Amy Small-McKinney\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I have never received such detailed and genuine feedback of my poetry. Prompt in his turnaround and constructive at every level, John’s edits not only showed me a pathway out from the muddle I’d found myself in, but also key tactics to use in making myself a better poet. With a keen perception for theme and style, he understood completely the purpose and intended message of my manuscript. His feedback that was both holistic with a general overview and specific with line edits where needed. I will return to his editing services time and time again.” — Daniel Lassell\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I had an exceptionally positive experience working with John. He is a careful, thoughtful reader who can see what’s working well in a poem, and what needs a new approach. In my case, I had a few long poems that I could never seem to whip into shape. He helped me find the form that worked best for my material, and to find the sweet spot between providing enough information to a reader to follow along and maintaining the mystery in a poem that a reader wants to discover for themselves.” — Maximilian Heinegg\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Working with John Sibley Williams was a phenomenal experience that far exceeded my expectations. He provided nuanced readings of each one of my poems and attended to the larger themes in my collection. A generous editor, he saw what each poem was doing (or tried to do), then pinpointed ways to make it stronger. Through discerning and exacting feedback, he is also deeply respectful. His aesthetic range facilitates incisive feedback about how to maximize each poem’s effect on a potential reader. He also provided comments on my collection as a whole, including the sequencing of poems and the arc of the manuscript. In working with John, I learned so much about myself as a poet, and his feedback made me feel invigorated and ready to revise. Without a doubt, John is now one of my most important readers. I’ll definitely be sending him more work in the future!” — Shannon Winston\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“For the price of a weekend writing workshop John provided personal feedback on my first collection of poems. He brought his experience, skill, and attention to each line. He helped me clarify what was working and what needed to be reworked, or cut, both on a particular and large scale. It was exactly what the book needed and well worth the price. His suggestions were insightful and improved the individual poems which made the whole collection feel ready! I highly recommend his editorial service to anyone who is preparing a manuscript.” — Twila Newey\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I met John at a time I was seeking to re-energize my poetry writing after a long hiatus. I started my collaboration with John by sending him 4 poems for his review—some new, some stuck in limbo for many years. I have found John’s review and commentary on my work to be very helpful, encouraging, and honest. He provides both big picture and detailed observations and, while my style is much different from his, I feel John respects and hears my voice. I look forward to continuing my work with him.” — Connie Soper\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I enjoyed the process and appreciate John’s careful eye. I really needed an objective viewpoint, which others hadn’t given me. John provided detailed responses and thorough line edits. He also has a great “bedside” manner, meaning that I asked for hard criticism and the truth and he provided those while being eager and encouraging, hard-nosed and exacting. I really appreciate this experience and want more of it.” — David Lohrey\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“I worked with John Sibley Williams on two batches of poems and found his critique to be invaluable in my revision process. He is a very careful and thoughtful reader. He provided thorough and detailed responses to the poems as well as an overview response for each poem. He is able to critique work that is outside of his own aesthetic and his critique is offered in the spirit of making better poems. I highly recommend his services.” — Feral Willcox\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePAYMENT OPTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eYou can pay for the course in full\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"\u003e \u003c\/span\u003e\u003ci\u003eor\u003c\/i\u003e use Shop Pay or Affirm to pay over time with equal Monthly Payments. Both options are available at checkout.\u003c\/div\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eInstructor: John Sibley Williams\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWednesday, May 20th and 27th, 2026\u003c\/li\u003e\n\u003cli\u003eClass will meet for two sessions via Zoom on Wednesdays, May 20th and May 27th, 2026, 3:00–5:30 PM EST \/ 6:00–8:30 PM EST\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTuition is $180 USD.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Writing Workshops Org","offers":[{"title":"Default Title","offer_id":47635454591224,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/3917\/4532\/files\/JohnSibleyWilliamsHeadshot.png?v=1746829020","url":"https:\/\/writingworkshops.com\/products\/hues-within-without-poetry-of-color-writing-workshop-online","provider":"Writing Workshops","version":"1.0","type":"link"}