Rebecca Winterich-Knox on Scene, Summary, and Writing Mothers and Daughters
"Show, don't tell" is the first rule many writers learn, and Rebecca Winterich-Knox counts it among the worst pieces of...
Blog — Online Workshop
Kate Milliken on Point of View, Confidence, and the First Door Every Reader Walks Through
Fin Leary on Sustaining Dread in the Horror Novel: Meet the Teaching Artist
Meet the Teaching Artist: Nicole Meier on Revision, Rest, and Trusting Your Own Read of the Story
Meet the Teaching Artist: Andreas Trolf on Three-Act Structure in Short Fiction
Meet the Teaching Artist: Laura Carney on Memoir, Voice, and Writing for an Audience of One
Meet the Teaching Artist: Elise LeSage on Writing the Non-Human Narrator
Elise LeSage wants to know whether you would still be you in the body of a cat. Thomas Nagel, the...
Michelle Kicherer on Writing the Novella, Voice, and Killing Your Clichés
Brittany Ackerman on Attention, Obsession, and Claiming Your Narrative Authority
Aida Zilelian on Turning Family Conflict Into Story
Minda Honey on Writing About Your Father Without Losing Yourself
