Led by Lauren Brazeal Garza, an author and Ph.D. candidate in literature at the University of Texas at Dallas with an MFA in writing from Bennington College. Her published poetry collections include Gutter (YesYes Books, 2018), a memoir-in-verse which chronicles her homelessness as a teenager. She has also published three chapbooks, most recently Santa Muerte Santa Muerte: I was Here Release Me (Tram Editions, 2023), which features fictional interviews with ghosts. Her work has appeared in Poetry Northwest, Waxwing, and Verse Daily among many other journals.

Now more than ever, poetry allows us to speak of our own experiences on our terms. Unlike prose-based memoir, which is often preoccupied with the facts of an event, or when things take place on a timeline, the poetry of memory can instead focus on the feelings and senses of a memory’s architecture, and the unique ways our memories connect to one another.

In this four-week generative workshop, we will study and discuss techniques used by a variety of poets who have written their own stories and experiences in interesting ways, including Joy Harjo, Jane Hirshfield, and Yusef Komunyakaa.

You will also draft one poem each week that experiments with sharing a memory or experience and share it in our class’s weekly writing workshop and receive weekly feedback from Lauren.

At the close of the course, each student will choose one poem they are most proud of to share with the class during our final Zoom session as part of a celebratory reading.

Lauren will provide all course texts to the class for free.

COURSE TAKEAWAYS:

• We will study and learn a variety of techniques used by contemporary poets who work within their own memories and experiences.
• We will explore and experiment with approaches to writing about our lives by workshopping one draft of a poem per week, begun during in-class writing sessions based on open-ended generative prompts.
• We will also gain experience discussing our work within the supportive community of peers in this course.
• We will leave the course with a better toolbox for writing poems based on our own experiences, and thinking about ways in which we might read and write memoir-in- verse.
  

COURSE OUTLINE:

• Week 1: Introduction: The Architecture of Memory in Poems
• Week 2: Memory as launching point: Using memory as a tool
• Week 3: The Five Senses: Writing the past though image, taste, sound, smell, and touch
• Week 4: Course Finale: Publishing our Work, Reflections, and Looking Towards the Future

TESTIMONIALS:

“This was one of the most charming and well-put-together courses I've had the pleasure of taking. Discussions were open and full of ideas coupled with informative lectures. If you participated in class, the rewards were clear and obvious. Ms. Brazeal Garza was an excellent teacher for this subject and genuinely had me interested in new topics.” -Tiffany W.

"Lauren is phenomenal! She is extremely passionate, kind, and smart. She has the student's best interests at heart and makes great points on how to improve our writing. One of the best writing instructors I've had. I hope more writers take her classes in the future. She is also very organized and is an overall great teacher" -Megan K.

"This was most definitely one of my favorites from this year. The course was extremely flexible, and I found substantial value from the course material” -Mark L.

"Lauren gave me room to grow and showcase what I can achieve as both a creative writer and reader. I'm so grateful for her class and her insights, which have genuinely made me a better writer." -Alex S.

“I love love loved this course! It was super fun and I had a great time. I especially appreciated how much freedom we were given for the writing prompts, and the structure of the workshop and peer comments were so effective and helpful.” -David R.

ONLINE COURSE STRUCTURE: